kijii This Edward Albee play was directed for film by Tony Richardson and has an all-star cast headed up by Oscar winners, Katherine Hepburn, and Paul Scofield as a late middle-age couple living a "delicate balance" in their up-scale New England home. The balance is disrupted when their best friends (Betsy Blair and Joseph Cotton) arrive to stay with them because they feel "an indescribable sense of terror" in their OWN house. After these friends are given their married daughter's room, she (Lee Remick), returns "home" to re-take residence in her old room, announcing that she is on the verge of yet another of her several divorces. Added to this is the fact that Kate Reid (who plays Hepburn's sister) has never left the home in the first place.The drama plays out as each of these characters try to confront their situations without knowing how to broach it except through drinking, worrying, and trying to talk it through.

bkoganbing Probably were it not for the American Film Theater, that noble project which ultimately did fail of bringing productions of classical American works to film, we might never have seen A Delicate Balance. It's like a lot of O'Neill's work, it's all in the creation of the characters.Certainly a play which consists of six characters sitting around and talking would not be considered anything film-able today. A Delicate Balance for me seems to take off in the same directions as Edward Albee's other classic, Who's Afraid of Virginia Woolf and also bears no small resemblance to O'Neill's Long Day's Journey Into Night.Both of those films however had bigger budgets and were made more cinematic by having the players move into various locations. The one set technique just doesn't work here. This is not for instance a story as gripping as Alfred Hitchcock's Rope or Rear Window. My guess is that the budget was blown on getting the high priced stars.Paul Scofield and Katharine Hepburn play a pair of sixty somethings married and living in a posh Connecticut suburb, the kind of place Hepburn grew up in and knew well. Living with them is Hepburn's leach of a sister Kate Reid who they keep well supplied with alcohol and who lives there at Hepburn's insistence. Otherwise Scofield would have tossed this one out with the trash years ago. But he bows to Hepburn's wishes to keep peace and order, a delicate balance if you will.They get two intruders in their well ordered lives one day. Their neighbors and long time friends, Joseph Cotten and Betsy Blair just ring the bell and announce that something unknown has frightened them in their home and they need to move out and move in with them. Scofield offers them his daughter's room.But then daughter announces she's moving back after failed marriage number four. Needless to say that causes the balance to go out of whack. Lee Remick is the daughter and she's a selfish and spoiled suburban princess. After this everybody grates on each other's nerves.Short and on plot, but deep on characterization is A Delicate Balance. It explores the problems of old age and loneliness. Cotten and Blair have no children and Scofield and Hepburn take little comfort in Remick. Perhaps if there were grandchildren things might be different for both couples. There was a son who died for Hepburn and Scofield and that seems to have cast a permanent pall over both of them.Though Remick is blood kin, Hepburn and especially Scofield have more in common with their neighbors. How it all works out is for you to see A Delicate Balance for.The film's saving grace is the wonderful performances by the cast. The original Broadway production ran for 132 performances in 1966-1967 and starred Hume Cronyn and Jessica Tandy in the Scofield-Hepburn roles. But certainly Kate and Paul were going to sell more tickets than either of the other two worthy players.Not that A Delicate Balance did much business back in the day. These films were for limited release in any event and if it's making money it's now in video sales and rentals. Still we can thank the American Film Theater for its preservation with some of the best preservers around.

director-201 A film with that name simply has to deal with a marriage. Most especially if it's from the 1970s and stars Katharine Hepburn and Paul Scofield. This drama concerns the most fragile relationship we could imagine, a sharp edge of lost youth and icy pain tinging the whole narrative from the very beginning. It's an Edward Albee play and it won a Pulitzer, so the writing is effective, the relationship mechanisms are intricate and run deep, the characters introduced into to the realm of the sad couple are perfectly cast, and alcohol has a strong presence. I found myself fascinated by how the delivery and contents of the conversations made me cringe uncomfortably.Let's compare it to John Cleese, but let's skip the humor I suspectthat A Delicate Balance would not quite be recommended by today's media-happy cinema, it would simply be acknowledged as a masterpiece, albeit a depressing one. Here are some of my favorite quotes from the film: "They say we dream to let the mind go raving mad." "There's nothing here but rust and bones." "Such silent sad disgusting love…"The following dialogue snippet plays the control and submission game well:Agnes (Hepburn): You are NOT young now, and you do NOT live at home.Tobias (Scofield): Where do I live? Hepburn: In the deep dark place…So, there is quite a bit of malice and strange ticks that come from years of not speaking about what needs attention, and instead dealing with only the perceived pleasant, which eventually becomes unpleasant and slowly rots. In the end, some marriages end up this way- if you decide to rent this movie, be warned that some of the tactics of subliminal knife-throwing are dangerously poignant and we can recognize them, if not in ourselves, but in the couple next door, or that guy that we know, or the newlyweds bickering in the grocery store.Love is attainable- be assured. There is effort to life, however, and we can only get better if we continue to strive towards enlightenment, and it starts at home and with our close ones.This film came out in 1973, which is my favorite time of cinema, perhaps because that decade was my first, and I know that I was influenced by all types of signs of the times at the time- music, literature, cinema, news, clothing. There was a stoic way of looking psychotherapy in the eye and not being afraid of getting a little depressed or depressing, embracing the dull and dysfunctional, if you will: like the storyline of the Ice Storm, or Bergman's Cries and Whispers. (As I understand, even Bergman declined to direct the movie version of A Delicate Balance- perhaps he was in a bad marriage himself?) Hollywood of the 1970s was more about truth than the bottom line, making it an excellent time for Albee and his keen sense of the psycho-drama.Watch it: A Delicate Balance. It will leave you dumbfounded and with a metallic taste in your mouth, as if something unwanted but ever-present entered your soul to remind you about the perils of lost youth and unspoken love.

Smalling-2 Scenes from the life of an argumentative middle-class family: a strong-willed wife and a resigning husband are confronted with her alcoholic sister, their continuously marrying daughter, and their friend couple who are afraid of being alone.Completely uncinematic, downbeat and very static photographed play, from a Pulitzer prize-winning Albee material, with all the psychological soul-killings expected from the author. A pretty valuable record of a theatrical performance: brilliant dialogue and acting are the best it can offer - and it does so.