When he sees members of the audience crying while he’s performing his dance, Xavi is a bit disappointed. If they’re crying because they’re moved by his dancing as an art form, that’s fine. But if it’s out of pity because he’s in a wheelchair, they can “fuck off.” A similar attitude can be detected in Jos de Putter and Clara van Gool’s portrait of the Catalan dance collective Liant la Troca, whose members include people with a physical disability. One by one, they spotlight some of these intriguing personalities.
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When he sees members of the audience crying while he’s performing his dance, Xavi is a bit disappointed. If they’re crying because they’re moved by his dancing as an art form, that’s fine. But if it’s out of pity because he’s in a wheelchair, they can “fuck off.” A similar attitude can be detected in Jos de Putter and Clara van Gool’s portrait of the Catalan dance collective Liant la Troca, whose members include people with a physical disability. One by one, they spotlight some of these intriguing personalities.
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Jean Charles Counet
DOXY Films ,
