Accordion Player

Accordion Player

1888 ""
Accordion Player
Accordion Player

Accordion Player

5.5 | en | Documentary

The last remaining film of Le Prince's LPCCP Type-1 MkII single-lens camera is a sequence of frames of his son, Adolphe Le Prince, playing a diatonic button accordion. It was recorded on the steps of the house of Joseph Whitley, Adolphe's grandfather.

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5.5 | en | Documentary | More Info
Released: January. 01,1888 | Released Producted By: Whitley Partners , Country: United Kingdom Budget: 0 Revenue: 0 Official Website:
Synopsis

The last remaining film of Le Prince's LPCCP Type-1 MkII single-lens camera is a sequence of frames of his son, Adolphe Le Prince, playing a diatonic button accordion. It was recorded on the steps of the house of Joseph Whitley, Adolphe's grandfather.

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Director

Louis Aimé Augustin Le Prince

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Whitley Partners ,

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Reviews

vukelic-stjepan As i say in title, this is first movie where we can see musical instrument. And that musical instrument is melodeon, a kind a similar instrument to 'harmonika', very popular instrument in my country. And I am so proud that 'harmonika' is first instrument that is recorded in movie.That is reason to me to give higher vote to this film in compare to other Le Prince movies. I wachted all four and I can divide his movies to 2 simple groups - good movies (Roundhay garden scene and Accordion player), and not so good movies (Traffic crossing Leeds bridge and Man walking around the corner).
Michael_Elliott Accordion Player (1888)Louis Aime Augustin Le Prince is a name very few people will recognize but he's created with being the first "director" in the history of cinema thanks to early films like this one as well as TRAFFIC CROSSING LEEDS BRIDGE and ROUNDHAY GARDEN SCENE. All of these films lasts a mere bit of seconds so it's impossible to judge them as you'd judge a movie today but I must admit that no matter how many times I watch them I can't help but get chills.You've gotta love watching these films even though they are so short and don't contain anything we'd expect from a film today. ACCORDION PLAYER shows just that. It lasts around five seconds and you just see a boy playing the instrument. Again, there's nothing special here but there's no doubt that it's historically very important. Every format has to start somewhere.
Horst in Translation (filmreviews@web.de) Although the quality of this 3-second long short film is exactly what you would expect for a work from 1888, this is quite an enjoyable piece of art. Even if you can't see any details and also not the musicians face, which on my assumption 100% was smiling or laughing, the joy he radiates is simply contagious.This is the third and penultimate project by Louis Aimé Augustin Le Prince from 1888 and also from his career. Sadly he disappeared under mysterious circumstances about two years later and was never seen again. However, this shouldn't keep us from watching and enjoying the legacy he left us.
Pencho15 I've written in other reviews about the enormous meaning of Le Prince's films since he was the first movie maker ever, also I have mentioned that his mysterious disappearance caused that most of his work went missing and therefore we only know small fragments of his movies, after mentioning this there is little left to say about Accordion Player. This is the third of the four surviving Le Prince films, and as the other, due to the fact that we are watching the first steps of cinematography, it also means we have things that had never happened before, in this case the first leading role in a movie.The few seconds of film shows us Le Prince's son, Adolphe, playing an accordion at the entry of his house (the same we can see in Roundhay Garden Scene?), that means this single character occupies all the screen time and so he plays the leading role that no one in Roundhay Garden Scene can claim. The young man looks happy while playing and he dances to the sound of a melody we will regretfully never hear. As the other Le Prince films, this is not spectacular and will only interest those of us that really love cinema and its history. But as the inventor of film I think all Le Prince work deserves to be watched and enjoyed, it is always great to see how everything started.