ub astiff
Not to spoil or create a "spoiler" however: One of the most racist films I have ever seen. The film lacks proper research, the cast of interviews (except for a few) are UN-credible. The film maker was completely biased, when he could have been enlightening. To suggest that a race "created" punk rock (and then give the proof he suggested) is just sick. To suggest a "class" created punk rock is more believable.Some of the interviews however, were heart felt. I will say the structure form of the film was not bad (editing etc.) TO try to give yourself a name especially in Punk (when he contributed nothing to the foundation of punk) and build street credit by using race as the catalyst is sad and should be seen for what it really is. Using these artist and kids in this film for a racially motivated act is also disgusting. Please stop making yourself a martyr dear film maker, punk was created to demolish "idols".
ginkoale
Afropunk is a film that explores the experiences of African Americans living the hardcore/punk lifestyle in the United States. The film presents a surprisingly comprehensive account of the matter as the director captures the lives of a wide variety of black punks and bands that cover many of the subgenres that fall within the banner of hardcore/punk. Even more, the film manages to convey the perspectives of both black males and females, which is rather impressive, considering the fact that most punk scenes are unfortunately dominated by (white) males. Whether in the suburbs or in the city, the point reiterated in the film is that there is a terrible lack of racial minorities who are participating in the punk movement. And why should this be? Especially considering the importance of the anti-racist message within punk rock, it doesn't seem to make much sense that white males should dominate a subculture that is supposed to strengthen a demographic that has been excluded from mainstream society. I think the overall message in Afropunk is not that punk is not black enough, but rather, punk in America is way too white.
moe-79
This film, which many may assume is a historical punk documentary, actually is an honest and needed treatment of race and identity. Punk and Hardcore music is simply the microcosm in which it is told. First time Director, James Spooner, in telling this story, has opened new dialogues on these crucial subject both intra and interracially. Many times funny, sometimes sobering, a wake up call to America. An examination of the duality of racial identity that DuBois called "double consciousness." What could have been "The Bad Brains Story" is a story about kids, alienated by two cultures and two communities. Many of these punk and hardcore kids have never questioned their role in the punk scene or the black community until their interviews, and it's obvious as they struggle on camera to reconcile a fragmented self. Brilliant.
jazzest
Afropunk, a documentary about black kids in the US punk rock scene, represents an honest voice of director James Spooner, whose experience as a minority inside a minority community (a black in a punk community or a punk in a black community) parallels the film's four main characters' stories. The documentary comprises interviews, the interviewees' lives, and their live performances. While the interviewees do not know each other, their experiences are similar: born and raised in a predominantly white neighborhood, being only one black person in a local punk scene, dating almost exclusively white boys/girls due to the interest proximity, admiring legendary black punk band Bad Brains, and trying to establish and maintain their ties to the black community. According to the director, the film has been appreciated by both the mainstream black audience and the mainstream (mostly white) punk audience, as well as by comparatively small black groups in the alternative art scene. But you have to be neither punk nor black to appreciate the film; it has universal appeal to anyone who feels that they are different from what they are supposed to be.
AD
