Ah, l'Amour

Ah, l'Amour

1995 ""
Ah, l'Amour
Ah, l'Amour

Ah, l'Amour

7.2 | en | Animation

In this clever satire of toxic men, a cartoon pickup artist is violently torn apart by the women he targets, seen only through his own one-sided, ridiculously misogynistic point of view. Don Hertzfeldt's first student film, he plays the part of a mentally unwell animator who's losing his grip within his own movie; an idea he'd later revisit in other early "meta" shorts "Genre" and "Rejected". Despite being produced at the age of 18 and not intended for exhibition, HBO named it "The World's Funniest Cartoon" in 1998.

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7.2 | en | Animation , Comedy | More Info
Released: March. 25,1995 | Released Producted By: Bitter Films , Country: United States of America Budget: 0 Revenue: 0 Official Website:
Synopsis

In this clever satire of toxic men, a cartoon pickup artist is violently torn apart by the women he targets, seen only through his own one-sided, ridiculously misogynistic point of view. Don Hertzfeldt's first student film, he plays the part of a mentally unwell animator who's losing his grip within his own movie; an idea he'd later revisit in other early "meta" shorts "Genre" and "Rejected". Despite being produced at the age of 18 and not intended for exhibition, HBO named it "The World's Funniest Cartoon" in 1998.

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Director

Don Hertzfeldt

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Bitter Films ,

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Reviews

MisterWhiplash Though not on the level of insane brilliancy as with Don Hertzfeldt's most recent (within the last several year), Ah L'Amour displays the beginning of the Hertzfeldt logic, only this time in a somewhat more innocent form. In several vignettes we see the act of rejection from women in its most base forms, no matter what is asked there is a violent, murderous reaction with "I just want my space", or "No means no you bastard" preceding it. Hertzfeldt also crumples up the paper and starts all over again with each new try, and its sort of heartfelt in its most utterly crude way. It's like a dash of hopelessness given the finest touch, however not yet totally honed to a point, of dark whimsy. The absurdity of Hertzfeldt is there too, though as a "bitter film" by the director it actually ends much more on that note than with everything else. Oh, and a special thanks to a friend- caffeine!
DameFlux This film is so good it should be shown to small school children. Don clearly understands the mystery of love well. I saw this online and sent it to everyone I know. I would like to have it put in the Library of Congress. Shown in theaters like the THX sound check . Relationships are soul stealing ordeals that are best left hidden but Ah Lamour is brilliant. It's funny but the minimum number of lines for a comment is ten here on IMDb . That means I have to write almost more lines that the length of this film. Weighin in at around a couple minutes Ah Lamour is a power packed mini movie. After seeing it you will give up dating, sex and having children. If bitterness is your fuel I highly recommend Ah Lamour. For stick figures the animation is actually quite brilliant. See it.
tedg The very best thing about Hertzfeldt is his original vision of animated stick figures.This is the very first and has many of the elements that make some of his subsequent work worthy. What's missing is the overt self-reference. The character is clearly himself, but in other works, the drawer is explicit, and often the paper as well.But still funny, if you are a guy. The very same theme occurs in his "rejected" collection where the entire business world rejects the work. But that latter effort is much more clever in that it exploits his OTHER big idea (past the stick figures) the self- reference in the world, not the character.Ted's Evaluation -- 2 of 3: Has some interesting elements.
Cowman "Ah, l'amour" is the ultimate animated slice-of-life comedy of an average male desperately seeking love from the opposite sex. Along his two minute quest he is tortured, maimed, and killed several times, simply for trying to be friendly-- the most unnervingly truthful metaphors of rejection that I have ever witnessed. While this creative, minimalist animation is laugh-out-loud funny, it is also painfully accurate. Personally, I couldn't help but to empathize with the little guy.