An Ideal Husband

An Ideal Husband

1999 "He just doesn't know it yet."
An Ideal Husband
An Ideal Husband

An Ideal Husband

6.8 | 1h37m | PG-13 | en | Drama

Sir Robert Chiltern is a successful government minister, well-off and with a loving wife. All this is threatened when Mrs Cheveley appears in London with damning evidence of a past misdeed. Sir Robert turns for help to his friend Lord Goring, an apparently idle philanderer and the despair of his father. Goring knows the lady of old, and, for him, takes the whole thing pretty seriously.

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6.8 | 1h37m | PG-13 | en | Drama , Comedy , Romance | More Info
Released: April. 15,1999 | Released Producted By: Miramax , Pyramide Productions Country: United States of America Budget: 0 Revenue: 0 Official Website:
Synopsis

Sir Robert Chiltern is a successful government minister, well-off and with a loving wife. All this is threatened when Mrs Cheveley appears in London with damning evidence of a past misdeed. Sir Robert turns for help to his friend Lord Goring, an apparently idle philanderer and the despair of his father. Goring knows the lady of old, and, for him, takes the whole thing pretty seriously.

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Cast

Cate Blanchett , Minnie Driver , Rupert Everett

Director

Rod McLean

Producted By

Miramax , Pyramide Productions

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Reviews

gcsman This film is self-described as "based on" Oscar Wilde's stage play, and that's accurate. Scenes are not in the same order, quite a bit of the characteristic Wilde dialog has gone missing, and some other material not in the play has been interpolated. Nevertheless, it's entirely fun to watch and entirely worth it.My wife and I think this might be Wilde's best play, because it cuts a bit deeper than his more famous Importance of Being Earnest and really does have a serious message to go with the trademark Wilde comedy and unbeatable wit. The message at the end being, simply, that people need to give each other some slack -- extend forgiveness rather than judgment. Thankfully, lots of the wit is still there, and no one could do that like Wilde. The acting is fine, led by Rupert Everett as Arthur Goring: all the Wilde plays have a character who represent Wilde himself, and Arthur is the best case of that. We just came back from seeing the Stratford Festival production where Arthur was played to the hilt as a Dandy, which in Wilde's time was almost a technical term and which Wilde himself put out as his public persona. Excessively mannered behavior, extravagant and expensive yet weirdly tasteful suits, a quick wit ready to emit a clever opinion on anything at all, and comments that sound self-contradictory yet contain insanely clever aphorisms. The movie version doesn't quite do justice to that -- in fact all the main characters are somewhat muted from the more extreme versions you can pull off on the stage. Overall it's a great cast. Julianne Moore is fine as the villainously smooth snake who ignites the ticking time bomb that makes up the plot, Jeremy Northam and Cate Blanchett play the husband and wife pair who gradually come to understand each other, and themselves, better as they go along, and Minnie Driver is their sister who finally maneuvers Arthur into proposing, much to his own surprise.It's all a fun ride, though you end up wondering if they could have produced a version that would have been a bit more faithful to Wilde's text. As a last comment, the settings are very nice; both lavish and accurate for ca.1890's London society.
PWNYCNY This movie is one of the better romantic comedies. Julianna Moore steals the show as a beautiful but conniving woman who concocts an elaborate plot to snare a man, a confirmed bachelor, for marriage and in the process sets off a series of unanticipated but amusing events. Rupert Everett plays the target of Ms. Moore's intrigue; only one actor could have played the role better: George Sanders. What makes this movie even more entertaining is that the Moore/Everett characters mirror one another as each one tries to outdo the other's cynicism, with amusing results. All kinds of embarrassing moments occur as miscommunication leads to havoc which one hopes will be sorted out. The movie is based on a story by Oscar Wilde, which means that it will contain a lot of wit and biting commentary on the pomposity and decadence of the upper of the upper classes. This movie is wonderful.
edchin2006 The acting is OK; the production values are fine - so, what's the problem? - You have to sit through a story about people you could hardly care less about just to hear an occasional "bon mot". And it is a bit amusing - if you're a colonial reveling in the foibles of the English - maybe.Maybe Merchant-Ivory could've done something with this. My upper-lip gets stiffer just at the thought of viewing this again. I don't have the strength. A sturdy Anglophile could sit through this, though.Also, these period/costume pieces leave me searching for the context of the action and I can't help but think of the faded Glory which was the British Empire.
vitaleralphlouis Here was a chance not just to see a movie aimed at grown-ups but to see CATE BLANCHETT as well. Truthfully, I enjoy more contemporary settings for English movies and Cate was certainly more appealing covered with western grit and grime in THE MISSING than covered from head to toe in formal clothes. This Oscar Wilde comedy did not yield so much as a chuckle, but as a story it was moderately interesting. I had to keep in mind their excesses and mannerisms were part of the alleged comedy.When my mind wandered away from the inadequate storyline, I was thinking that the England and the English upper class pictured herein were not much to my liking, but it was people like this that ran the Empire at the time when England ruled most of the world. Both Iran and Iraq, as well as Saudi Arabia and Egypt, were under British control --- and life was more peaceful for us all.