And Then There Were None

1 "Agatha Christie's darkest thriller"

And Then There Were None

7.8 | 2h48m | en | Drama

Ten strangers, drawn away from their normal lives to an isolated rock off the Devon coast. But as the mismatched group waits for the arrival of the hosts – the improbably named Mr and Mrs U.N. Owen – the weather sours and they find themselves cut off from civilisation. Very soon, the guests, each struggling with their conscience, will start to die – one by one, according to the rules of the nursery rhyme ‘Ten Little Soldier Boys’ - a rhyme that hangs in every room of the house and ends with the most terrifying words of all: "…and then there were none."

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7.8 | 2h48m | en | Drama , Mystery | More Info

Released: January. 01,0001 | Released Producted By: British Broadcasting Corporation (BBC) , Mammoth Screen Country: United Kingdom Budget: 0 Revenue: 0 Official Website: http://www.bbc.co.uk/programmes/b06v2v52

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British Broadcasting Corporation (BBC) , Mammoth Screen

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clevers-06638 One of the best and real TV version of Agatha Christie's "Ten Little Niggers" novel. There is no stupid happy end like in previous ones (except Russian TV-movie 1989.

sjonathan-39233 I'm a big fan of Agatha Christie, and I would say this adaptation did not disappoint me at all. The cast are strong, the plots are entwined yet intriguing, and the settings are on point! The only thing I could possibly argue about are those solider figurines. They are quite postmodern and different from what I expected haha! Anyway, I highly recommend this miniseries to everyone! If you're not sure whether or not to give it a try, I'll say it only takes 3 hrs to go through all the episodes. Why not give it a shot?

CWallnau Quite simply this is the best adaptation of a work by Agatha Christie that I have ever seen. Even with knowing the story, the mood, creeping dread and top notch cast make this a perfect production. Part Gothic horror, part mystery and brain teaser, it will serve as a model for cinema adaptations of future work. Well done! From the opening credits to the brilliance of the flashbacks, this is a work that achieves what the author set out to do initially in the novel and then some. In some ways, the Flashbacks, far from answering questions, force us to constantly ask ourselves what exactly we are seeing. All is made clear in the final hour and it is quite startling. In some ways, it is an example of film technique improving upon the written word.

drc-6 The previous reviewer made some very fair points - essentially commenting on the fact that all the best Marple/Poirot books have been filmed ad infinitum. 'Death Comes as the End' ought to be filmed, because it is as tricky a Christie as ever she wrote. It supplies everything the previous reviewer wanted - No Miss Marple; no Hercule Poirot and it is a classic Agatha Christie whodunit - set in ancient Egypt. This, I believe was the only time Christie set any of her novels outside the 20th century. I believe her second husband Sir Max Mallowan (a well respected British archaeologist) used to take Christie on his Egyptian digs and (that) this ended up being the theme of the book. As I said at the outset, no Poirot/no Marple, but it as good a Christie novel as you are ever going to get.