MartinHafer Dr. Siddharth Sinha (Indian mega-star Amitabh Bachchan) is the devoted head of a hospital. He constantly is trying to expand and improve the facility and the only thing he loves more is his adopted son, Akash (Anil Kapoor). It is assumed that one day Akash will take over the hospital, as he's a very accomplished surgeon. However, Dr. Sinha is a bit of a control freak. He has a heart condition that needs attention but he won't let himself take time off for himself--when he should transition control of the place to Akash.A new doctor, Neha Mathur (Gracy Singh) arrives at the hospital and you KNOW she is going to fall in love with Akash because they have a kooky misunderstanding when they first meet. Not surprisingly, they begin dating and soon talk of marrying.Soon, a VERY spoiled and obnoxious rich girl, Sonia (Preity Zinta) meets Dr. Akash. Although he is in love with Neha, Sonia has decided she MUST have Dr. Akash as her husband. And, since she's a spoiled brat and her father is one of the richest men in India, she knows she will get him one way or the other. So how do she and her father exert pressure on Akash? Well, they approach Dr. Sinha--offering to fully fund his hospital IF he can get Akash to marry Sonia. Sinha refuses and won't even tell his son about the offer.Soon after this, Dr. Sinha witnesses a traffic accident and overexerts himself--and dies trying to save a young boy's life. Then, Akash learns about the deal Sonia and her father proposed to Dr. Sinha--and Akash agrees to marry Sonia. He doesn't love her but feels he owes his father so much that he MUST marry the spoiled brat in order to keep the hospital operating. This is because just how much Dr. Sinha gave up in his life for Akash has been revealed to him.When they marry, Akash tries to be a good husband but it's really impossible for the marriage to work. Sonia is too demanding, too manipulative and too jealous--and she has the bizarre notion that her new husband and Neha are carrying on behind her back. So, she sets out to destroy Dr. Mathur--mostly because she can. What's next? Well, the more the film progresses, the more nuts Sonia appears to be! She's a great example of a so-called 'Borderline Personality'. See the film and you'll see what I mean.It's odd thing about the film is that even after Dr. Sinha dies, that's NOT the last you see of him. Several times, just like Mufasa in "The Lion King", he appears to his son to give him sage advice! Additionally, Sonia and her father reminded me of the character Princess and her daddy from "The Powerpuff Girls". Now I know few folks who watch "Armaan" would also watch "The Powerpuff Girls" (or vice-versa), but it is a very apt description.One thing I liked about the film was that Neha and Akash were very ordinary looking actors--not the super-glamorous actors you might expect in such roles. As for the plot, it's a combination of good and bad. I liked the character Sonia and appreciate showing what marriage to someone like this would be like--it's an over the top performance, but actually realistic for someone like this--and there ARE folks like Sonia. I used to work as a psychotherapist and, unfortunately, worked with several like her. What I didn't love was all the soapy bit in the plot--such as when the Mufasa-like doctor kept appearing, the complicated plot involving the hospital and the silly ending involving surgery on Sonia and a change of heart that is just impossible to believe. Thiese tended to distract from Sonia and Akash's screwy marriage and Sonia's craziness. In fact, the first portion of the film and second are really like two separate films and EITHER on their own could have worked well--together it just seemed like too much. Overall, it's a mixed bag where the good does outweigh the negative--plus it's one of the best portraits of a Borderline I have ever seen.

raymond-15 The funding of hospitals is never easy. There is always a constant demand for new equipment, medical researchers and other staff have to be paid and debts have to be met.. If you can find a rich donor who would like to see his name emblazoned on the hospital walls, lucky you….providing of course the conditions laid down by the donor are not too demanding.In this film a top neurosurgeon Akash Sinha (Anil Kapoor) is compelled to make an unusual decision. In order to save his hospital from closure, he must marry the rich donor's spoilt and somewhat hysterical daughter Soniya Kapoor (Preity Zinta). Akash must sacrifice his love for Neha Mathure (Grace Singh) his charming anesthetist and constant support in all medical matters.If you haven't guessed it by now, the dialogue of this film is in Hindi and it is given the whole Bollywood treatment. It is adequately sub-titled, but you'll need a comfortable chair because the running time is a little less than three hours. It's a strange mixture of a film. Apart from the hospital's basic problems, there is the eternal triangle of one man and two women. The romantic drama is well played out, the gentle Neha swept off her feet by Akash and selfish Soniya doing her best to destroy their love for each other. Soniya is forever having tantrums which keeps the action alive. Some of her wild scenes are reminiscent of the Bette Davis technique.If at any time you are becoming a little weary of the dialogue, rest assured the principal actors will burst into song and you will begin to wonder if this is a musical after all. But no! This is the Bollywood style, and the overpowering music takes up every change of mood and comes crashing down all around you. The Indian population must like this style of entertainment. It's almost as if the film makers are determined to give their patrons three hours of intense pleasure.The characters in the film are well defined and the scenario easy to follow. The photography is brilliant and the music, as I said, encroaches a little too forcefully over the action. As for the dance and song routines which interrupt the dramatic sequences, I guess they are a matter of choice. They give you a "breather" , I suppose, in the very long film and add to the whole night's entertainment.

jungleking What can I say about Armaan?Change in location to a hospital setting made one wonder if this would truly be a change from the traditional bollywood norm movie. Far from it, the characters and storyline is the same. Boy meet girl - boy likes girl - enters villain (ess in this case) and break-up boy and girl - after much tabulation boy and girl get back together!!Bachchan acting was good, a change from his recent stereotypical arrogant mature man; It was nice to see Anil Kapoor finally back with a meaty role, to do justice to. Pretty Zinta was fab in the role, one can see why Honey Irani said that she specifically wrote this role with Zinta in mind; Randhir made a pleasant return to the screen; and Gracey was good in her minute role.For a first movie, Honey Irani was good, unfortunately with such an emotional drama and impressive cast, it lacked the professional touch and would only have done it justice if an established director had taken then helm. Maybe for now she should stick to writing her screenplays, something she is very good at.The only recollection I have of the movie is the few catchy tunes such as 'meri zindagi meh ayeho' and the hippy hairstyles!!

Herag Halli The Indian film Industry needs revival, since it is stagnating with mediocrity in talent and the mediocrity is put on the pedestal and worshipped by few biased morons of the Indian Media, who have no clue about class, aesthetics or process of review. "Armaan" is a one of the movies after a decade of decadence that spells a ray of hope, a wiff of fresh air. The casting could't be any better. When you have two stel warts of the Indian Cinema portraying father and Son, you can only expect some poignant moments and cinematic brilliance. There is no headshaking or filthy gyrations, pelvic thrusts as seen im the movies that has the Bollywood scums--the Khans-that is played out in the name of Choreography and acting and this is not representative of Indian Cinema. Amitab Bachchan the "Al Pacino" of the Indian Films has given one of his trademark portrayals so much so you wish there was more of him to see. Gracy Singh has class and elegance and act she can-indeed well. I hope we can see more of this talented actress. Anil Kapoor is the finest actor in the genre of "Robert De Nero" an all-rounder and the ultimate actor that the Indian Cinema is blessed with. Overall I like this movie-"I really,really,like this movie", if I can borrow the exuberation from Sally Field on her Oscar nomination.