Tad Pole
. . . then it must be true. I recently saw a snippet of an one of Ms. Mazetta's interviews on TCM or someplace similar, in which she said she'd totally "forgotten" recording this Vitaphone short (#809) for Warner Brothers (in 1929), and was "blown away" by how "good" a singer she was as a child when billed here as BABY ROSE MARIE THE CHILD WONDER. I'm sure there's a Shirley Temple fan out in the wilderness someone who would carp that Ms. Temple could dance and act as well as sing (some renegade might even claim Shirley was CUTER and sang BETTER), but let's look at the objective, quantifiable facts: Rose Marie has 74 acting credits, and Shirley has just 61 (about 20% FEWER). Furthermore, IMDb reveals Rose Marie is important enough to appear as herself on 89 segments of shows and documentaries of sufficient significance to be archived in their annals, while Shirley is ONLY ONE\THIRD as relevant to entertainment history as of today, with just 30 such credits as herself. The clincher is this widely-held notion that Shirley couldn't hack it in Hollywood when she left her teen years (requiring a taxpayer-subsidized government job apparently awarded to her through the pity of one of her die-hard fans who was a D.C. muckety-muck), while Rose Marie has been blessed with enough talent to have had an 80-year-long career supporting herself via show business WITHOUT REACHING INTO UNCLE SAM'S POCKET. How'd you like them apples, Shirley?
tavm
This is another of the Vitaphone musical shorts from the late 20s that's on The Jazz Singer DVD. This one stars a precocious child singer named Baby Rose Marie who, yes, later removed the "Baby" from her name when she grew up and played Sally Rogers on "The Dick Van Dyke Show". Here, she has bobbed dark hair which was fashionable at the time and a voice that just won't quit that made her such a sensation at the time. In fact, it's amazing she didn't suffer the pressure another contemporary of hers, Judy Garland, eventually did. Also unlike Ms. Garland, Ms. Marie is still alive to tell the tale. So on that note, Baby Rose Marie the Child Wonder is definitely worth watching.
Michael_Elliott
Baby Rose Marie the Child Wonder (1929) *** (out of 4) Baby Rose Marie isn't a name that many are going to know today but back in the day she was certainly one of the most loved people in the business. This 9-minute short has her singing three songs and even though the technical quality of the film isn't very high you can at least see why so many people loved her. She sings Who Wouldn't Be Jealous Of You, Don't Be Like That and Heigh Ho Everybody Heigh Ho. All three songs are sung incredibly well and she really has a terrific delivery that makes you want to hear more from her. She does a little dancing too but most of the shots are close or medium shots so you really can't see too much. The technical side of things aren't that impressive as it seems like the footage was shot in just one take and there's really nothing overly special in terms of cinematography or direction. With that said, the main reason to check this out is for Marie and she certainly comes off incredibly charming.
bkoganbing
For those of you who only know Rose Marie as the eager comedy writer for the Dick Van Dyke Show in the Sixties, this film will be a revelation. Way back in the day of your parents and grandparents, little Baby Rose Marie had another career as a child performer. This Warner Brothers Vitagraph short is a tribute to that other career.The young lady does three songs, Who Wouldn't Be Jealous Of You, Don't Be Like That and Heigh Ho Everybody Heigh Ho. The last one was Rudy Vallee's theme song with his Connecticut Yankees and Vallee at this time was the most popular male singer in America. I looked for an imitation of his nasal style in Rose Marie, but she did in her own style. Just as well.Another treasure from the past preserved by Vitagraph.
AD
