Big Town After Dark

Big Town After Dark

1947 "Gambling Racket BLASTED!"
Big Town After Dark
Big Town After Dark

Big Town After Dark

5.5 | 1h9m | NR | en | Drama

A crusading newspaper reporter battles big-city gambling interests.

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5.5 | 1h9m | NR | en | Drama , Thriller , Crime | More Info
Released: December. 12,1947 | Released Producted By: Paramount , Pine-Thomas Productions Country: United States of America Budget: 0 Revenue: 0 Official Website:
Synopsis

A crusading newspaper reporter battles big-city gambling interests.

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Cast

Phillip Reed , Hillary Brooke , Richard Travis

Director

Frank Paul Sylos

Producted By

Paramount , Pine-Thomas Productions

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Reviews

MartinHafer "Big Town After Dark" is a decent B-movie from tiny Pine-Thomas, a company known for its mediocre and sub-par Bs. Fortunately, this is one of the better films they made.Steve (Phillip Reed) is the managing editor of a newspaper. His day is looking pretty glum when his star reporter, Lorelei (Hillary Brooke) announces she's quitting to become a literary writer. He's desperate to keep her there...but he has another problem to deal with...his boss wants him to hire the niece...and she has no experience at a newspaper. Then Steve gets an idea....use the boss' niece to try to keep Lorelei with the paper. Little did he know that this would NOT be a particularly good idea!This film has a lot of noir elements--the nasty bossman who runs the town and a local gambling den, folks getting the snot knocked out of them and murder! Well worth seeing and an interesting story once it got going.
Jay Raskin This was the first movie I watched in a DVD collection of 50 "Crime Classics" from Mill Creek that I found in Movie Stop for $6.99. At about 14 cents per movie, I thought it was a pretty good deal. I was glad to see that this was a good transfer and the black and white detail was sharp.This isn't quite film noir, but one can see a film noir influence. There are lots of night shots, characters who have psychological problems and a near femme fatale in Ann Gillis.This is a B movie with "C" sets and a "B" script. It moves well and has some unexpected and unusual twists. There's nothing to knock your socks off, but the dialogue is sharp enough to get you smiling here and there.Hillary Brook is her usual blonde ice self. She has an ephemeral presence, just floating through her scenes delivery her lines well, but without much thought or emotion.The story is gallant and savvy newspaper reporters battling crooks. Watch for a funny inside reference to the classic newspaper play "The Front Page" at the beginning.I understand from the reviews that there were three other Big Town movies. I am looking forward to seeing them, and looking forward to watching the 45 or so more movies in this collection that I haven't seen.
kidboots Ann Gillis was one of the many child actors who the studios thought would be another Shirley Temple. It didn't happen - there was only one Shirley and besides Ann wasn't really given much of a chance. Mostly her roles were uncredited bits but she came through as Becky Thatcher in "The Adventures of Tom Sawyer" (1938). She was just marvellous in it and was definitely the Becky that everyone remembers - especially in the "cave" scene. Unfortunately, after being mean to Gloria Jean in "The Underpup" (1939) it was back to bit parts and worse. "Big Town After Dark" (based on a popular radio series), the last film she made before her retirement at 20, may have given her her meatiest role since Becky.Lorelei Kilbourne, aka "Goldilocks" (Hilary Brooke) a reporter for the Illustrated Press, is handing in her notice - she has just had her first novel published and has another one in the works. The boss of the paper has a niece, Susan Peabody (Ann Gillis) who is just raring to get into the newspaper business and she is instantly given Goldie's old job as a crime reporter.She is not the innocent she makes out - she cleans out the office in a poker game and admits she learned how to play in the Winner's Club in Big Town. She is all for cleaning up the rackets and convinces the Editor, Wilson (Philip Reed) to run a crusade against them in his paper. With a couple of shady characters following her around, it looks as though she has connections to the local crime boss. (Just how close you find out in the last 10 minutes). When Wilson escorts her to the club, he gets into a fight, after accusing a woman of dealing from the bottom of the deck. Then Susan disappears - Wilson and Lorelei fear a kidnapping. Susan's father is then contacted to pay a ransom. Next thing Susan saunters in with a story of a stolen car and then having to spend the night at her girlfriends. A lot of things don't add up but Goldie and her pal Louie (Vince Barnett) are the only ones who are suspicious. "You're carrying a torch for that guy like the Statue of Liberty"!!! "Goldilocks" does some investigating on her own and finds out that Susan never worked for the Mercury as she claimed she did!!!Ann Gillis, looking just the same as in her Becky Thatcher days - only with an upswept hairdo, plays the petulant Susan petulantly. Obviously, Becky Thatcher was the one great role she had in her. The film could have done with a lot more of the beautiful and elegant Hilary Brooke, who just didn't have enough to do.Recommended.
sol1218 **SPOILERS** A big smash with her first crime novel the Illustrated Press' ace police reporter Lorelei, who's knows as "Goldie Locks" to her friends, Kilbourne (Hillary Brooks) decides to quit her job at the newspaper and become a full time crime writer. Upset that his star reporter, as well as girlfriend, is leaving managing editor Steve Wilson, Phillip Reed, persuades Lorelei to stay for two more weeks until he finds a suitable replacement for her. In no time at all Wilson is contacted by the newspapers owner Amos Peabody, Charles Arnt, with the proposition of having his 20 year-old niece Susan, Ann Gillis, replace Lorelie.Susan being, by Uncle Amos, put through collage and journalism school is anything but interested in getting a scoop or story for her uncle's newspaper. While her naive Uncle Amos is paying the bills, for her collage car and rent, Susan is partying the night away and getting involved with a number of very shady characters in town most of whom she met, while gambling, at the notorious "Winners Club". Wilson who had since ditched the classy and on the ball Lorelei has been getting romantically involved with Susan who unknown to the love-sick managing editor is taking him to the cleaners and taking him there big time.Through Susan Wilson gets involved with a number of dangerous hoodlums notably the owner of the "Winners Club" Chuck LaRue, Richard Travis, that leads to Susan being disappeared, or kidnapped, by LaRue and held for a $50,000.00 ransom. LaRue is so slick and slippery that he has Susan's Uncle Amos pay him the $50,000.00 for her release by making it look like it's a legitimate stock transaction without Susan's name never being even mentioned!****SPOILER ALERTS****It soon becomes apparent that the sweet and innocent Susan is anything but a crime victim in that she was never kidnapped, by LeRue or anyone else. In fact Susan was laying low while everyone the police Uncle Amos Steve Wilson, as well as the reporter that she replaced Lorelie Kilbourne, where out desperately looking for her. Wilson who got worked over by LaRue and his hoods at the "Winners Club" earlier is now determined to run him out of the state together his sleazy gambling operation that's cheats it's customers out of their hard earned cash.With Amos Peabody, who's very close and friendly with the governor, pushing for the state legislators to pass a bill to put LaRue out of commission LaRue has a "Trojan Horse" placed in his, and the Illustrated Press', home. This spy and traitor is giving LaRue all the inside information on what Amos Peabody is up to and at the same time, this without LaRue's knowledge, screwing him behind his back as well.Wilson finally seeing the light, in what a sucker he was up until then, gets to have himself involved with the LaRue gang by putting his life on the line and forcing LaRue's hand in attempting to murder him. This all played into LaRue's master plan to off not only Wilson but Susan, who it turned out was a lot closer to LaRue then we at first thought, and her secret boyfriend LaRue hood Jake Sabastian, Robert Kent. In the end, when all the dust cleared, Lorelie realized what a mistake she made in quiting her job at the Illustrated Press. It was Lorelie's decision to go solo, as a crime writer, that opened the door to all the damage and destruction that happened with the advent of Susan Peabody suddenly coming on the scene. Wilson also realized what a first class jerk he was by throwing the sincere honest and beautiful Lorelie overboard for the childish sneaky and unstable Susan. Steve Wilson should thank his lucky stars that he not only survived the mess that he put himself into but that Lorelie came back into his life as well as his newspaper.