kathylove Apichatpong Weerasethakul is exemplary in pointing to new ways of telling cinematic stories. Here he presents us with a beautiful canvas of cultural impressionism and profound poetic daubings.Certainly not boring. Certainly not pretentious. And if you find it slow, then you need to readjust your perception of what 'narrative' can do. Slow is a relative term. The inference from some commentators is that slow equals languid and thus dull. But this is anything but languid or dull. It is a beautiful rumination, a poem of pace and intrigue and voluptuous sensitivity.Sit back, relax and don't rush (where is everyone rushing too, anyway?). Be with the moment and enjoy the art of a magnificent filmmaker.

Howard Schumann An unknown author once said that "love is a symbol of eternity. It wipes out all sense of time, destroying all memory of a beginning and all fear of an end." Blissfully Yours, the second feature from Thai director Apitchatpong Weerasethakul, is a film about ecstasy that happens outside of time. It is roughly divided into two parts - one ordinary, the other transcendent and is without a typical plot or character development. Rather, it speaks directly to the human spirit, to its capacity to transcend the "stuff" of life and reach for the eternal.Blissfully Yours begins in the small Thai city of Khon Kaen as Min (Min Oo), an apparently mute young man with a skin condition visits a doctor together with his girlfriend Roong (Kanokporn Tongaram) and Orn (Jenjira Jansuda), an older woman who has lost a child by drowning. Shot in the offices of the director's doctor parents, we soon learn that Min is a Burmese immigrant who is in Thailand illegally and is seeking a work permit from the doctor in order to remain in the country and that Orn has been hired to look after him. Without proper ID, however, the doctor refuses to cooperate.The film then moves to the souvenir factory where Roong works on an assembly line worker hand painting Disney figurines, and then to Orn who prepares a skin cream for Min by chopping vegetables. There is also a glimpse of the office where Orn's husband works. About forty five minutes into Blissfully Yours, credits suddenly appear on the screen, we hear a Thai popular song in the background, and we know that we are in unfamiliar territory. Taking time off from work because of an illusory illness, Roong and Min drive to the countryside for an afternoon picnic recorded in long, uninterrupted takes and the film never looks back. Stress fades away as scenes of nature replace the familiar images of city life. Roong and Min walk through dense jungle to reach an opening in the woods with a clear view of mountains and streams.Not much is said as the camera lingers on Roong and Min as they eat berries, splash in the cool waters, and engage in erotic activities that seem to be initiated by Roong alone as she caresses Min's sexual organ in full camera view. There is much attention given to bodies and their sensitivity to touch especially when we learn that Min's rash is both physical and political. Through a voice over and doodling shown on the screen, we find out that he has been hiding from the Burmese police for an undisclosed reason, has a son in Rangoon, and may have picked up his skin rash while hiding in a septic tank. It is also hinted that Roong is a member of the Karen ethnic group, a hill tribe that have fought for independence from Burma since 1949.Weerasethakul pushes viewer patience to the limit as shots of Roong snuggling up to the passive Min take several minutes to unfold and one is reminded of Werner Erhard's assertion that boredom is a "high space" to be in. Orn, who is also enjoying sex with a male companion, has her tryst interrupted when her lover's bike is stolen and she makes her way through the forest to join Min and Roong. As Roong and Min lie on their backs looking up to the sky sharing moments of peace and spiritual awareness, Orn lies alone and begins to cry. It is a moment of quiet isolation filled with mystery and magic as this visionary, sexually explicit, and sensual work of art becomes blissfully ours forever.

sangtich I love foreign movies from all over the world. But this movie from Thailand nearly made me to hate movies from Thailand the way I hate Hollywoood movies. But, I will not, I will continue to watch movies from Thailand and I will even give it a try and watch another movie from Weerasethakul.At first, I thought to myself, how in the heck did such a movie even win an award. This movie looked like some amateur movie made by some amateur director. I had to research this director and found out that he is a respectable person in the world of artistic movies. I was really disappointed, that somebody of his caliber could make a movie this horrible. There is no story, nothing, nada. What was he trying to tell us? The only redeeming aspect of this movie is cinematography, the landscapes are beautiful and the scene where the couple are having a picnic is breathtaking. Also the scene at the river is amazing. That is the only good thing I saw in the movie. The movie lacked passion, no emotion. Even the stupid sex scenes were virtually empty, at least you'd expect people to show some emotion here. But, NO! nothing! To add insult to injury, the movie dragged on for a good 2 hours! I just wish the people who awarded this awful movie could just explain to me what they found award-worthy. Maybe I missed it, I am no expert in movie making and all BUT I know a good movie when I see one, and Blissfully Yours is NOT one of them.NOT RECOMMENDED AT ALL!!!

Vitarai Blissfully Yours as the film is being called in the U.S. is not a perfect film. That said, my initial reaction fades as I re-examine the film in my mind's eye. It has an ethereal quality, especially the second two-thirds of the film (after the credits finally roll). The film plays with the whole idea of what is film. When does a film begin?Initially you feel as if you have just walked in on the personal lives of the characters. You are quietly viewing their life, or maybe you're just along for the ride. This is especially driven home while in the car with two of the main characters, Roong and Min, as they drive around. At times you are viewing them from the outside, at others inside the car watching them, and at still others, just looking behind at where they have come from. In a way it is in these sequences that the director gives you clues about how to view the overall film. The first third, prior to the credits, is showing you as a viewer where these three characters come from.Once the credits roll we only see one other person (ok, we do see the back of another person on a scooter) besides the three main characters. At this point it becomes their film. Their afternoon in the sun. In the jungle, away from all of life's troubles, it is a moment of bliss. It allows Min to forget for a moment his skin problem, and his life left behind in Burma. It allows Roong to forget for a moment her regimented life as a factory girl, laboriously painting the same mass produced items, over, and over again. And it allows Orn the opportunity to finally let go and relax; to come to terms with her own past; wherein, she may have had a child that drowned, and has been unable to forgive herself.The film is deliberately slow paced, and yet I never once felt bored, or disinterested in what I was watching. It is not filled with action, but with feeling. It is a film about release. The letting go of our worldly cares for a blissful moment in the sun. I recommend you take a lazy afternoon and see Blissfully Yours. Let it help you escape into the jungle of your own mind.