Optical printing brings to life the Bride of Frankenstein. The film is re-appropriated, re-animated and given another life via the filmmaker's 16mm laboratory. Visually hovering between the conscious and unconscious, the film’s frame lines shift between lucid imagery and unfocused narrative.
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Optical printing brings to life the Bride of Frankenstein. The film is re-appropriated, re-animated and given another life via the filmmaker's 16mm laboratory. Visually hovering between the conscious and unconscious, the film’s frame lines shift between lucid imagery and unfocused narrative.
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David Leister
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