Carmen from Kawachi

Carmen from Kawachi

1966 ""
Carmen from Kawachi
Carmen from Kawachi

Carmen from Kawachi

7.2 | 1h29m | en | Drama

Like a girl runaway, Tsuyu moves to Osaka to work as a bar hostess. She meets the owner of a model school, Yoko, and seriously thinks about becoming a fashion model. Yoko tells her that she can move in to Yoko’s house to take lessons, while making a living at the same time.

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7.2 | 1h29m | en | Drama , Romance | More Info
Released: February. 07,1966 | Released Producted By: Nikkatsu Corporation , Country: Japan Budget: 0 Revenue: 0 Official Website:
Synopsis

Like a girl runaway, Tsuyu moves to Osaka to work as a bar hostess. She meets the owner of a model school, Yoko, and seriously thinks about becoming a fashion model. Yoko tells her that she can move in to Yoko’s house to take lessons, while making a living at the same time.

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Cast

Yumiko Nogawa , Kōji Wada , Tamio Kawachi

Director

Takeo Kimura

Producted By

Nikkatsu Corporation ,

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Reviews

nmegahey Exploitation of traditional cinematic narrative devices - or just plain exploitation - is a field where veteran director Seijun Sukuki excels, and in Carmen from Kawachi he applies his unique stylisations wonderfully to the idealisation of the big city/country divide so popular in Japanese cinema. Having been taken advantage of back home (gang raped) and having seen her mother prostitute herself to a wealthy local businessman, Tsuyuko has no option but to sell herself as well, but chooses to do it on her own terms, leaving life on the mountain to work as a hostess in a night club in Osaka.Although we get a wonderful Japanese swinging 60s' rendition of the Habanera at Club Dada, Tsuyuko 's life as a cabaret dancer is more Lulu than Carmen, hooking up with a love-struck client, a lesbian fashion designer, an artist, an old flame from home and then a rich man, but Suzuki at least spares her the traditional tragic fate of opera's fallen women. Shot in black-and-white widescreen with some highly stylised sequences and a New Wave sensibility, Carmen from Kawachi's is as lurid and colourful as any of Seijun Suzuki's later work.