Carry On Cabby

Carry On Cabby

1963 "They're here again in Carry on Taxi"
Carry On Cabby
Carry On Cabby

Carry On Cabby

6.4 | 1h31m | en | Comedy

Speedee Taxis is a great success, which means its workaholic owner Charlie starts neglecting Peggy, his wife. Suddenly a fleet of rival taxis appears from nowhere and start pinching all the fares. The rivals are Glamcabs, and they have a secret weapon. All their drivers are very attractive women! Who's behind Glamcabs? It's open warfare and only one fleet can survive!

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6.4 | 1h31m | en | Comedy | More Info
Released: June. 01,1963 | Released Producted By: Peter Rogers Productions , Country: United Kingdom Budget: 0 Revenue: 0 Official Website:
Synopsis

Speedee Taxis is a great success, which means its workaholic owner Charlie starts neglecting Peggy, his wife. Suddenly a fleet of rival taxis appears from nowhere and start pinching all the fares. The rivals are Glamcabs, and they have a secret weapon. All their drivers are very attractive women! Who's behind Glamcabs? It's open warfare and only one fleet can survive!

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Cast

Sid James , Hattie Jacques , Kenneth Connor

Director

Jack Stephens

Producted By

Peter Rogers Productions ,

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Reviews

BA_Harrison Sid James plays Charlie Hawkins, workaholic owner of Speedee Taxis, the only cab firm in town. After repeatedly ignoring his long-suffering wife Peg (Hattie Jacques) in favour of picking up fares, Charlie finds himself unexpectedly facing competition from his miffed spouse, who secretly sets up rival taxi company GlamCabs, featuring all female drivers.From the above synopsis, one might think that this film intends to strike a blow or two for feminism, but this being a Carry On film from the early sixties, it quickly becomes apparent that fighting for sexual equality isn't the film's primary motive. With GlamCabs only employing women with an hour-glass figure and a cracking sets of pins, the film's 'battle of the sexes' plot is actually a thinly veiled excuse to fill the screen with cracking crumpet.Not that I'm complaining: the leggy lovelies, whose number include the fabulous Amanda Barrie (who would go on to star as Queen Cleopatra in Carry On Cleo), not only provide viewers with quality eye-candy (especially in the scene where Kenneth Connor, disguised as a woman, is ushered into the ladies changing room), but also plenty of laughs as they use their impressive womanly attributes to steal Hawkin's business.6.5 out of 10, rounded up to 7 for IMDb.
Panamint Fun movie, as rapid-fire setups keep "Carry on Cabby" moving along at a fast clip. Just keep watching- a lot is thrown at you fast, so you can't help but get caught up in it. It is sometimes boorish but never crude and is funny in spots. Sidney James and Hattie Jacques were excellent comic actors (as opposed to "comedians") and are very watchable as Mr. and Mrs. Hawkins. Ms. Jacques was an abundantly proportioned, graceful woman with abundant talent to match. Sidney James never gave a bad performance in drama or comedy- he was seemingly adept at everything acting-wise.Many of the Carry-on movie regulars are here and manage to keep the action going, enjoyably for the most part as they are well-directed in this outing.While filmed in black-and-white and maybe a bit dated-looking, the overall Carry-on concept is timeless. And I am ready for a ride in a Glamcab ("just flash your headlamps at them!")
Jackson Booth-Millard This was the seventh film in the famous line of British comedy films, this seemingly the best of the black and white ones, I didn't really read any reviews like that before, I just wanted to see it because I had seen many of the others. Basically Speedee Taxis run by workaholic owner Charlie Hawkins (Sid James) is a successful business, but it is causing him to neglect his wife Peggy (Hattie Jacques). On the day of their fifteenth wedding anniversary he manages to remember a thoughtful present, but when she wants to go out for a meal he blows it, with extra delay from expectant father Jeremy (Jim Dale) and his heavily pregnant wife. Peggy is so mad with him that she decides to give him a taste of his own medicine by taking all his savings out of the bank to create her own rival taxi service called GlamCabs, an all attractive women drivers service. She is lying to Charlie that she has got a new job, and he soon finds out about the new rival taxi business, but he has no idea that his wife is the owner, and Flo Sims (Esma Cannon), another neglected wife, is the office manager. While trying to compete with his new unknown rival, becoming successful because of men wanting to ogle at the sexy girl, Charlie also struggles to keep order with some of his drivers, including the accident prone Terry 'Pintpot' Tankard (Charles Hawtrey), and of course bankruptcy. Soon enough Peggy is feeling guilty for what she is doing to her husband, and after a failed attempted sabotage he does find out the identity of the rival company owner and starts drinking. Then on one of their runs Peggy and Flo have two robbers with guns get in the taxi and want them to drive them to get away, luckily they put the radio on to get Charlie and all the Speedee Taxis on their case. In the end after a big chase and the bad guys captured by all the surrounding cabs, Peggy and Charlie kiss and make up, and celebrate the news that she is pregnant. Also starring Kenneth Connor as Ted Watson, Liz Fraser as Sally, Bill Owen as Smiley Sims, Milo O'Shea as Len, Judith Furse as Battleaxe and Amanda Barrie as Anthea. The cast as always are all great fun, especially Hawtrey as the hapless and silly taxi driver who causes chaos, the film has a bit more innuendo and sexuality than seen before, this obviously develops more later, and it is a fun story, a good comedy. Carry On films were number 39 on The 100 Greatest Pop Culture Icons. Worth watching!
Karl Hughes One of my favourite Carry Ons, despite not being one of the funniest, possibly because this is Hattie Jacques' largest role. Hattie brings a believable element of pathos to the film, something not normally associated with the Carry Ons.This was the first Carry On that Eric Rogers led the production of the musical score. He was the composer for most of the colour Carry On films, and his music (bells, whistles and kettle drums) became an invaluable asset.For some reason I just love the line when Charles Hawtrey is introducing himself. 'My friends call me Pint Pot' he says. 'Are you sure it's "pint" pot?' asks Kenneth Connor.