writers_reign
This was Rattigan's final play for the theatre - he wrote it for radio, adapted it for the stage where it was still running when he died. Rattigan was a world-class dramatist with a great gift for constructing a play solidly from the ground up; Ken Taylor is a pedestrian writer who spent virtually his whole career in television so why he saw fit to tamper with Rattigan to the extent that he all but eliminated the sup-plot involving the fictional female jury member who Rattigan created deliberately as a counterpoint to Alma is anyone's guess. Though devotees of the play - which has just been revived at the Old Vic in Rattigan's centenary year - will be disappointed and/or outraged audiences knowing nothing of the play will be able to bask in the fine acting and period detail on offer. I saw this for the first time in the Mediateque at the South Bank Centre, one of five TV versions of Rattigan dramas added this month to complement the mini season of Rattigan films that will run throughout April and though the usual suspects have been wheeled out we are still missing The Deep Blue Sea, The Man Who Loved Redheads, While The Sun Shines, The Yellow Rolls Royce, Goodbye, Mr. Chips to name only a few. Meanwhile Cause Celebre is still worth watching despite Mr Taylor's cleaver.
Barbara
If you are thinking about watching this movie, just be aware that it is NOT a murder "mystery" as such. Unfortunately, I got the DVD thinking it was more of an Agatha Christie type story, and spent the entire time trying to figure out who really "done it." I was very disappointed when the typical twists and turns of a true mystery didn't materialize.If my expectations had been different, I might have enjoyed this movie more. The set design was superb, as was most of the acting and the dialog (although, without subtitles, the British accent was a bit difficult for me to understand at times).On the other hand, I might have been disappointed anyway, since the story is somewhat disjointed and I never bought into the relationships between the characters (the two mismatched lovers, the husband and wife, the wife and 'companion' etc.) The story might have been true, but that doesn't necessarily make it a good movie.
theowinthrop
Terence Rattigan liked to do plays based on actual crimes. He is best known for THE WINSLOW BOY, based on the 1911 Archer-Shee Case involving the social ruin of a naval cadet and his family when the cadet is accused of stealing postal money orders from his fellow cadets. It was twice filmed (both times quite well). CAUSE CELEBRE is based on the 1935 Alma Rattenbury - George Stonor murder case. Alma was a somewhat talented woman (she composed popular songs) who married Francis Rattenbury, an architect (his various public and private buildings in Vancouver are still part of the city's skyline). Francis was older than Alma, and she began an affair with Stonor, a handyman they hired. One night Stonor shot Francis, and he died in a couple of days. Stonor was arrested, and then so was Alma. It sort of resembles the Thompson-Bywater tragedy in 1922, but Alma was shown to have had nothing to do with the shooting. Stonor, however, was found guilty and condemned to death. Alma could not stand the loss of her young lover. She went down to a river near her home, and stabbed herself to death. Ironically, due to his age, Stonor's sentence was reduced to life imprisonment. Eventually he was released. However, in the 1980s (he was still alive) he was arrested on a morals charge. The play of course only deals with the events in 1935.
artzau
Is it any wonder that the Brits kick our butts when it comes to putting out good theater? Look at this cast: Helen Mirren, David Morrissey, Harry Andrews and David Suchet in a pre-Hercule Poirot role as a barrister. The story based on a defense of a woman's (Mirren) live-in handy-man lover (Morrissey) who violently kills her elderly impotent husband (Andrews). The barrister mounts a defense of how this younger, naive man misinterpreted the woman's involvement with him. The case takes strange twists as the woman winds the unwilling other victim whose only crime is one of indiscretion. Fine, fine acting and a gripping, well-written drama. I'm amazed it is not available on video. If it rolls around on PBS, be sure to check it out.
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