Aparna Gangopadhyay Story line- The hero is in love with Girl A. He meets her 'chup-chup ke' – hidingly....because the money lenders are after his life.The hero is under heavy debts, he drowns and is picked up by a poor boat owner – who uses his boat for fishing. Anyway – the hero lands up in the house of a rich man. The rich family keeps the hero as their servant and since he was somewhat deaf and mute (but actually he was fine – just pretending to be deaf and mute so that he does not have to go back to his own locality where the money lenders will all jump on him!)they gave him small odd jobs to perform.In the same rich and affluent family, there is a girl (played by sex-siren Kareena – who was actually just mute not deaf). So her cousin finds that a new domestic male helper has joined who is also mute! The love story starts! Wow! What an idea sirji!! Whoever has written this utter crap story! OK there is a twist in the tale too – no rich and affluent male was ready to marry Kareena because of her handicap! So all the family members were looking for a suitable groom ...and were unable to find one! Like..... Are you kidding me!? Such a rich female ..plus beautiful and fair too - who will get a huge dowry with her – Indian families with sons will fall at her feet and lick it for the rest of their lives! There are many such educated but not very well off families in India who would do anything for getting a bride from a rich family...watch Saavdhan India episodes if you have doubts! Anyways, she falls in love with the guy who was hired as a domestic helper in the family. Later the beans got spilled and the Girl A – with whom the hero was actually in love comes to now that he was alive. When she confronts him, it was already too late – he had accepted rich and mute kareena – who was obviously much prettier than the Girl A..and was about to marry her! I mean why wouldn't he – he would be able to live happily ever after as a rich man and will even get rid of the money lenders! Girl A was dropped as a dead fly from the milk! End of story Conclusion- I have often heard that there are families –rich and affluent – having huge palatial houses...make the servants render sexual services too! Like fatso wives...whose equally ugly and fatso husbands pick-up (call) girls from the streets for a 'quicky' – or even visit brothels or – if a wee bit more rich – then they book a hotel room and sleep with the females engaged in escort services.Probably this is the reason why kareena's cousin introduces her to the newly acquired helper...at least she could taste...love..making?...since no one was marrying her? Btw. The fact that the females of the house sleep with the servants, drivers, gatekeepers..etc. is known to the males of the family – it is a 'you are OK, i am OK' relationship – the males eff around outside the famels eff around inside...since they are cultured and ethical and traditional – they eff indoors and not hire gigolos! Problem happens when dull headed males watch such films – if they reach some such house- as domestic helpers - where females are sleeping around and game...then things are under control...but if such dumb fools reach a decent, righteous household and try to act fresh (the film after all showed the possibility of the daughter marrying the helper...so such concepts raise expectations as well huh)- then hell breaks loose!...the helper gets beaten by the men of the family first and then by the cops –and ultimately he gets the criminal label for the rest of his life!

namashi_1 Priyadarshan's 'Chup Chup Ke' is a below average entertainer from 2006. Priyadarshan known for making over-the-top, mindless comedies, which have worked big time in the years gone by. But 'Chup Chup Ke' is easily one of his weakest fares. Reason? The first hour of the film is entertaining, though the proceedings are slow. The second is plays a complete spoilsport. The track becomes serious, boring and exhausting. Why Priyadarshan why?Performance Wise : Paresh Rawal can never be doubted, he's a legendary actor and he's amazing in all his films. 'Chup Chup Ke' is no exception. Om Puri is delightful. Rajpal Yadav is a such an actor, that which ever role you handover him he'll excel in it no matter what. Shakti Kapoor is one of the finest actors Bollywood has witnessed. He's mind blowing. Shahid has a lot to learn. Kareena is cute. Neha Dhupia and Sushma Reddy impress. Anupam Kher is bland. Manoj Joshi gets no scope. Suniel Shetty is functional.On the whole, 'Chup Chup Ke' has a enjoyable first hr in kitty, but a dull and dragging second hr leaves you yawning.

Dream_Woman This is a really nice film to watch with your friends and family, i mean when i first saw this movie i really liked it and i would watch it again.Shahid Kapoor is a great actor, he should do films with Akshay or maybe Salman Khan, he is very talented and was very funny in this film, and not to mention he is the next best danced to Hrithik Roshan. Kareena Kapoor was very good in the film, even though i am not a big fan of hers she is very talented and can go far in her career, that is if she picks the right roles. I also liked Anumpam Kher and Shakti Kapoor too also, they were very funny in the film.The music is very good in the movie, my personal faves were "Dil Vich" and "Hare Hare"i really recommend it to everyone.

xpics The good news is that Kareena Kapoor doesn't talk in this film The bad news is that everyone else does… the problem is that they don't just talk but shout, scream, shriek, screech and yell. Chup Chup Ke continues Priyadarshan's stint with loud comedies. The good news is that this Priyadarshani film has a story to narrate (unlike Garam Masala). The bad news is that this time again the story is a Hindi adaptation of a Malayalam film named Punjabi House (unlike Malamaal Weekly that was his only original Hindi attempt) However the story is interesting enough. Jeetu (Shahid Kapoor) is drenched in debts that he is unable to payback. So he attempts suicide by jumping in the sea only to be caught in the net of fisherman Bandya (Rajpal Yadav). Bandya's master Gundya (Paresh Rawal) in turn has taken heavy loans from Prabhat Singh Chauhan (Om Puri). As a loan security, Gundya keeps Jeetu as a deposit at Chauhan's house, who fakes to be a mute and deaf guy. Chauhan's niece Shruti (Kareena Kapoor) who is actually mute falls for Jeetu. Confusion seeps in the story when Jeetu's ex-fiancé Pooja (Sushma Reddy) comes into picture. The good news is that Priyadarshan's brand of humor is not as bland or slapstick as David Dhawan's recent films. The bad news is that it's not as credible or tongue-in-cheek as a Hrishikesh Mukherjee or a Basu Chatterjee film, either. The movie starts with a bang getting straight to the point. The director doesn't waste time in establishment of the characters. Right from the first scene, the story of the film keeps moving ahead, thereby keeping your interest alive. Priyadarshan doesn't experiment with the treatment of humor though, going on with his trademark style of comedy. The characters play out loud and to the gallery. Another problem with the Priyadarshan brand of comedy is that he stretches the humor in a scene a bit too much and doesn't know where to stop, thereby making it repetitive and monotonous at times. However thanks to some well-written scenes and Neeraj Vora's dependable funny one-liners that range from the witty to the corny ones, the film does succeed in making you laugh. One more bone of contention is that the genre of the film is not just focused at being a comedy. That lasts for the first two hours after which the genre shifts towards drama. After a good dose of laughter in the first half, you don't feel like changing moods with the subsequent on screen emotional outbursts. And while Priyadarshan handles the comic portions of the film in a larger-than-life manner, his treatment of emotions is very much natural. (Not many might remember Priyadarshan as the director of touching emotional films like Gardish, Virasat and Sazae Kala Paani much before he molded himself as a comedy specialist). Conversely, how one wishes it were just the opposite in this film i.e. the comedy to be more natural while one could overlook the heavier side with some passable artificial emotions. The fluctuating genres very much remind of Priyadarshan's Hulchul that too turned intense in the last one hour. Moreover the family setting and characterizations of Suniel Shetty and Kareena Kapoor seems to be directly derived from Hulchul. Priyadarshan has a standard team of actors like Paresh Rawal, Rajpal Yadav, Om Puri, Asrani, Manoj Joshi and Suniel Shetty with whom he extracts fine work. Paresh Rawal is getting repetitive though you love to see him repeat the act. From being a serious actor, Om Puri has already made a transition into the comedy arena with élan. Rajpal Yadav yet again goes over the top, but somehow in this film, this actor steals the show amongst others thanks to the best scenes and lines that he gets. His timing and expressions add to the effect.Like his team of actors, Priyadarshan also has a standard team of technicians in his film like cinematographer Tirru and art director Sabu Cyril. Sabu repeats the typical pillars-in-the-garden set design for the song sequences. The white color in costume designs is consistently maintained throughout the film to impart a pure look to the frames. The good news is that Himesh Reshammiya composes the music of this film. The bad news (for some) is that he even sings some of the tracks here. Amongst other actors, Shahid is quite efficient. Kareena looks gorgeous and since she doesn't have to mouth a single line in the entire film (not even in a dream sequence), you are saved by her otherwise over-expressive dialogue delivery skills. In fact Neha Dhupia gets more scope and she makes the best use of it. Sushma Reddy is restricted only to some 4-5 scenes. Suniel Shetty is getting typecast in these kinds of roles playing the aggressive and protective brother. Soon he might become a substitute for Jackie Shroff. Overall, Chup Chup Ke isn't as silent as the title suggests. However despite it's loose (or loud) ends, it still manages to be a good family entertainer.