btm1 I loved this wry comedy that takes place in a small Mississippi town where everybody is, at least outwardly, friendly with everybody. It was directed by the late Robert Altman (1925-2006), who also gave us M*A*S*H and Nashville, and much more. Terrible title, however. It has nothing to do with fortune cookies, or cookies of any kind. The fortune refers to the assets that the heirs of a family matriarch, whose nickname is Cookie (Patricia Neal), will inherit when she dies.One of the little comedic touches I appreciated were the historical markers in the town, one of which I think read "nothing historical occurred at this spot." I enjoyed the treat of four generations (each about 20 years younger than the next) of noted actresses in one film. In addition to movie legend Patricia Neal (1926-2010) who won an Oscar for Hud, Glen Close (who has had 6 Oscar nominations so far) played Camille Dixon, Cookie's over-bearing theatrical-obsessed niece. Four time Oscar nominee Julianne Moore played Camille's subservient and perhaps dim-witted younger sister Cora Duvall. Cute Liv Tyler (who was Arwen in the Lord of the Rings trilogy) is Emma Duvall, Cora's estranged daughter.Charles S. Dutton is great as African-American Willis Richland, who is kind of a genial gentle care-taker for Cookie. At the end of the film we learn he is more than a friend.Famed singer Lyle Lovett plays a spooky peeping Tom character who is interested in Emma. His role didn't seem to be fully developed and didn't contribute much to the film. Chris O'Donnell plays a Barney Fife type sheriff's deputy, except he is very good looking and is romantically involved with Emma.Cookie, who's mind is beginning to go, misses her late husband and kills herself to be with him. Camille Dixon discovers the suicide and initially is shocked and horrified that people will learn that her aunt killed herself (nice people don't commit suicide) and affect Camille's social standing. So she makes it look like a thief murdered Cookie. But once she does that her horror turns to appreciation. She now can move into Cookie's grand house. But she hadn't counted on anyone in the town becoming a murder suspect.

Terrell-4 Says lawyer Jack Palmer to Emma Duval, explaining the fate of her long gone father, a man she was told years ago had died while doing missionary work in Africa after he'd left his family. "He died alright, about four years later, somewhere down in Alabama in a button factory accident. Seems the hole poker machine broke loose and fell on him. They say he had 273 holes in him before they could get it off." After all that Emma and her friend Willis Richland have experienced in Robert Altman's Cookie's Fortune, it seems perfectly natural when Emma cries out in exasperation, "Willis, what is wrong with all these people?" The important point is that they all are part of a movie of great ease and geniality. Cookie's Fortune may be a little sentimental, perhaps, but it is so sweet-natured and natural, and so skillfully presented, that I think the film ranks among Altman's most accomplished works...even if what powers it is an old lady blowing her brains out. Jewel Mae Orcutt -- Cookie (Patricia Neal) - is aging and increasingly infirm, and she longs for her deceased husband, Buck. When she decides to use one of Buck's pistols to join him, she sets off the avarice of her niece, Camille Dixon (Glenn Close), who pulls along her slow- witted sister, Cora Duval (Julianne Moore). Camille is determined that no hint of a suicide will scandalize the family name, so she makes things look like a burglary gone bad. And, unintentionally, makes it look as if Willis Richland (Charles S. Dutton), a close friend of Cookie's who had worked around the house for her, must have done the deed. Well, there's no way Emma Duval (Liv Tyler) an unconventional young woman who is seriously estranged from her mother, Cora, and her aunt, is going to buy that. In fact, no one, even the local cops, believes that Willis would have burglarized and shot Cookie. For the next hour and a half we're going to take part in Altman's gentle examination of the people in this little cotton-growing town of Holly Springs, Mississippi. We're going to learn how to clean catfish, listen to the blues and, a little off camera, how to make love standing up. We'll encounter Camille's obsession with propriety and look aghast at her firm direction (and rewriting) of Wilde's Salome as a church play for Easter. We're going to see how skilled Lyle Lovett is at gutting a catfish and peeping into Liv Tyler's window at night. We're going to learn a lot about family relationships, even the more informally blessed kind. Most of all, perhaps, we're to learn just how much friendship and family can mean, especially when it's served up with such skill and off-beat humor by Altman and screenwriter Ann Rapp. And as good as all the actors in this ensemble cast are, Charles S. Dutton stands out. He gives a fine performance brimming with likability and honesty, and without a trace of Hollywood nobility. Willis Richland is a guy who has responsibilities, and that's just fine with him.

fedor8 Altman should go into retirement, as should Scorsese, and all the other former great directors who waste everyone's time with their new material.This overlong, unfunny near-mess starts off with a half-hour of pure tedium, in a sort of "Driving Miss Daisy" vein; with an old woman and her loyal black friend. Absolutely nothing happens in this part of the movie. I wish it had stayed that way, because once things start happening that is when the movie gets really annoying. (Like Sting's famous song-line: "Life was easy when it was boring", or "This film was easier when it was boring".) The overly familiar plot – already milked dry by the self-copying Hitchcock - of an innocent man accused of murder is just too stupid. It also sinks any chance that the gags and the humour might have; but the jokes are mostly mediocre so it doesn't matter. The other major problem with the movie is the rather "blah" cast: Julianne Moore, Glenn Close, O'Donnell, that "country" singer, and worst of all - Liv Tyler. While Moore is convincing as a semi-retarded woman, Close is simply annoying in yet another wicked-witch-from-the-South role. O'Donnell is typically bland, while Tyler is not only awfully miscast but a bad actress, as well. For Altman to cast her as some white-trash Southern girl is an insane move. Charles Dutton has a very cliché role: he is ultra-kind, pure goodness and is intellectually superior to just about everyone - without feeling that way. And what an annoying plot-point in the kid's father not wanting to listen to what the kid had witnessed. Plus, there is that annoying sporadic schmaltziness that any movie can do without. What a waste of time.

noralee "Cookie's Fortune" has Robert Altman's patented esprit de corps with ensembles, here representing the intimacy of small town eccentrics, with somewhat amusing intricacies of lies and misunderstandings. The young folks' parts are underwritten so Chris O'Donnell simply doesn't have a lot to do, though Liv Tyler breathes life into her role.Rufus Thomas has an entertaining bit part. Lyle Lovett's role is a charming bit, less lines but more character substance than O'Donnell's.There is wonderful original blues music throughout, with guitar work by The Edge of U2.(originally written 5/9/1999)