Tanz der Farben (1939) is by no means a lost film. Created by Hans Fischinger, Oskar’s younger brother, it is considered the last abstract film made in the Third Reich. And it is a worthy swan song. Oskar was experimenting with volume, texture, he tended to have a certain graphical ‘dominant’ in each film. Hans preferred thin lines, sharp angles – which created an effect of a more rough and tense movement with a ‘space resistance’. Tanz der Farben indeed resembles a non-figurative universe living by constantly changing laws. The Gosfilmofond print is quite unique – it is in fact three prints spliced into one, and these prints differ: Hans Fischinger was trying several colour solutions for the same musical sequence.
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Tanz der Farben (1939) is by no means a lost film. Created by Hans Fischinger, Oskar’s younger brother, it is considered the last abstract film made in the Third Reich. And it is a worthy swan song. Oskar was experimenting with volume, texture, he tended to have a certain graphical ‘dominant’ in each film. Hans preferred thin lines, sharp angles – which created an effect of a more rough and tense movement with a ‘space resistance’. Tanz der Farben indeed resembles a non-figurative universe living by constantly changing laws. The Gosfilmofond print is quite unique – it is in fact three prints spliced into one, and these prints differ: Hans Fischinger was trying several colour solutions for the same musical sequence.
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Hans Fischinger
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