thinker1691
Democratic governments are said to work in the public interest. All well and good. However, when that government decides to work in secret, then it becomes an enemy, not only to the people it purports to work for, but is contrary to the spirit of democracy. This is the premise to this film entitled " Defense of the Realm." In this story, our hero Nicholas Mullen (Gabriel Byrne) is an inquisitive newspaper reporter who stumbles across a sensitive story involving the cover-up murder of a school boy. The lad's death is hushed up by government authorities and involves a prominent cabinet official. The case is ultra secret so that when a Parliament official seeks to inquire into the death of the school boy, those who want to keep it from being re-opened, first seek to scandalize him, then discredit the first newsman who helps him, then anyone else who gets involved. After his colleague is found dead, Mullen takes up the challenge of exposing his friend's murder and soon finds himself threatened, then targeted for assassination. The movie is stark drama and with the aid of exceptional actors like Denholm Elliott, Ian Bannen and Robbie Coltrane produces an exciting and heart thumping atmosphere. A fine film and highly recommended as a late night thriller. Excellent! ****
didi-5
With a mouthwatering cast (Gabriel Byrne, Denholm Elliott, Fulton Mackay, David Calder, Ian Bannen, Greta Sacchi, etc.) this film promises a lot and more or less delivers. Set in a newsroom against the backdrop of political scandal and cover-ups, 'Defence of the Realm' keeps you watching and keeps you guessing.It is a shame that the ending is a bit of a let-down, coming far too abruptly and leaving the viewer cheated of a really tight finale. But it is a minor grumble, and although this film is far from a classic there is much to recommend it. And incidentally, good use of music at the moments where a bit of tension is needed.
Marlburian
It seemed quite promising, but was hard to follow in places, not helped by one or two outdoor scenes not transforming well onto a TV screen. I'd recorded it, so on several occasions was able to rewind to have another go at understanding it. It might help if I was to watch the entire film again from start to finish, but I can't be bothered. As I understand it, a youth fleeing from the police clambers over a very nasty looking fence onto the runway of an American air base and gets killed by an aircraft that's landing with a nuclear bomb on board. This precipitates an emergency exodus from the base. Cue cover-up, investigated by local MP who gets set up, leading to investigation by reporter.Byrne does well as the reporter, but as is often the case Denholm Elliott impresses the most. Greta Scacchi is very bland.
stuart.galbraith
This movie is a good example of the British film industry quietly making good movies that nobody saw. Brought out at the height of the cold war , as far as i know it was only ever seen on channel 4 (which kept the british film industry alive). The plot is hardly revolutionary. A journalist (a hard bitten Gabriel Byrne)stumbles upon a coverup by the british goverment, of a nuclear accident on an american airbase (which actually happened in the 1950s, but thats another story). Shades of disaster at silo seven, presidents men and forth protocol. But where this movie is different is the feeling that THEY are following you, helped by an understated yet eerie soundtrack. Byrne is followed by a car from the american airbase, it crowds him off the road and all of its windows are seen to be blacked out. He phones the American embassy and hears his phone being tapped.We dont even see the watchers untill the very end of the movie (which weakens it slightly) Even the Kangaroo court at the end of the movie is reminicnent of Franz Kafkas THE TRIAL. This is the X FILES without ufos, yet Byrne and scacchi are more that a little reminicent of mulder and scully (who also break the rule and dont fall in love on screen). Helped by fine performances from Denholm Elliot and Fulton Mackay(Robert Maxwell?), it evokes a patina of the hidden state only equilled in the uk by EDGE OF DARKNESS and Ken Loache`s HIDDEN AGENDA. its not the best thriller ever made in the UK, but it deserves a damn sight more attention than its received. See it , before THEY do.....
AD
