Dina

Dina

2017 ""
Dina
Dina

Dina

6.7 | 1h41m | en | Documentary

Dina, an outspoken and eccentric 49-year-old in suburban Philadelphia, invites her fiancé Scott, a Walmart door greeter, to move in with her. Having grown up neurologically diverse in a world blind to the value of their experience, the two are head-over-heels for one another, but shacking up poses a new challenge. Scott freezes when it comes to physical intimacy, and Dina, a Kardashians fanatic, wants nothing more than to share with Scott all she’s learned about sensual desire from books, TV shows, and her previous marriage. Her increasingly creative forays to draw Scott close keep hitting roadblocks—exposing anxieties, insecurities, and communication snafus while they strive to reconcile their conflicting approaches to romance and intimacy.

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6.7 | 1h41m | en | Documentary | More Info
Released: October. 04,2017 | Released Producted By: Killer Films , Cinereach Country: United States of America Budget: 0 Revenue: 0 Official Website:
Synopsis

Dina, an outspoken and eccentric 49-year-old in suburban Philadelphia, invites her fiancé Scott, a Walmart door greeter, to move in with her. Having grown up neurologically diverse in a world blind to the value of their experience, the two are head-over-heels for one another, but shacking up poses a new challenge. Scott freezes when it comes to physical intimacy, and Dina, a Kardashians fanatic, wants nothing more than to share with Scott all she’s learned about sensual desire from books, TV shows, and her previous marriage. Her increasingly creative forays to draw Scott close keep hitting roadblocks—exposing anxieties, insecurities, and communication snafus while they strive to reconcile their conflicting approaches to romance and intimacy.

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Cast

Director

Adam Uhl

Producted By

Killer Films , Cinereach

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Reviews

metta1 Where to start? The colors were very pale pastels in a fog. The filming of many talking heads scenes was done at a distance so no heads or mouths talking were seen and I could not understand what was being said. I did not understand the point of the movie at all. I could not finish watching it as it was so annoying director wise.
thirtyfivestories Dina reaches for a stranger's hand, unaware of the social constructs that have ruled this action taboo. She's a woman that overflows with honesty and is incapable of deceit. Grasping the assistant's hand, Dina compassionately squeezes, knowing that a drill in her mouth pales in comparison to the blades of her past. After far too long, Dina has chosen to marry again. Scott is the most personable Walmart employee in town, and has an obsession for his sports teams and Evanescence. Dina's vice is plush toys the Kardashians. Together they only share interest in one another. Scott's ESPN app chimes audible tension as Dina sighs at her scatterbrained finance. Dina's not-so-subtle seductions fly clear over Scott's head, but it is impossible to scold his density. The truth is that Scott's confidence has always been in limited supply, while Dina has floated to the surface of hell. Scott tells Dina that he would be dead if he had lived her life. They are trying to savage their remaining years, but childlike innocence might clog their engines. Terrors of Dina's past spill out of her mouth, but the faucet of exposition is throttled to perfection by the filmmakers.Love hands out second chances, and patience does not always appear kind. The complexities of joining grow more compelling when the subjects are honest to a fault. Life becomes more the television programming, evolving into terrible foot massages and onomatopoeic kisses.Dina offers the intangible "perspective". She becomes irritated, but always for appropriate reasons. More so, she articulates her frustrations openly. This skill has been pushed into the recesses of human expression. Peering into Dina's struggles and triumphs inspire a straight-forward, authentic approach to living, one that looks a little funny, but the laughter fills the gashes.
scaalto The filmmaker's ability to take such intimate, personal scenes and tell such a powerful story truly honors these two people. If you are empathetic with those who are challenged and struggle to find meaningful relationships I think it would be hard to not be quickly drawn in to this story. Dina has had significant life experience - Scott's world has been much more limited. But his love of Dina and his wish to succeed in this marriage won me over repeatedly. Dina was surprising in her ability to articulate what she needed from Scott. His appreciation of Dina's past said so much about his character. Dina's accident was revealed in such a stark and stunning manner. This is not a commercial film but I hope it continues to find an audience. This is the most moving film I've seen in decades.
Gil Holderbach Dina was decent. The standout elements are the very restrictive cinematography, with everything shot on a tripod making the film resemble a slice-of-life drama award contender; and the incredibly entertaining characters, with everyone behaving in a nonchalant and quirky way, almost like characters in a Wes Anderson film. While this film has an abundance of charm, I didn't find it exceptional. One metric I use to judge a documentary's quality is determining whether I would still care if it were a work of complete fiction, and I don't see myself being as forgiving if that were the case. My main annoyance with this film is that the story begins to feel extremely repetitive after a while. We are constantly cycling through the process of Dina getting frustrated, her fiancé having trouble compensating, and the to making up before starting again. If not for how entertaining the people featured are, the film would have been a complete slog.