Dodge City

Dodge City

1939 "West of Chicago there was no law! West of Dodge City there was no God!"
Dodge City
Dodge City

Dodge City

7.1 | 1h44m | NR | en | Western

In this epic Western, Wade Hatton, a wagon master turned sheriff, tames a cow town at the end of a railroad line.

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7.1 | 1h44m | NR | en | Western | More Info
Released: April. 08,1939 | Released Producted By: Warner Bros. Pictures , Country: United States of America Budget: 0 Revenue: 0 Official Website:
Synopsis

In this epic Western, Wade Hatton, a wagon master turned sheriff, tames a cow town at the end of a railroad line.

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Cast

Errol Flynn , Olivia de Havilland , Ann Sheridan

Director

Ted Smith

Producted By

Warner Bros. Pictures ,

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Reviews

quarterwavevertical A number of Hollywood actors are known for the western movies they starred in. John Wayne, of course, is probably the one that most people think of. Similarly, Randolph Scott, Joel McCrae, Gary Cooper, and Clint Eastwood are often associated with this genre.Errol Flynn is better known for his swashbuckling roles in movies such as "Captain Blood" and "The Sea Hawk", but "Dodge City" is an impressive debut for him in a horse opera.He plays an adventurer, of sorts, who's been a soldier and a revolutionary, and, when his character is introduced in the film, he's a cowboy and a former buffalo hunter. He eventually becomes sheriff who brings justice to a lawless Dodge City.It's a solid movie with all the necessary elements for a good story: a dashing hero, a charming damsel (played by Olivia de Havilland) who eventually finds herself in distress, a few moments of comic relief (provided by the characters played by Alan Hale and Guinn "Big Boy" Williams) and a climactic fight in which the good guys win over the baddies.This movie was one of several westerns that Flynn made, including "Virginia City", "Rocky Mountain", and the terrific, though historically inaccurate, "They Died With Their Boots On". It's not a definitive western such as "Red River" or "The Searchers", but it's delightfully entertaining nonetheless.It's definitely worth seeing more than once and would make a good addition to one's western movie collection.
bob-790-196018 This is a rousing western with great ingredients: Errol Flynn, Olivia De Haviland, Michael Curtiz direction, Max Steiner score, and vivid color. It's a fun movie. But it belongs to an earlier generation of western movies that was superseded by many films that later appeared during the golden age of the genre in the late 1940s and 1950s.John Ford's Stagecoach appeared in the same year as Dodge City and already pointed the way forward to a deeper, more grown-up western. It would be followed by other fine films by Ford himself, Howard Hawks, Anthony Mann, Budd Boetticher, and many others. These movies focused on character, complex themes, or simply the poetry of the western myth itself.What Dodge City provides is standard horse-opera fare elevated by great production values. We have the pure-hearted, noble hero, kind to all ladies even when they scorn him; the comical but dumb sidekick; the saloon brawl, the really nasty bad guy and his even nastier gang, and so on.There's a great opening sequence in which the new railroad train races a stagecoach. Another attraction is Olivia De Haviland, whose delicate beauty perfectly complements Flynn's persona. It's easy to see why Flynn was so popular in swashbuckling movies like this one--he could wield a six-gun or sword, handily defeating enemies, yet remain a gentleman. Compared with movie heroes to come--Humphrey Bogart in Casablanca! John Wayne in The Searchers!--Flynn was a Boy Scout.The famous saloon fight in Dodge City is way over the top. We are meant to revel in the high spirits and manly foolishness of many dozens of Yanks and Confederates literally reducing the establishment to rubble as they beat each other with every weapon available. Later westerns continued the tradition of bar-room confrontations, but the casts would be smaller and the situations far more desperate ones with lives at stake and justice at issue.
wes-connors After the end of the United States Civil War, the recovering nation turns to the building of the unsettled west. Handsome young Irish immigrant Errol Flynn (as Wade Hatton) arrives in Dodge City, Kansas, to help. But, cattleman Flynn finds the wealthy city is controlled by lawless Bruce Cabot (as Jeff Surrett), an old enemy. Due to Mr. Cabot's presence, a young boy is horrifically killed during one of the town's frequent shoot-ups; so, Flynn decides accept a Sheriff's position, and rid the town of its rats.Beautiful Olivia de Havilland (as Abbie Irving) provides romantic interest, although Flynn gets off on the wrong foot by helping cause the death of her brother (William Lundigan). Saloon singer Ann Sheridan (as Ruby Gilman) and brawling Guinn "Big Boy" Williams (as Tex Baird) are among the others making fine impressions, in this richly produced Warner Brothers western. The direction (Michael Curtiz) and Technicolor cinematography (Sol Polito) combine for some outstanding scenes and images.******** Dodge City (4/1/39) Michael Curtiz ~ Errol Flynn, Olivia de Havilland, Bruce Cabot, Ann Sheridan
FloatingOpera7 Dodge City (1939): Errol Flynn, Olivia De Havilland, Bruce Cabot, Alan Hale, Frank McHugh, Anne Sheridan, Victor Jory, John Litel, Henry Travers, Henry O'Neill, William Lundigan, Bobs Watson, Guinn Williams, Gloria Holden, Georgia Cane, Douglas Fowley, Charles Halton, Ward Bond, Cora Whiterspoon, Russell Simpson, Monte Blue, Hank Bell, Clem Bevans, George Bloom, James Burke, Nat Carr, Horace B. Carpenter, Spencer Charters, Tom Chatterton, Richard Cramer, Jim Farley, Thurston Hall, Robert Homans, Vera Lewis, Milton Kibbee, Lilian Lawrence, Pat O'Malley, Henry Otho, Francis Sayles, Guy Wikerson....Director Michael Curtiz, Screenplay Robert Buckner.The year 1939 was a big year for movies (Gone With The Wind, The Wizard of Oz, Goodbye Mr. Chips) and this "Old West" film from director Michael Curtiz was but one of two of his films that were in theaters that year to great acclaim; the other being Private Lives of Elizabeth And Essex with Bette Davis. Errol Flynn had achieved Hollywood stardom with "Adventures of Robin Hood" opposite Olivia De Havilland, who was herself emerging as an actress. Hollywood at the onset of World War II was enamored of Flynn and De Havilland and they starred in various films together. In "Dodge City", we find ourselves in Kansas, 1866, right after the Civil War has ended. The small cattle town of Dodge City is a lawless, dangerous and unhappy place, controlled by a corrupt Sheriff (Bruce Cabot). It's up to our hero Errol Flynn (as Wade Hatton) to turn things around and save the day. Olivia De Havilland portrays his love interest, Abbie Irving, a beautiful and resourceful prairie-born-and-bred girl whose brother Joe (Frank McHugh) is reckless and is eventually killed by Wade. This puts a damper on the relationship between Wade and Abbie but after she takes a job as newspaper writer and spends more time with Wade, the two fall in love. Before long, the bad guy/guyss are defeated and Wade becomes the town's new mayor. This film is possibly bland and predictable next to other Westerns that have stood the test of time (Giant, Hondo, How The West Was Won) but it has some good aspects and was a beloved Western in its day. Filmed in Technicolor at a time when it was rare to see films in color, the cinematography (by Sol Polito who worked for Warner Bros and for Curtiz's films is very beautiful, owing to the fact it was filmed outdoors in Kansas-like landscapes and realistic-looking sets. The music is by Max Steiner, who worked like crazy on dozens of films for Warner Bros. This film represents a kind of flower of the Hollywood studio system, as far as Westerns. Errol Flynn is superb, Olivia De Havilland is lovely and there is enough action (train and stagecoach race, bar fights, gun duels, etc) to perfectly fit into a classic, high-calibre Western. If you enjoy Errol Flynn (he did his own stunts at a time when no one did) and Olivia De Havilland, this film is highly enjoyable. But despite the historic setting, you will not learn much about post-Civil War America. In fact, the whole thing suffers from stereotypes of the Old West: the vulgar but good-hearted saloon girl, the good cowboy vs the evil sheriff, etc. This is a film that was meant to take you back to the Old West purely for entertainment.