arjunflamingfeather Meaning to our adventures are not shared accurately because like love meaning of grace disappears but shows proof of appearing again. In the years of watching visual creations in Cinema halls and in residence; applying display value to criticism brings attention to detail like while taking a penalty in the world cup. 'Penalty' for the world cup football in Russia but the pause button is like that while watching movies. Marathon adventures by actresses: Keira Knightly lead to a DOMINO. The actors both Ramirez and Rooke are supporting the actress Knightly in this movie marathon off: Keira. The academy award nominee actress, twice has been caled upon as a potential winner but not yet so. Keira is a British actress who in this movie plays with her physical activities like life cycles of training with her body because of the duty that existential movements shows. Attention to detail and proving certain movements of people like the movie has leads to our disbelief being surrendered to belief over humanity. Human activity like loosing track of themselves in drugs and crime even to a tolerable nature if proven not guilty; leads to belief in the eternal or dead humans. In the past humans have perished and the proof is the eternal because 'Gods' do not die they are merely reborn or take on another body but the cycle can not be broken eternally because choosing life over death is the meaning of living like breathing.The movie calls for attention to the now over the past, present which is subject to change into the future because of the passage of time. Novel idea for a creative treat to the eye; putting terrorism within the limits of governance meaning becoming legal with the opportunity.

Leofwine_draca DOMINO is a messy film, one of the most overblown I've seen. It rattles along at a fair old pace, screaming and shooting, and director Tony Scott goes out of his way to make every scene, every frame even, as stylish as possible. It's a mess of choppy editing, over the top dialogue and people screaming as they shoot each other while a pumping soundtrack plays over the proceedings.The huge cast come in and out of the storyline, about bounty hunters going after some guys who've stolen a massive haul, and it's all rather lightweight and nonsensical. The ensemble cast is good, but these are caricatures rather than real people, and larger than life doesn't really describe the huge egos and outlandish behaviour filling the screen. I've never liked Knightley, but she's probably at her best here, given the chance to do something other than period dramas; Mickey Rourke is gravely and tough, continuing the career rehabilitation begun with SIN CITY; Christopher Walken shines in a supporting role.But the script is all over the place and the attempts at comedy sit ill with the main thrust of the story – long, unnecessary segments including the Jerry Springer one just drag the film down and scream self-indulgence. By the end, I neither knew nor cared about any of the cardboard characters in this headache-inducing movie, just longing for it to be over.

adam-atomboy This movie is done in the style of one of Tony Scott's gritty, yet ultimately heartwarming, action movies. I very much enjoy Tony Scott's style and his movies, especially Man on Fire, with which this movie shares its frenetic visual and cinematic qualities. Domino is not, however, of the same quality of Tony Scott's previous work. It's unfocused, completely abandoning the reality show subplot part way, which is only there for a convenient source of "celebrity hostages." It attempts to be taken seriously as a crime movie, with a colorful cast and more double crosses than one cares to follow. It tries to be clever in its plot twists, despite being terribly telegraphed. However, it breaks character too often and shows itself for what it is: a dark humor movie, a sort of crime fantasy that becomes so ridiculous, it is no longer funny and becomes painful to watch. The over-the-top violence, played for humor, loses its attraction well before the movie is over. Many of the characters are unlikeable and/or racist stereotypes. I will say I liked Mo'Nique as Lateesha, providing this movie with some genuine humor desperately needed in a movie that tries so hard to be funny in so many terrible ways. At the beginning of the movie I was laughing because the movie was trying so hard to be ridiculous; by the end of the movie I was laughing because I couldn't believe that the movie was still desperately trying throw seemingly random bits of plot points together in the apparent hope that something would stick and provide some sort of entertainment. I truly believe that this movie could have been 20-30 minutes shorter without losing anything important. I really wish it had been. The movie's redeeming quality can be found in its main actors, like Mickey Rourke. I can't decide if I like Keira Knightley in this, but I'm sure the movie is better for having her in it. Mo'Nique of course steals every scene she is in. They all tried their hardest to play their characters and it shows. With a better script they definitely could have made this a good movie. As it is, it is simply okay.I was going to give this movie a 5/10 until the scene where Choco performs shotgun surgery on Fender because Domino misheard Claremont's instructions. Wacky misunderstandings like that get me every time.

Natasha Watson The one and main downfall of this film, in my opinion, is the decision to cast Keira Knightley. Ordinarily she gives a very competent performance yet here it is almost cringe worthy. Although she fits the role of a young woman with a well-to-do background, the tomboy and whole bounty hunter side was clearly out of her and the audiences comfort zone. I applaud any actor/actress wanting to break from the constraints of typecasting, however, I felt Keira just simply didn't fit the role. It's as if she tried too hard to be a 'mean tomboy' and as a result failed to capture it. All that aside, the film was unsuccessful for other reasons. Tony Scott has once again made a film that fails to grip the audience. It drags on like a dog missing it's back legs and incorporates all the dull clichés one would expect from a mediocre action film. Scott also, for some bizarre reason, made the film through an ultra-saturated filter, which does little to compliment the film.Overall, the film lacks any kind of substance with characters you feel no attachment to ultimately wondering when the end credits are going to appear.