OneView The entity that later became Hammer Films (the acclaimed House of Horror) started out as Exclusive Films, producing a mix of mysteries and thrillers, some based on popular radio and television productions of the time. The Case of the Missing Heiress is derived from a radio original and features Valentine Dyall as Doctor Morelle.Dyall had a unique sepulchral voice, deep and full of foreboding. It made him an excellent narrator and voice-over artist. His height also provided a commanding presence and he brings these actor's tools to the fore in this production bringing gravitas and assurance to the film.The plot is a traditional missing woman mystery but the climax provides more than one plot twist that uses the economy of characters present to advantage. Technical credits are also high with dimly lit, suspenseful scenes though the version I saw came from a very muddy print.A special note needs to be made about Hugh Griffith's performance as the butler. On paper this is a nonsensical role of a servant who is so deluded that he takes his ten-years dead dog for regular walks. As played by the talented Griffith the character is a figure of great empathy and sympathy.This was overall a surprising film that managed to overcome its low budget and limited resources.

malcolmgsw Although this is a rather threadbare effort it does have a fairly entertaining and well thought out ending.The voice of Valentine Dyall permeates the whole film giving the clue to the film's origins.At that time many BBC radio programmes were being turned into films,often with unlikely titles such as The 20 Questions Murder Mystery.I have to say that I cannot remember a similar climax when the tables were so neatly turned on the murderer with no less than two further twists giving a very neat and ingenious ending>Too often endings seemed contrived and unsatisfactory ,but such concerns definitely do not apply to this thriller.

bkoganbing The popular detective Dr. Morelle played by Valentine Dyall is our protagonist who stars in the Case Of The Missing Heiress. The story is told in flashback and in this case a bad idea because we know that the good doctor's assistant Julia Lang has had no harm befall her. Not good especially for those not familiar with the character on British radio who knows that she would have to be back for next week's episode.Morelle fancies himself Sherlock Holmes and he has the weapon of hypnotism at his command unlike Holmes. He also has Lang as a faithful scribe of his adventures, but Watson would have walked out if Holmes had ever treated him the way that Morelle treats Lang.In any event Lang gets a call for help from an old friend who is being kept prisoner by her stepfather and unable to see her boyfriend. The friend stands to inherit a considerable fortune, but the friend after making the call disappears. Stepfather Phillip Leamer doesn't want publicity and neither does boyfriend Peter Drury.We find out that the butler didn't do it when butler Hugh Griffith turns up dead as well and a frantic Lang calls Dyall for help. Of course when he comes to Devonshire where the spooky estate of Leamer is located, he solves the whole mess. Griffith is best in the cast with his performance of a slightly daft butler who walks an imaginary dog. But the film itself looks like it was slapped together rather quickly no doubt to take advantage of the radio show's popularity.

ecjones1951 Often called the "British Vincent Price," Americans have heard Valentine Dyall, even if his name and face are unfamiliar. His voice was used in countless films, TV and radio programs where his face (though handsome) was not seen.Dyall's starring role as the hypnotist, Dr. Morelle, is the main reason to see "Dr. Morelle: The Case of the Missing Heiress." The plot is unexceptional, and the acting of most everyone else rather pedestrian. One exception is Hugh Griffith, (ten years before he won a Best Supporting Oscar for "Ben-Hur"), as the daft butler, Bensall.Greedy, wheelchair-bound Samuel Kimber (Philip Leaver) wants to bump off his stepdaughter, Cynthia (Jean Lodge) to gain her inheritance. She wants to marry a struggling young author, escape the clutches of her stepfather and keep her money.Heiress disappears between the old manor house she inhabits with her stepfather and Bensall and the author's humble cottage.And the story takes off from there. Dr. Morelle's secretary, the aptly named Miss Frayle (Julia Lang), infiltrates the old dark house to see what she can find out about the disappearance of her friend.Along the way, she makes an unlikely ally whose untimely demise hampers her effort to solve the mystery. Meanwhile, Dr. Morelle assumes several names and identities as he tries to ferret out the truth from Mr. Kimber and the young author.Everything is wrapped up neatly in just over an hour, with a predictable ending arrived at by slightly unconventional means.I've already given "The Case of the Missing Heiress" more cyber ink than it warrants, but there is something that sets this fairly ordinary late-40s Hammer thriller apart, and that is the commanding presence of Valentine Dyall.The London-born Dyall (1908-1985) conquered every medium in his nearly fifty-year career: stage, film, TV and especially radio where his mellifluous voice was most famously heard in Britain in the 1940s as the star of "The Man In Black." Dyall's voice was heard much later in "The Hitchhiker's Guide to the Galaxy" as that of Deep Thought.In between there were a lot of spears to be carried, manors to be lorded over, and dead bodies for the trench-coated Mr. Dyall to hunch over. If his work in this unprepossessing little film is any indication of the overall quality of his work, I'm apt to look for his name in credits from now on.