Every Sunday

Every Sunday

1936 ""
Every Sunday
Every Sunday

Every Sunday

6.7 | en | Comedy

Edna's grandfather is a conductor of a small orchestra that gives concerts in the park every Sunday. Because of lack of audience the city officials want to cancel these concerts. To stop this from happening, Judy and Edna gather a crowd the following Sunday; and to keep its attention, they themselves perform with the orchestra. Edna sings an aria and Judy sings 'Americana'.

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6.7 | en | Comedy , Music | More Info
Released: November. 28,1936 | Released Producted By: Metro-Goldwyn-Mayer , Country: Budget: 0 Revenue: 0 Official Website:
Synopsis

Edna's grandfather is a conductor of a small orchestra that gives concerts in the park every Sunday. Because of lack of audience the city officials want to cancel these concerts. To stop this from happening, Judy and Edna gather a crowd the following Sunday; and to keep its attention, they themselves perform with the orchestra. Edna sings an aria and Judy sings 'Americana'.

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Cast

Judy Garland , Deanna Durbin , Kathryn Sheldon

Director

Charles G. Clarke

Producted By

Metro-Goldwyn-Mayer ,

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Reviews

bkoganbing Every Sunday is an eleven minute short subject featuring the talents of two of its young juvenile contract players, a pair who would develop into players of note in the future. It's interesting and entertaining to see the contrasting styles of Judy Garland and Deanna Durbin as they perform at a Sunday concert for Deanna's uncle.Of course no one knew how big both of these young ladies would get to be. I've always wondered why Mayer kept Garland and let Durbin go to Universal. L.B. always had pretensions to culture and this was the guy who had Jeanette MacDonald at his studio and later on hired such lovely soprano voices as Jane Powell, Ann Blyth, Doretta Morrow, etc.Judy certainly had her glorious career at MGM, but she paid a heavy price for it. Deanna, along with Abbott&Costello and several Gothic horror monsters preserved Universal pictures. She was smart enough to get out at the top and make it stick.So, in their salad days, Deanna Durbin and Judy Garland.
Michael_Elliott Every Sunday (1936) *** (out of 4) Judy Garland and Deanna Durbin star in this MGM short about two girls who try and save a "concert in the park" series. If you're a fan of the two actresses then you'll certainly want to check this film out, which features the girls doing two duets. Both the songs are pretty good and the film moves just fine.If you're interested in seeing this title then keep your eyes on Turner Classic Movies as they show this a couple times each year. It's usually shown after a Garland film.
n_r_koch I have seen over 2000 Studio-Era sound films-- including lots of Judy Garland, Lena Horne, Shirley Jones, and Deanna Durbin's own Universal features-- plus a decent amount of live and studio-recorded musical comedy and opera. And I assure you, no one tasked with singing in front of a camera and microphone, or maybe anywhere ever, HAS EVER TOUCHED DURBIN'S SOLO here...mono soundtrack and crap 1930s microphones and all. The kid from Canada sings this bit from "Il Bacio" like she lived and wrote it herself and then happened to show up for a retrospective in Italy late in her career, not like a child who learned it from her music teacher.If you skip this Extra on the DVD-- or skip ahead to the Garland solo-- you are just depriving yourself, since this cheap MGM teaser just happened to capture one of the greatest performances of the 20c.
richardjstanford We are very fortunate to have such historic pieces of film preserved. Deanna and Judy captured on film at the very beginning of their individual spectacular careers. Two diverse voices blended in a brief eleven minutes. Many other ledgendary performers were filmed at the outset of sound, and these may be the only records in existance of their performances. Living history.