Evil Come Evil Go

Evil Come Evil Go

1972 "Hell Hath No Fury"
Evil Come Evil Go
Evil Come Evil Go

Evil Come Evil Go

3.7 | 1h6m | en | Horror

A religious fanatic murders people who are engaging in sex.

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3.7 | 1h6m | en | Horror | More Info
Released: February. 18,1972 | Released Producted By: Chinn-Adrian Productions , Country: United States of America Budget: 0 Revenue: 0 Official Website:
Synopsis

A religious fanatic murders people who are engaging in sex.

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Cast

Cleo O'Hara , Jane Tsentas , Rick Cassidy

Director

John Holmes

Producted By

Chinn-Adrian Productions ,

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Trailers & Images

Cast

Cleo O'Hara
Cleo O'Hara

as Sister Sarah Jane

Jane Tsentas
Jane Tsentas

as Junie

Rick Cassidy
Rick Cassidy

as Morgan

Reviews

udar55 Street preacher Sara Jane (Cleo O'Hara) believes God has put her on this Earth to rid the world of pleasurable sex. She receives shelter from Penny (Sandra Henderson), a lesbian who Sara Jane promises to turn to God. How does she do this? By having Penny help her in killing anything that humps. This is certainly one of the more bizarre horror morality tales out there. Clocking it at a lean 73-minutes, I would say 60% of that time is spent with the camera lens ogling nude bodies. Not that I mind, but it does tend to get a bit monotonous. Things liven up whenever O'Hara is around though. Dolled up like Baby Jane and sporting a southern accent the would fit in perfect in COAL MINER'S DAUGHTER (the first half, that is), she is a hoot as she sings Bible hymns while killing (and dreaming of having her own evangelical show). There are quite a few stabbing deaths in here with some H.G. Lewis blood on display. I have no idea who the target audience for this was - T&A fans? Horror fans? Religious freaks? All of the above?
murking I was shocked in the first place that this film was any good. I was beginning to lose hope in Something Weird's oddities, mainly the pure sex romps bereft of plot. Here you have an unwanted dose of ant-sexual religious fervor, laid upon the plate of Grindhouse hippie storefront cinema. Plus some lesbianism thrown in for sheer ambiguity. As uncomfortable as the players seem, the sex scenes come across with mild realism. Sara Jane's first victim, presumably picked up in a Cafeteria (?) boasts about his love 'em and leave 'em ethos, and considering his sexual choices, it's a good strategy. She laughs as she complies with his perfunctory sexual demands, before she wastes him.Later, we have a classic triangle when the lesbian friend shows up and convincingly rescues her girlfriend from Sara Jane's clutches. Unfortch, it's a trick. But very well played, and nice boobs on the blonde, BTW.How can I explain the ending? Are the girls converted back to a free love ideology? Or have they lost their bloodlust out in the open air? So easy to kill in the privacy of a hotel room.
thomandybish This film, a weird cross-breed of horror and soft-core porn, is one of the more original low budget flicks from the 70s. Apparently intended for the grindhouse crowd(and coming near the end of that era), this movie mixes sex with religious fanaticism and gore. Sister Sarah Jane drifts cross-country, preaching against the evils of pleasurable sex and men. And how does this fine lady do the Lord's work? By hooking up with men, having sex with them, then stabbing them to death! Sister Sarah takes her message to the streets of downtown Hollywood, where she finds a disciple in naive Penny, a wealthy lesbian who swears to renounce her tendencies and follow Sarah. Together, they conspire to enact Sarah's master plan: Penny lures the men to her house and has sex with them and Sarah kills them. As sick as it sounds, it works. Actress Cleo O'Hara handles her role as Sarah Jane skillfully, going from bible-thumping harpie to slutty pyscho believably. If you're looking for a sick time, check this one out.
Bugger One of the most "different" movies around. Rather amazing in its graphic sexuality combined with an old fashioned values environment.