bob the moo The film opens with Pai Mei using his retracting groin skills (no – seriously) to defeat a Shaolin master Zhishan, scattering his students. Pai Mei sends his Governor Kao Tsinchung and his soldiers after the students and, while leader Tung Chinchin makes a heroic stand, Hung Hsikuan leads the rest to safety, vowing to return and avenge his master and Tung. Hiding out as a traveling opera company, Hsikuan is leading the students as a master of tiger style when he meets performer Ying Chun, a master of the crane style. The two fall in love and will eventually have a child called Wending, although as the decades pass and Hsikuan trains, both he and Chun know that he must return to face the white wispy haired danger of Pai Mei.Just like the martial arts which Wending will grow up developing, this film is a real mix of things that don't always seem like they should work but generally do. The plot is straightforward "avenge your master" stuff but it is spread over decades and involve several confrontations to good effect. The central villain should be comically silly with his ability to essentially lift his genitals back into his body, but aside from it looking a bit silly, it doesn't affect the tone of the film. At the same time we also have the romance between Hsikuan and Chun, and lots of comic moments as well as moments of death or loss. All told it is a total mix and it could have been that none of it worked but actually it gels very well and at only 90 minutes doesn't feel too long or that it crams things in.The comedy is genuinely cheerful and funny while the romance between the two leads actually works and is quite sweet. The fight sequences are frequent and impressive, with a brutal tone to much of the film which keeps you interested. Chen Kuantai is very good in the lead – a likable type even if he doesn't age particularly convincingly. Li Lily works very well with him – I liked her as I have in other things and the two have a good chemistry. Gordon Liu is a nice find (I get the reference now) and makes a good villain despite the slightly daft special power he has. Chiang Tao is a decent presence but I particularly liked Wong Yue as the oldest version of Wending – he was fun and fitted well into the family of the leads. The sets and direction are roundly good and the film has an enjoyable pace to it which is consistent no matter what is happening.With such a mix of content, it is impressive that it all gels so well and in the end, Hong Xi Guan is a very enjoyable film with lots to enjoy.

jamieandadell I first seen this movie in the early 80's when I was about 9 or 10. It aired on a Sunday afternoon during a kung fu marathon. It stuck in my memory as one of my favorite "old" kung fu flicks for MANY years. Of course no such luck of catching it on TV ever again, or especially finding it on video. In 2004 as I was watching Kill Bill Vol.2 I was astounded to see one of the characters from "Executioners" in the film. Looked perfect. And the actor was also a character from "Executioners". WOW. That inspired me to put the internet to use and with some research found that EFS was indeed available on DVD! So of course I now own it and unlike many films you see and love as a child then see as an adult and you're like "why did I like that movie" EFS still kicks butt. Want to see an awesome modern day kung fu film? How about an "executioners from shaolin" remake with maybe a little plot tweeking. Directed by Quentin Tarantino. Hung Hsi Kuan....Jet Li (Hero, Unleashed) Wan Yung-Chun....Maggie Cheung (Hero) Hung Wen-Ding....Tony Jaa (Ong-Bak: The Thai Warrior) Priest Pai Mei...Gordon Liu (Kill Bill Vol.2) Tung Tien Chin...Jackie Chan

InzyWimzy This movie is a great Shaw Bros. pic, except I liked the remake Fists of the White Lotus a bit better. Still they're both great, especially Master White Brows aka Pai Mai and Lau Kar Leung's intense choreography.This movie is dark and there's little comedy which effectively sets up the revenge theme (a revenge theme in a kung fu flick?) to help motivate our hero from Shaolin. Tai Chen Kuan as Hung Hsi Kuan shows formidable Tiger Claws style and some neat training sequences with bronze statues and vital point strikes. BUT, I really loved watching Ying Chun (Li Li) and her crane style. Man, if you're going out with her, you better be able to break her leg stance! Plus, her effort and grace in movements are as good as Kara Hui's in Fists of the White Lotus. It's a strange, yet wonderfully hypnotic combination of kung fu and dance.Now, the action. What do you expect from the real deal kung fu master Lau Kar Leung? Countless opponents, one on many battles, quick strikes, and amazing choreography are the strong points here. Pai Mai's battles are so awesome that he really seems invincible. I can't get enough of him dragging guys along with his groin! One of the strangest, yet highly entertaining kung fu villains ever. Plus, Lo Lieh mastered that menacing look that says, "You want to fight me? Are you kidding??" Strangely enough, I wasn't really rooting against him.The only downside I can find with this one is that Gordon Liu only makes a brief cameo. However, Gordon Liu is the main star in Fists of the White Lotus AND he battles Lo Lieh as the menacing White Lotus. So, watch both films because they're the great stuff that SB movies are made of.

SJMinkoff This was one of those films that I watched over and over, whenever I could. I've seen it on TV, usually in NYC on Channel 5 Saturday afternoons at 1pm, 3pm, or 5pm, on Drive-In Movie. I have also paid to see it repeatedly years ago in the old Times Square movie theaters. They used to specialize in Hong Kong martial arts films before Giuliani killed them all off. That's one thing I really miss about the old Times Sq...This movie had it all: great plot and writing, great acting and action, even great dubbing. I really wish it would come out on DVD or even VHS...