jlthornb51 The final entry in the Feast Trilogy is probably the finest of the three films and certainly the most satisfying in a cinematic sense. Director John Culager has produced an epic finish to his work and in the process made an outstanding stand alone motion picture as well. Here he has perfected his stylistic technique, influenced by the French New Wave Extremity Horror films. Sensitively observed and arrestingly impressionistic, the tension and suspense is at times overwhelming as Culager creates an sinister atmosphere of fear and dread. He certainly gets great work from his wonderful cast and Clu Culager, the director's iconic father, gives what's virtually the performance of a lifetime as the grizzled, heroic bartender. The closing scene will be talked about for many years as it's quite reminiscent of Reed's The Third Man and Antonioni's The Passenger. It is a brave artist indeed who allows the drama and suspense to build naturalistically with a static camera as an actor's expression alone tells us all the audience needs to know. Culager obviously trusts and respects both the script and his actors. Powerful, horrifying, and quite a deeply fascinating cinematic experience, especially for those familiar with French New Wave.

kosmasp I haven't read up on the making of, but this one feels like it was shot back-to-back with part 2. Actually it feels more like a successor (in tone and story-wise) to its predecessor than part 1 does with any of those two sequels. If you take into account that the first one was the best one, that isn't really a good thing though. But we have our written introductions back, which is a nice thing. Still worked best in the first Feast movie though.The subtitle of the movie is happy finish, but I kinda have a feeling they wanted to use "endings" instead of finish. I might be wrong, but that would have been more of a fit (especially thinking of "sloppy seconds" and its meaning). Some nice ideas and one theme towards the end, that reminded me of something out of a Monthy Python movie (and the Holy Grail that is). And because you can't satisfy everybody with an ending, we get the "wtf" treatment here. Same director as the other Feast movies

Tonci Pivac I was for sure the third film couldn't possibly be as painful as the second one, and boy was I wrong. Just the underground strobe light sequence where you can't decipher what the hell was going on as infected humans, a monster, and our lone survivors are duking it out, I went for the Tylenol. This film deals with those left alive at the end of the second film, dealing with the monsters as they discover three new characters along the way. One is a prepared and confident leader type whose fate is sealed when he attempts to show Secrets how to shoot a pistol. One is a very talented martial artist whose arms are both eaten off leaving him little help to anyone. The third is a prophet who seems to have the gift to ward off the monsters, only to discover that it's the screeching sound of his ear piece causing them to move away. The prophet talks the remaining members from the second film into going underground in the sewer tunnels and this idea, while seeming like an ideal strategy, doesn't help them as infected human freaks, demented and violent, are wandering around. And, behind them comes a monster. Those that remain include Biker Queen(Diane Goldner), Secrets(Hanna Putnam), Greg(Tom Gulager), Lightning(Juan Longoria García), Bartender(Clu Gulager), and Tat Girl(Chelsea Richards). Following the Prophet, they encounter far more danger than possibly realized. At the start of the film, they are able to finally get inside the sheriff's office, getting their revenge on Hobo(William Prael)who kept the building locked tight, by beating him to a pulp. When they realize that this will only service them temporarily, the gang splits up after exiting. Discovering Hobo's meth lab(..in a school bus buried under the earth), Biker Queen and Tat Girl finally believe they will be able to finally flee the premises, encountering engine problems. That's when they meet the Prophet, watching him command the monsters to scatter, and follow him into the sewers.I don't know what director Gulager was attempting to accomplish with the ending, regarding the giant robot, but I was at my wit's end with the movie anyway. You get plenty of bloody carnage, but seeing what's going on is a major factor I struggled with. I soon just gave up caring and followed the mind-numbingly brain-dead flick until it's conclusion, breathing a sigh of relief as the Elvis impersonator was singing some song in Mexican as the credits rolled. For those that care, Slasher(Carl Anthony Payne II)gets anal raped by a monster who impregnates him, creating a hybrid human creature spawn! When the movie moves underground, almost all of it is incomprehensible and dark. There's some use of "nocturna vision", but even that is shot in such a haphazard manner, I doubt few will be satisfied. And, as the first two films proved, these characters have little worth, so their deaths couldn't come fast enough. John Allen Nelson is Sh#tkicker, the hero stereotype Gulager gets rid of just for the hell of it and Craig Henningsen is Jean Claude Seagal, the kickboxer who doesn't hold onto his arms very long. Josh Blue barely registers as Prophet, under a cloak, he mumbles directions and occasionally tells the monsters to take a hike as others complain of how noisy his hearing aid is, not knowing that it's loud frequency irritates the beasties. Greg goes almost the entire film with that pipe jammed into his face, and Bartender attempts to cauterize Claude Seagal's wounds like in Rambo III blowing the poor kid's other arm off!

lastliberal Better than II or worse then II? There is some debate on that.At least we can clearly see the monsters in this one.The gore is worse than ever with decapitations, and the monster eating the head whole, and then, I kid you not, eliminating the uneaten head.If you have epilepsy, you might not want to watch the last 10 minutes or so. It flashes on and off and it made me dizzy.It was better that Feast II, but not by much. It was a gore-fest with lots of action, but it was hard to follow exactly what was going on most of the time.The ending was a real shock!