Guy FIRESTORM starts with some outstanding visual poetry and ends with some clunkingly awful action scenes. The plot sees a rule-abiding cop who is tempted into breaking those rules in order to take down an ultra- violent gang of HK armed robbers wreaking havoc across the city. In truth Andy Lau is so upstanding as to be positively dull. A subplot featuring an ex-con trying and failing to go straight is far more compelling. There are the usual chases and fights but CGI has worked its malign influence, with the film's biggest stunt - involving the hero and a baddie tumbling off a roof - so CGI-addled as to remove any sense of wonder. The climactic gunfight also suffers as the heroes do so much damage that the very structure of the city ruptures (!) and new waves of SWAT turn up to replace the hundreds killed as if in some sort of video-game.

j-z-o There are 2 ways to be disengaged by this movie: 1) Has to do with reality - as Hong Kong people protest the corruption of the government it makes it seem like the deeds of criminals robbing banks less important, if not infinitely small...2) But societal politics aside, this movie continues a horrendous trend of Hong Kong police action flicks trying so hard to be over the top and out-do better precedents, it misses the mark by being ludicrous beyond belief. Andy Lau is simply too old to be blown off his feet as many times as it happens. Others have noted the ridiculous CGI bullet exchanges with the warped sound effects... A very violent movie with no reason except to be very violent...The longer you hang with this movie the more mind-numbing it becomes and points to the time we live in: while the real world is engulfed in mass inhumanity to man, the fake world of movies, either in Hong Kong or Hollywood, insists on churning out violent stupidity that serves not as escapism nor entertainment...Just twisted dung trying to make a buck...

poonhokong It seems an ambitious project highly reminiscent of the movie Heat (1995) at first glance, but it fails pretty flat.First, the plot in a whole is alright, but some minor details make no sense. (These happens at the beginning of the movie so, well if you count it as spoilers, here you go SPOILER ALERT) Like, why didn't Hu Jun just kill Andy Law at the heist after Andy was hit by a car, especially he killed the hostage anyway. Have you ever seen a crane worked? It moves pretty slow, and using that to catch a car is like picking up a toothpick in a claw crane. And since when can a civilian enter a police war room just to return a policeman his identification card?Second, the character development is rather cliché. Andy Law basically accomplished nothing at the first half of the movie except shouting at people, showing how an incompetent cop he is. Lam Ka Tung's character is more interesting, but still there is nothing new here. I was almost pulling my hair when I hear the "I want to be a good guy" thing right out from infernal affairs. The bad guys are so one dimensional that they just rob bank escort cars and shoot a lot.And we come to the effects. Oh boy was that bad. The CGI looks fake as hell. Every collision breaks the law of conversation of momentum, like a high-speed car projectile got stopped by an immovable fence. Every bullet like it's the laser beam from Star Wars. The gunshot wounds look as fake as Death Proof. The shot Andy Lau was bombed into the air was so laughably stupid that I thought it was Looney Toons.All in all, I must admit it's fairly entertaining, but didn't achieve half of the ambition it wanted to achieve. If you like simple police- thief action movie, you can give it a watch.

moviexclusive If there is one Hong Kong action thriller to watch this year, it is without any doubt the exhilarating 'Firestorm'. Emboldened by the success of last year's 'Cold War', co-producer Bill Kong has set veteran screenwriter Alan Yuen to stage an all-out, no-holds-barred cops-versus- criminals action film set in and around downtown Hong Kong. The result is simply jaw-dropping to say the least, choreographed and executed on a scale we believe has never before been seen in any Hong Kong movie, and better still, complemented by a tight engaging script that draws you into its character-driven plot.There is a hitch though - it does start off rather bumpily. The opening minutes try to pack too many details at one go. A prologue tries to establish Andy Lau and Gordon Lam's respective characters as rivals on the judo mat when they were still kids. Flash forward quickly to present day and Lau's Inspector Lui is the godfather to his informant's (Patrick Keung) autistic daughter. Meanwhile, Lam's ex-con To has just been released from prison, and despite promising his girlfriend, Bing (Chen Yao), that he has turned over a new leaf, quickly falls back on the wrong side of the law. All that backstory makes for a pretty confusing start we must say, but you'll start putting things together once the first major action sequence rolls along.Led by Hu Jun's Nam, a crew of hardened criminals pulls off a daring midday heist on an armoured car. Flawlessly executed and backed with better firepower than the Hong Kong police force, they not only make off with the loot, but also in the process expose the ineptness of Inspector Lui and his partner's (Kenny Wong) team. To rub salt onto their wounds, Nam turns up right after the crime at the police station to taunt Lui by claiming to be a good and responsible citizen returning the badge of one of the police officers who had dropped it during the melee. The cops' only lead lies in To, apprehended at the scene of the crime for ramming his car into that of Lui's but claiming that it was no more than an accident.The trailer would have you know that To eventually becomes Lui's informant, but it isn't quite so straightforward. Indeed, Yuen saves what you might expect would be another 'Infernal Affairs' variant for something much more unpredictable; instead, he focuses his attention in the first half of the movie building up the rivalry between Lui and Nam, the former a strict and rigorous officer of the law who firmly believes that his work is his mission and the latter a smart and cunning criminal mastermind with little restraint and even less mercy. Emphasising Lui's convictions as a police officer, the battle of wits between Lui and Nam is meant also as a test of Lui's own tenacity and, by extension, just where his breaking point lies.To reveal anything more will not do any justice to Yuen's surprisingly twisty and compelling narrative, which plots a gripping trajectory on the way to the formation of a shaky alliance between Lui and To. Except for a deus ex machina that effectively substitutes Nam for another equally vicious criminal named Pak (Ray Lui), the storytelling is pretty much top-notch, deftly using a whole host of characters and their respective motivations to drive the many twists and turns along the way. Chief among that is of course just what will force a law-abiding police officer to his knees such as to abandon his deeply held morals, but aside from that, the more poignant question is in fact what would make a seasoned criminal 'surrender' his personal allegiance to the police.Especially inspired is Yuen's decision to save Lui and To's alliance till the very end, by which time it isn't so much whether To will ultimately betray Lui but whether the latter will do so the former, seeing as how Lui is no longer the rational minded policeman he used to be at the start. It's a pretty nifty twist, made even more exciting by how it plays out right in the middle of an intense gunfight between Pak and his crew with the full force of the Hong Kong police in the middle of a busy street in the Central district. That extended climax is well worth the price of admission alone, not least for the exceptionally coherent choreography by veteran Chin Kar-Lok but also the sheer effort the filmmakers had taken to film what must have been a logistically mind-boggling sequence.But it isn't just by the sheer scale and intensity of this last showdown that you'll be blown away; without any doubt, Chin has outdone himself yet again with quite possibly some of the most daring action scenes performed on the busy bustling streets of Hong Kong. From the opening heist to a confrontation between Lui and Nam's men within a public housing apartment building to a stakeout at a public square in between the Sheung Wan and Central area to the final all-out bullets ballad in the heart of Central, the stunts are never less than thrilling every step of the way - and breathtaking even - for the boldness in imagining and then the dedication to execute them.And for Yuen's ambition of filming a true-blue Hong Kong police thriller, we must say that he has not only accomplished that with 'Firestorm', he has done so exceedingly. This is by far one of the most thrilling Hong Kong action thrillers you'll ever see, not just for its heartstopping action sequences but also for its captivating story of choices, consequences and ultimately principles. It is Hong Kong cinema at its most electrifying, living thoroughly up to its name of being a lightning rod for future such police thrillers to come.