JLRVancouver Flash Gordon was the first of the serials based on Alex Raymond's eponymous hero. This 13 part epic has everything a science fiction fan could ask for: strange new worlds, dinosaurs, spaceships, submarines, underwater cities, floating cities, ray-guns, invisibility machines, monsters, atom furnaces, and hunky guys in short shorts or/and hot girls in skimpy halter-tops. Buster Crabbe is all noble, jut-jawed hero and Jean Rogers makes a gorgeous, if somewhat ineffectual, Dale Arden, who spends most of the serial being threatened with a 'fate worse than death' by first Ming, then by a sharkman, then a hawkman (even the good guy Thun the lionman seems to 'cop a feel' while helping her escape in episode 5). The special effects, costly at the time, will seem quaint to modern viewers but that just adds to the charm as Flash makes his way from cliff-hanger to cliff hanger with the help or hindrance of some memorable secondary characters (although Jack Lipson's Prince Vulcan is a pale foreshadowing of Brian Blessed's booming presence in the 1981 version). 1936 saw the release of this serial and of William Cameron Menzies "Shape of Things to Come", archetypes of low-brow and high-brow science fiction: one's a silly, action packed adventure, the other a pedantic, philosophical bore. Probably not a tough choice to audiences of the time (especial the kids at whom Flash was aimed) and while I appreciate Menzies' vision, Flash is a lot more fun, and in the end, about as realistic. An added bonus is that watching this silly, innocent serial is the perfect segue into watching 1974's equally silly but much less innocent, "Flesh Gordon".

amosduncan_2000 "Space Soldiers" is the precode Flash, hilarious, sexy, innocent, Freudian classic. The follow up serials are fun but Universal had to tone down the sexual tension of of the Blonde Good girl and the steamy, sexual brunette. Jean Rodgers is unbelievable as the blonde Dale, and they should have kept her that way. As the end of the world beckons, absolute viral good is pitting against craven, impotent evil for it's own sake. Sex is good, this movie says, and even the bad Princess is good, She just SO much better when She's bad. "Space Soldiers" should be cleaned up (the print, I mean) and put on Criterion.

aimless-46 In the 60's Cleveland television audiences could watch a episode of "Flash Gordon" as part of the Ghoulardi Show (11:30PM Friday). This was the best mockfest material any of us in junior high had ever seen. We would have regular "sleepovers" (although we did not call them that) just to get in on the fun of watching this stuff with a group of friends. Then the next week we would quote our favorite cornball lines from the latest episode.Watching it today provokes much the same reaction. But if you can stop laughing at the dialogue, the lame creatures, the silly costumes, and the horrible spaceships long enough, there are some good things I did not appreciate the first time through. The production designers built some excellent sets, both the rooms and the laboratory devices. Charles Middleton's "Ming the Merciless" character was the all-time best screen villain, certainly up to that time, and arguably better than anyone since. Jean Rogers is staggeringly beautiful.Then again, what do I know? I'm only a child.

BaronBl00d Arguably the finest serial ever made(no argument here thus far) about Earthman Flash Gordon, Professor Zarkov, and beautiful Dale Arden traveling in a rocket ship to another universe to save the planet. Along the way, in spellbinding, spectacular, and action-packed chapters Flash and his friends along with new found friends such as Prince Barin, Prince Thun, and the awesome King Vultan pool their resources together to fight the evils and armies of the merciless Ming of Mongo and the jealous treachery of his daughter Priness Aura(now she's a car!). This serial is not just a cut above most serials in terms of plot, acting, and budget - it is miles ahead in these areas. Produced by Universal Studios it has many former sets at its disposable like the laboratory set from The Bride of Frankenstein and the Opera House from The Phantom of the Opera just to name a few. The production values across the board are advanced, in my most humble opinion, for 1936. The costumes worn by many of these strange men and women are really creative and first-rate. We get hawk-men, shark men, lion men, high priests, creatures like dragons, octasacks, orangapoids, and tigrons(oh my!)and many, many other fantastic things. Are all of them believable and first-rate special effects? No way. But for 1936 most are very impressive. The musical score is awesome and the chapter beginnings are well-written, lengthy enough to revitalize viewer memories of the former chapter, and expertly scored. Director Frederick Stephani does a great job piecing everything together wonderfully and creating a worthy film for Alex Raymond's phenom comic strip. Lastly, the acting is pretty good in this serial. All too often serials have either no names with no talent surrounding one or two former talents - here most everyone has some ability. Don't get me wrong, this isn't a Shakespeare troupe by any means, but Buster Crabbe does a workmanlike, likable job as Flash. He is ably aided by Jean Arden, Priscella Lawson, and the rest of the cast in general with two performers standing out. But before I get to those two let me add as another reviewer noted, it must have been amazing for this serial to get by the Hayes Office. I see more flesh on Flash and on Jean Rogers and Priscella Lawson than in movies decades later. The shorts Crabbe(and unfortunately for all of us Professor Zarkov((Frank Shannon)) wears are about as form-fitting a pair of shorts guys can wear. The girls are wearing mid drifts throughout and are absolutely beautiful Jean Rogers may have limited acting talent but she is a blonde bombshell. Lawson is also very sultry and sensuous and beautiful. But for me the two actors that make the serial are Charles Middleton as Ming: officious, sardonic, merciless, and fun. Middleton is a class act. Jack "Tiny" Lipson plays King Vultan: boisterous, rousing, hilarious - a symbol for pure joy in life and the every essence of hedonism. Lipson steals each and every scene he is in. The plot meanders here, there, and everywhere - but Flash Gordon is the penultimate serial, space opera, and the basis for loads of science fiction to follow. Excellent!