Voyou Nobodysbusiness A series of vignettes that, for the most part, don't converge. Fair enough. We are here essentially to enjoy fast-paced dialogues, with a dancing or singing scene here and there. Unfortunately, a lot of the dialogue just feels like a filler, i.e., it's irrelevant, uninteresting, unsatisfying. Plus, it never is funny. All of this despite solid performances from a few actors with great screen presence.About my rating, this movie loses 3 or 4 stars in just one minute, when the director pretends to amuse us with a scene full of naked people, only to fill the screen with floating black rectangles. Well, either you show or you don't show, mr. director. Now I'm aware of both your demagogy and spinelessness; an half-assed con artist you are. Being used to the censorship of various countries, I wastes additional time checking if I was insulted by some local laws, or by you. What I found doesn't make you look good, Mr Gutierrez, not good at all. You can keep losing face, but without me, because from now I doubt I'll ever watch anything you make.

thebrenman Usually, movies with just script and little action can be quite plain. But "Girl Walks Into A Bar" changes that by creating a brilliant script for an amazing cast of actors Most notable in my opinion is Joshua Daniel Hartnett(40 Days and 40 Nights), Danny DeVito(The Lorax), and Carla Gugino(Night at the Museum). With an amazing cast and a script with brilliant quotes, Girl Walks Into A Bar is an amazing solid movie.Unfortunately, most of the major famous actors had very small minor rolls, so this movie cannot achieve 10 out of 10 stars. 9 out of 10 stars would fit this movie because of its content, great actors/actresses, and script.

theghost50 I am a fan of low budget movies (like "Primer") for it gives the people involved a chance to do almost anything. The trailer and written description of "Girl Walks Into a Bar" made me believe this would be a clever and unique action/mystery/suspense type movie, possibly with a dash of a "Pulp Fiction" like story or an "Identity" like twist, right?I guess I set the bar a tad too high. To me, the opening scene between Zachary Quinto and Carla Gugino is the best acting/dialogue part of the entire movie. It opens the viewer up to an interesting and promising story, but...The movie held no action, had close to zero suspense, wasn't funny or mysterious, failed at trying to be artistic, and the half of "Sin City" cast do a decent, yet not fully compelling job. There are no "Pulp Fiction" like story lapses, no "Snake Eyes" like cinematography, no "Identity" like twist. The "strangers in interlocking stories taking place" is just a better way of saying the movie is mostly about a son who pickpockets a woman who then wants him to help her with her ex-husband who is dating a bartender who just served a drink to the son's father.Giving it a little leeway for being a movie that was apparently made for the internet, it still should not have a 6.4 rating. There are just better "interlocking stories" movies out there. If you're not a really big fan of a low budget, independent type of movie, and didn't closely follow any of this movie's main actors, there are definitely better ways to spend an hour and twenty minutes of your life.

Alex Plot: Francine Driver (Carla Gugino) is an undercover cop whom, posing as an assassin meets with a potential client, Nick (Zachary Quinto), in a Los Angeles bar late one night. After mild ambivalence, Nick confesses to her that he wishes his wife dead. She agrees to the arrangement if she is met with twenty thousand dollars. Nick admits he does not have the money on him currently, but promises by the end of the night he will. After his eventual departure, Francine is acquainted with a young man, Henry (Aaron Tveit), whom after certain particular charms, steals her wallet, leaving her there in the bar alone as he leaves unnoticed. Francine's wallet contains the recorded evidence that will incriminate Nick and put him behind bars.It is then that Francine's night truly begins as she attempts to hunt down Henry and locate her missing wallet. Her search takes her through a series of local bars in Los Angeles and not one is without an introduced character whom in some fashion, as part of the ensemble cast, is connected to another character throughout—aforementioned or no. Each character as well has their own, unique, story to tell and of course, life in which they live.Part of a Whole: While it cannot be argued that Francine is essentially the film's catalyst guised as a major character, she does in all actuality, share almost equivalent time on screen with the rest of the cast (Danny DeVito, Josh Hartnett, Zachary Quinto, Aaron Tveit, Rosario Dawson, Emmanuelle Chriqui, Robert Forster, etcetera). As Francine's night unfolds the viewer discovers the life of each individual is linked to that of another and not one is any more or less relevant than the other.However, not each character is entirely interesting. In fact, each is nearly forgettable. The performances themselves however are well-rounded, though again, nothing too spectacular. Gugino and Quinto hold the most notoriety here.Pen and no Sword: Writer and director Sebastian Gutierrez has a script here that is void of any real climatics or action in any degree. Instead the film is progressed through exchanges of dialogue encompassing a colorful variety of topics. These passings are often sharp, quick, full of wit, and allegedly carry some purpose or message.While the lines are delivered with expertly dry candor, the point of these encounters isn't quite explained with any real clarity. There are exceptions in which such story-telling is acceptable, and most often successful, but here these characters are faulted, one by one, from their enigmatic origins. Nor is it with any great care that these characters either individually or together develop. So separate from compassion is the viewer that he or she is merely a spectator to the lives of these individuals rather than a partaking guest.That said, the dialogue is as fun as one might expect from a film so heavily cast in it. There are as well, sequences which are as memorable as they are well-directed. Again, this is perhaps, alone, ten to twenty minutes of this hour and twenty minute feature.Hope for the Little Guy – A Picture in 7D: It is immediately apparent that the film is shot on a SLR camera and this is undoubtedly the most admirable, if not hopeful, aspect of the film itself. Shot for the purpose of free distribution via internet streaming service, YouTube, the use of Canon's 7D SLR camera is a light for all aspiring filmmakers no matter the level of education received or field of preference.Girl Walks Into A Bar has an abundance of Hollywood names attached to its likeness all standing under the lovely iridescence of bar-light, affront a piece of equipment any hard working artist can so willingly afford. One's own fantasy of shooting a feature film with the prominent actors of Hollywood, on say one's very own T2i, appears all the more livable.The cinematography is an agreeable mix of color and perspective angles. It as well displays with triumphant circulation the power of SLR cameras and too their endless capability.One Sentence Summary: Shot on Canon's 7D over the course of an eleven day period, the sharp witted Girl Walks Into A Bar is by no standards consistent with an amateur production and while it certainly gives hope to young, penniless, filmmakers, it does suffer from lack of a purposeful identity.