Give 'em Hell, Malone

Give 'em Hell, Malone

2009 "Hard to love... Harder to kill."
Give 'em Hell, Malone
Give 'em Hell, Malone

Give 'em Hell, Malone

5.8 | 1h36m | R | en | Action

A tough as nails private investigator (Malone) squares off with gangsters and their thugs to protect a valuable secret. Malone goes through hell to protect the information but he dishes some hell as well...

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5.8 | 1h36m | R | en | Action , Thriller , Crime | More Info
Released: January. 04,2009 | Released Producted By: North by Northwest Entertainment , Martini Films Country: Budget: 0 Revenue: 0 Official Website:
Synopsis

A tough as nails private investigator (Malone) squares off with gangsters and their thugs to protect a valuable secret. Malone goes through hell to protect the information but he dishes some hell as well...

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Cast

Thomas Jane , Ving Rhames , Elsa Pataky

Director

Casey Sargent

Producted By

North by Northwest Entertainment , Martini Films

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Reviews

Tehmeh Think about an old classic detective story, preferrably taking place anywhere from 1940's to 1970's. Add some really refreshing non-PG13 violence and a constant layer of humor - not forced jokes every once in a while, but a constant weird, funny tone that is nearly always present.The characters are all really stereotypical clichés, and in the best possible way. You get the seasoned and rough good guy, a femme fatale (dressed in red, of course) and villains. A stoic one and some over the top ones. Bear in mind that this is all intended. We get to see some really fun characters. Thomas Jane fits in his role very well, as does Ving Rhames. Elsa Pataky is pretty and also bad in a way that somehow fits this crazy film. Also, Doug Hutchison gets to give a really hammy performance, he had a lot of fun with this one.At some point, the film lost its strong grip on me. Understandable, because this kind of film is extremely hard to pull off perfectly. I won't say that it falls apart, but perhaps the movie got more slow and serious when I would've preferred otherwise. Some pacing issues probably too.Besides that, I have one thing to say: I won't forget this movie 15 minutes after the end credits start to roll. It's different from the abundance of modern mediocre action thrillers in every possible way. I will remember seeing this 10 years from now.The tongue-in-cheek style makes this movie worthwhile. It's a fine line when you're trying to fit film noir and a constant humorous tone in the same film, but most of the time it works. If you're looking for something really serious, wholly original or exceptionally thrilling, look elsewhere. This feels more like a homage than anything else. Whatever the case may be, I liked it.
Alexander Pastukh As a matter of fact, it's a typical specimen of comic noir style, mixing traditional elements of ''Sin City'' and ''Dick Tracy'' films it portrays black & sharp humored, seamless, vivacious and agile detective story. In one breath, ''Give 'em Hell, Malone'' rapidly and aesthetically carries spectator through the subtle nuances of swirling plot, leaving pleasant impressions from what you've seen. Love, sharp humor, betrayal, cruelty, selfishness. Everything presents here in good supply.Perfectly balanced characters like rollicking main hero Malone who's got two favorite things: drink and shoot. Sexy beauty Evelyn who trying' to avenge her killed brother. Big guy Boulder whose feelings wave between good and bad side. Charismatic evildoers such as Graceful Asian girl called Mauler who likes to play with sharp toys and Matchstick who always utters reckless wised expressions and crazy philosophy resembled Heath Ledger's character Joker from the Dark Knight movie.Wonderfully made operator's work constantly absorbs attention. For only 15 000 000$ creators made a beautiful action that can compete to the dozens of high budgetary blockbusters. Astonishing result indeed. Yes, here we can find a lot of bugs and disadvantages in the script but it's not really a drawback of the film, there is no emphasis on a deep plot, everything is simple and ingenious, to keep you relaxing and funning. It's just a crazy and well stylized mess nothing more.Even if you ain't got much grasp of noir, ''Give 'em Hell, Malone'' is a great movie for spending free time and taking some rest.
whokilledreno As a big fan of film noir, The trailer grabbed my attention with some pretty entertaining visuals and some intense music.It took me about 25 minutes for my enthusiasm to dwindle. Once the feeling set in, I was unable to shake it off.Credit where credit is due, Thomas Jane deserves a pat on the back. With roughly 80 percent of screen time, I'm glad to say that he has the least cringe worthy moments of the movie. The odds of his accomplishment were stacked against him, since he is given nothing more to play with than a character that is riddled with more cliché's than the body count he racks up through the film.Very few other cast members came out of this with any dignity to their performances. Two that are worth mentioning are French Stewart, who plays a talentless club singer. The few scenes he has, are pure gold. The other performance that I thought had merit, came from Leland Orser. I have seen him a fair number of times playing less-than-stable parts and it was pleasing to know that he could play against the more colourful characters too.It is important for me to make it clear that I don't think any actor/actress was to blame for the lack of entertainment in this movie. The script was poorly written. Malone can be summed up in three words.Tough. Alcoholic. Vengeful These three things are hammered into the audience every minute from the establishing shot to the end credits.The character of Evelyn was used to contain about,7 stereotypes of character and plot devices that you would associate with the film genre. It made it impossible for the actress to connect with the audience and by the end you feel nothing for her. No anger, no love, just nothing.Again, the performance by Elsa Pataky gets two thumbs up for trying to play with the crap hand that she had been dealt. The problem comes from laziness in narrative structure.That is the sentiment that I have taken from this film, that the puppet masters behind this calamity were lazy. The best example I can pull from the movie was in the third act. Malone take out an adversary and there is one of the most poorly edited sequences I have seen in some time. I will not spoil the ending for you, but If you have the ability, watch the last (approx) 20 minutes, it should not be hard to find.
intelearts I expected this to be my Christmas turkey - but it is actually pretty darn good. The first 8 minutes (no spoiler intended) are excessive - your granny might not like it - and overall the film is raw in places - though not squirmingly so.It is a good pastiche of the 40s film noir nothing too smart or dumb, some humor, with a psycho arsonist and the obligatory Japanese girl with knives, a high body count, a hardboiled hero, a femme fatale, a decent enough plot, and all in all the time went by very fast indeed.All in all, an uber violent and cool attempt with comic book sensibilities that fans of Sin City, Shoot Em Up, Wanted, and The Tournament will lap up.