vincentlynch-moonoi This is a rather uneven production, but still very good. Some of the dialog early on in the film occasionally seems a tad awkward, but on the other hand the scenes in surgery seem far more realistic (in terms of equipment, etc.) than would be typical, particularly for 1937. I will say that after watching part of the film, and then looking up the date, I was surprised it was filmed as late as 1937; I was thinking more like 1935 or earlier.As to the story, I noticed one of our reviewers said it was corny. If he/she means good-versus-bad, then yes, it's corny. Although I would prefer to use the term "old-fashioned". There are actually several stories here -- the botched surgery and who does/should take the responsibility; two women in love with the same man; the search for a vaccine for Rocky Mountain Spotted Fever; the guilt felt by one surgeon. It's a good story, and I enjoyed it.As to the performances, this film was made just as Errol Flynn was first moving into his prime movie years. His performance here is excellent, and quite a change from the two films which preceded this one -- "Captain Blood" and "Charge Of The Light Brigade".Two women are cast here as the female leads. Anita Louise does very nicely here as the daughter of the woman who dies on the operating table. She alternates her feelings for the doctor she thinks is responsible (Flynn) from hate to love...and that's love before she learns he was not responsible for her mother's death. It's a very good performance. Margaret Lindsay as the nurse who loses Flynn but gains a cause is very, very good, as well.Sir Cedric Hardwicke is excellent here as the wise minister...in an interestingly broad portrayal as a man of God. Walter Abel is a fellow doctor who moves west and attempts to track down a cure for Rocky Mountain Spotted Fever. Abel always interested me in films...I always like him, even though sometimes he just seems not quite right in a role...as here...yet, he does add to the enjoyment of this film. Spring Byington -- who actually was once middle-aged! -- is the mother who dies on the operating table; a good role, but brief.It you enjoy old-fashioned right versus wrong films, then you'll like this one. I did.

sol ***SPOILERS*** One of actor Errol Fynn's best as well as most underrated films as Boston Doctor Newell Paige who after being drummed out of the medical profession for a crime or blotched operation that he didn't commit put his life on the line in far off Boom Mountain Montana to develop a vaccine for the deadly Spotted Fever! It was the head of surgery Dr. Endicott, Henry O'Neill, who being heavily involved his his stock transactions that caused Dr. Paige to take it upon himself to operated on patient Mrs. Dexter, Spring Byington,because Dr. Endicott couldn't make it to the operating room on time. With Dr. Paige just about to successfully complete the operation Dr. Endicott barged into the operating room and with his stocks instead of his patient's health in mind ended up killing her by cutting her artery a bit too short that caused Mrs. Dexter to bleed to death!In covering up for Dr. Endicott's mistake Dr, Paige was forced to resign his job and look for work as either a hot dog and soda vendor at Fenway Park or or dock worker at the Boston waterfront. This at the height, 1936, or the Great Depression! What really shook Dr. Paige up more then him being blamed for Mrs. Dexter's death is that her daughter Phyllis, Anita Louise, hated him like poison for her mom's death.It was Phyllis whom Paige at first met him in Paige being introduced by his good friend Nurse Frances Ogilive, Margaret Lindsey, as Mr. Walker. It didn't take long for a starry eyed Phyllis in seeing what a hunk of a man Paige, or in her case Walker, was that she in no time at all fell madly in love with the handsome ex-doctor! That's until Phyllis found out his real identity ,the man who killed her mom, and dropped him like a hot potato!With his life and professional career in the outhouse all Paige could think of in how to redeem himself from the mess he now finds himself in. It's by Paige seeing religious radio personality Reverend Dean Hardcort, Cedric Hardwicke, that his faith is restored in the human race. That's in him doing the right thing is the road to his both freedom and redemption which the crippled and at one time suicidal Reverand discovered in his most darkest and depressing moments! This lead to a revitalized and almost angelic like Newell Paige to travel to Montana to help his good friend doctor and bacteriologist John Stafford, Walter Able, find a cure for the dreaded Spotted Fever that just about wiped out the entire state's population!Going nowhere with his research in discovering a cure and with people dying of Spotted Fever all around him Paige in an act of extreme self sacrifice infected himself, against Dr. Stafford's strong objections, with the disease in hopes of finding a cure for it. Going in an out of consciousness with his fever, as high as 104.2 degrees, reaching dangerous levels it's non other then Dr. Endicott in far off Boston who after getting the news from Nurse Ogilvie on Paige's condition who came flying in to help and save his life. Feeling responsible for Paige's degenerating condition Dr. Endicott while desperately trying to save his life blurted out the truth, with Phyllis Dexter in attendance, that he not Paige was the one responsible for Mrs. Dexter's death!***SPOILERS*** It was touch and go for a while but in the end Paige or now Doctor Paige fully recovered from the dose of Spotted Fever that he infected himself with. Using himself as a human guinea pig Dr. Paige did for mankind in that one supreme effort more then the entire medical profession did in something like 200 years in eradicating that deadly disease by using his own life to do it! That as well as keeping from the public, until he himself went public with it, the fact that it was Dr. Endicott who screwed up the operation on Mrs. Dexter that he, Dr. Paige, in fact nobly took the blame for!P.S Check out 1912 Olympic hero Jim Trorpe in a cameo role in the movie as Doctor Paige's Indian guide in Montana.

MartinHafer This might just be the strangest Errol Flynn film other than the truly odd Cuban movies he made at the very end of his career. It has many strange plot elements and a convoluted religious element that just left me dazed! But, despite the very strange writing, the overall effort is still pretty good--mostly because it's hard to imagine Errol Flynn making a bad film! Heck, drunk and disinterested, he was still a heck of an actor--and here he is young and vigorous and engaging.The film begins with a strange Norman Vincent Peale sort of sermon by Cedric Hardwicke. In fact, whenever this odd preacher talks, he sounds very mystical...but never seems to mention God or the Bible! And you also wonder what the heck he has to do with the rest of the film. Well, honestly, he DOESN'T have much to do with the film--he seems more like a wacky social gospel-spouting plot device--but a pleasant one.The film actually has to do with a bizarre doctor (Flynn) who inexplicably covers for his boss when the boss-man botches an operation and kills a patient. I say inexplicable because his reasons for covering for the elder doctor seemed convoluted to say the least. As a result of taking the blame for something he DIDN'T do (and, by the way, possibly allowed an inept surgeon to keep practicing), agnostic Flynn goes to see Hardwicke--who pulls some strings and manipulates him into meeting the daughter of the woman (Anita Louise) killed by the other doctor. She falls for him but when she discovers that Flynn is the one blamed the death, she despises him and he runs off to a life of self-sacrifice working on Rocky Mountain Spotted Fever! This culminates with him injecting himself with an experimental vaccine--and Louis comes running to him! Does the amazingly self-sacrificing Flynn pull through?! Well, don't expect any surprises! If the plot I described sounds convoluted and weird, that's because it is--and it's actually a bit worse, but I omitted a bit of the plot due to space. The bottom line is that the film STILL manages to be enjoyable even though it is never the least bit believable. A very minor Flynn outing to say the least. At least it IS original!

chrisart7 Though not a 'period piece' "Green Light" dates much more than its Errol Flynn-starring predecessors "Captain Blood" and "Charge of the Light Brigade". And that's not necessarily a bad thing. The film was made when the Art Deco-1930s were in full flower. Frank Borzage's direction and the cinematography are beautifully impressionistic and occasionally artsy in a then-modern way as well. Flynn's smiles a bit too broadly and too often in early scenes, in a seeming bid to bring across a likable character. When he shifts attention to others he is much more natural and believable in the film. Sir Cedric Hardwicke is well cast as the venerable Anglican reverend Dean Harcourt. His booming baritone voice put across his character's appeals for faith and other Christian virtues which are immediately believable (though his pipe-smoking is a bit incongruous with such a character).One drawback of the film is that its script literally contorts to AVOID the direct mention of Jesus Christ, or the quotation of any recognizable Scriptures (until the finale), substituting semi-mystical pieties and somewhat vague aphorisms of encouragement. It is strongly implied that Flynn's character has undergone a conversion by the time the picture concludes, but it is never expressly stated.Anita Louise, a lovely blonde, plays one of the women vying for Flynn's affections. Playing the role of her mother is Spring Byington, a delightful busybody in "Charge of the Light Brigade", but here a radiant Christian woman, full of faith, hope, and love which Flynn's initially-sceptical character comments upon long after her scenes are over.The screenplay and film editing are not as sharp as those of Flynn's most beloved films, and Max Steiner's music is beautifully romantic but oddly unmemorable---which is hard to believe considering his catalog of work (the rousing "Charge of the Light Brigade", for instance, or the classics "The Wizard of Oz" or "Casablanca"). The choristers (boys) of St. Luke's Episcopal Church effectively lend their voices to a few scenes, and would do so in Flynn's follow-up film, "The Prince and the Pauper"."Green Light" is a diamond in the rough, a neglected gem, and somewhat of a spiritual cousin to Hollywood's "One Foot in Heaven" which starred Fredric March as a minister some four or five years later. It is aired on occasion on TCM (Turner Classic Movies), but has yet to be officially released on videocassette or DVD.In retrospect it is a bit of surprise choice for an Errol Flynn role, as the film is not nearly so high-budgeted as his preceding pictures. But he desired to prove himself as an actor, not just an action hero in the Douglas Fairbanks Sr. mode, and this was his first non-swashbuckler in which to essay the sort of role Ronald Colman took on in "Arrowsmith" six years earlier.