Roland E. Zwick A few years back, five groups of musicians and performers, from four different countries - India, Romania, Macedonia, Spain - yet all united by their common gypsy heritage, set off on a six-week tour through North America that came to be known as the Gypsy Caravan. Albert Maysles' "When the Road Bends: Tales of a Gypsy Caravan" is a documentary account of that tour.The movie makes it clear that gypsy music has its roots firmly planted in personal hardship and social protest, that it is an organic response to the bigotry and oppression gypsies have suffered under from time immemorial.The filmmakers spend much of their time interviewing the performers either behind-the-scenes at rehearsals or on the bus the group travels on from one location to the next. It is here that we see the camaraderie that develops among the members, as well as the personal conflicts and artistic disputes that are an inevitable part of any group activity. But it is when they are all on stage, performing to packed houses in cities like New York, Miami, San Francisco, etc., that we feel the sheer joy that comes from sharing one's passion with an enraptured audience.The movie makers also travel to some of the performers' native towns and villages to try and get a feel for who these people truly are and the lands and cultures from which they spring.The result is a moving, informative, and musically enriching glimpse into a people and an art form that few Westerners know much, if anything, about.

patricia-resnick I stumbled upon this on PBS, and I'm enchanted. I've always been fascinated by the Romani culture and history, and there is so much of that here, tucked in between the songs. There is so much good information here about a people who have been horribly misunderstood and persecuted for most of their history. The movie's approach of wrapping the history and culture into the music, and the stories of the musicians, works very well. The artists, from India, Macedonia, Romania, Spain...all very different, but springing from the same place in the heart. Beautiful, soulful music from beautiful, soulful people. I especially enjoyed Esma, and her stories of life with her husband, Stevo. But I also loved Maharajah, and the other bands. The whole thing is beautifully done. I'll be buying this so I can watch it at my leisure. Don't miss it if you have a chance to see it.

marymorrissey Funny how some comments on this film are only in the discussion section, as solo cries d'esprit. anyway... the one saying "tour de force" was certainly right, on the level of pure film-making this movie is dazzling. I was also really impressed with the way in which the director generally used the music as a springboard to continue the "narrative" in a way that was very consistently magical. A little more time was taken with some of the things that were most extraordinary, musically. I mean, compare this movie with something like buena vista social club... it can't be done this is so vasty superior a piece of work, let alone that its so much more ambitious, that the subject matter is really a lot richer and mined to so much greater um yield.

roland-104 If you like Roma music (and if you don't I hope you can be reincarnated until you do; it'll be worth it) you'll love this brilliantly crafted documentary film (titled "Gypsy Caravan" in the version circulating in the U.S.). Director Jasmine Dellal and her two fine cinematographers, Alain de Halleux and Albert Maysles, go on a U.S. tour in 2002 with five of the very best Romani bands around. Their music is to die for. Here's a sketch of each group: "Fanfare Ciocarlia" is a 12 piece brass band from Zece Prajini, a NE Romanian village near the Moldavian border. Their music, sometimes referred to as "Balkan funk," blends Romanian, Roma, Turkish, Bulgarian, Serbian and even klezmer influences. They were featured in the recent German-Turkish hit drama, "Head On," and one of their numbers closes the comedy, "Borat.""Taraf de Haidouks" (it means band of brigands - or outlaws) hails from the Romanian village of Clejani, SW of Bucharest. The players are called lautari, meaning traditional (folk) musicians. They have played with Yehudi Menuhin and the Kronos Quartet. The actor Johnny Depp is a big fan, after working with them in the Sally Potter film, "The Man Who Died." He once flew them to his nightclub in LA and paid them $10K to perform (Depp talks about them in this film). Their leader for many years was Nicolai Neaucescu, a droll violin player who busked wherever he went. Ms. Dellal, who was present for this screening, tells a story about Nicolai when the tour was playing in Berkeley, and he went busking around town. One listener was so moved that he gave Nicolai his gold watch. I had the pleasure of seeing "Taraf" perform a few years ago at the Vancouver (B.C.) Folk Music Festival. Between gigs, Mr. Neaucescu circulated through the Jericho Beach park grounds playing for tips. In its 25 year history, no previous performer had ever busked at the VFMF. Festival staff couldn't for the life of them figure out if this was OK or not."Antonio El Pipa," a Gypsy Flamenco ensemble from Andalucia, Spain, is led by the dancer Antonio, who was born in Jerez de la Frontera. Performing with the group is his aunt, Tia Juana la del Pipa, whose raw, almost basso voice is as earthy as one can possibly imagine (think Tom Waits here)."Maharaja" (formerly Musafir) is a song and dance troupe from Rajasthan in NW India. The group is influenced by diverse traditions, including north Indian folk music, Arabic and Sufi. Their star is Sayari Sapera, a gorgeous young man who performs as a dazzlingly costumed female Sufi-style dancer.Esma Redžepova is probably the best known Rom performer in Europe. Her career spans over 40 years and 15,000 concerts, many of them benefits for her humanitarian aid projects. One of her most famous songs is featured in the recent comedy, "Borat" (she claims this was used without her permission - another among the rumored questionable dealings of the "Borat" filmmakers). Known as "Queen of the Gypsies," she hails from Skopje, Macedonia, though for most of her career she has lived in Belgrade. She sings with the Teodosievski ensemble, named for her late husband and the band's founder, Stevo Teodosievski. The couple adopted 47 boys over the years, raising them and teaching them music in particular. Esma, as she is simply known everywhere, has been nominated twice for the Nobel Peace Prize for her human rights work on behalf of Roma people, and she also received an award from UNICEF for her humanitarian activities.The music these groups create is sublimely exciting, amusing, and full of attitude. In the case of the eastern European groups, there is also more than a touch of what one might regard as a sort of blues idiom. The music is one of two wondrous elements in this film. The other is the superb way in which the film itself is built. Ms. Dellal blends concert footage with scenes of the musicians at leisure or dressing for performances. The musicians delight in getting to know each other.Ms. Dellal also visits the villages where these people come from. There are remarkable views of the musicians' homes and families, townspeople, buildings, farm animals, a camel pulling a cart through the street, countryside, you name it, in places like Jerez, Zece Prajini, rural Rajasthan and Clejani, where the indomitable Nicolai, while showing us his house, tells us he may build a pool there "like Johnny Depp's."The photography and editing - indeed all filmic production values - are first rate. This is quite a step up for Ms. Dellal from her 1999 film, "American Gypsy: A Stranger in Everybody's Land." That film featured some interesting characters but was not nearly as well made as "Caravan." For lovers of world music and cultural diversity, "Caravan" is a film you must not miss. (In Romani, Spanish, various North Indian dialects & English) My grades: 9/10 (A) (Seen at the NWFC's Reel Music series, 01/26/07)