gradyharp "Ils se marièrent et eurent beaucoup d'enfants" ("Happily Ever After") is a cleverly written examination of contemporary views on love, lust, marriage, infidelity, and the single life. Writer/Director/Actor Yvan Attal has come up with a winner, an entertaining, funny, and ultimately thoughtful treatise on how we cope with partnering.Three men work together in a car dealership. Vincent (Yvan Attal) is the apparently happily married man with a beautiful wife Gabrielle (Charlotte Gainsbourg) and child. Georges (Alain Chabat) on the other hand is in a tumultuous marriage with Nathalie (Emmanuelle Seigner) who has gender issues that go far beyond feminism and negatively influence their child. Fred (Alain Cohen) is single, bedding every lovely woman he encounters, balancing trysts between mornings, afternoons, and evenings and is deeply envied for his Don Juanism. But Fred actually longs for the sense of belonging that married men enjoy.The men's lives intertwine on many levels. Most important, we discover that Vincent has a lover (Angie David) despite his idyllic married life and while it is Georges whom one would expect to seek solace from a lover, he remains faithful to his nagging wife! Gabrielle senses Vincent's affair and encounters a sexy man in a music shop (Johnny Depp) who begins to preoccupy her thoughts. She is a real estate broker and comes close to an assignation with a client but remains faithful. All the while she daydreams about her brief encounter with Depp and satisfies her wandering eye with those memories. Fred discovers that one of his paramours is pregnant and happily decides to leap into the married fray. The only 'adults' sharing advice here are Vincent's long married parents (Anouk Aimée and Claude Berri in very welcome comeback cameos!) and it is this 'standard' that adds the final humor to the film.The manner in which all three men deal with their living situations asks as many questions as it gives answers. Attal finds joy in all forms of coupling and is careful to offer all sides of decisions his characters make in arriving at what provides them happiness. This is a smart movie with terrific twists. There is just enough slapstick (an all out food fight between Vincent and Gabrielle - real life husband and wife team Attal and Gainsbourg - that proves to be one of the fun-loving bits of silliness that binds their marriage) to keep the mood light. Not a profound film, but a joyous French comedy handled by total pros! In French and English with subtitles. Recommended. Grady Harp

fordraff I walked out of this film after fifty minutes and would have been better off had I left after ten minutes.This film provides an example that the French are as capable of making films as bad as mainstream American trash. Here we focus on married couples, one of which--an Indian couple--hardly receives any attention because they represent a still-loving pair after fifteen or so years of marriage.Instead, the remaining husbands, Vincent and Georges, plus their single friend Fred, are the focus of attention. All of them are sexist louts only concerned with talking about bedding women and discussing women's T&A. Fred is a stereotype: the ugly guy you would think no woman would look at twice but who is, in fact, juggling a string of women. But then none of the male or female characters is developed in any depth here.It's hard to believe a film would waste time on such guys. Their wives would be better off divorced from these sexist pigs and their children probably would be better off without them, too. The lifestyle these people are shown living is remarkably like that of too many Americans seen in mainstream films--arguing with each other, spending too much time in front of a TV set, overeating, and overweight. Of course, in French films, there's plenty of smoking, but it often looks chic. Not here, where Gabrielle is shown cooking in one scene with a cigarette dangling out of her lips. Ugh! Even the apartments these people live in are ugly. Gabrielle's kitchen could use the services of a good cleaning company.The narrative line of the film is fractured. In the opening scene, Vincent comes into a bar and picks up his own wife, whom two other men are also trying to pick up. At this point, we don't understand that Vincent and Gabrielle are married. This makes for a very confusing opening to say the least.Elsewhere in the film, similar chronology tricks are employed. I hadn't the least interest in the characters and was be-damned if I was going to try to figure out the fractured chronology. As in the atrocious "The Constant Gardener," the in-your-face technique (swish pans and rack focusing in particular here) seem an attempt to distract viewers from the humorless, lousy story.At one point, Johnny Depp has a cameo moment with Gabrielle in a record store. Depp looks awful, as if he needed a shower, a shave, and a haircut as well as the services of the makeup people on the set. I understand that in a later scene, Depp reappears as a client to whom Gabrielle, a real estate agent, shows an apartment. And in that scene in an elevator going up to that apartment Gabrielle and the nameless character Depp plays at last have sex. Ho-hum. I obviously didn't miss a thing by walking out when I did.During the fifty minutes I was in the audience at the 19th Street Theatre in Allentown, PA, I heard no laughter at all from an audience of about 70 people. During a food fight scene (Can you believe it?) between Gabrielle and Vincent, I heard a few titters of laughter, that sounded like an embarrassed response, as if the titters came from people who were asking themselves, "What are we doing watching something like this?" I couldn't understand why the entire audience didn't arise en masse and leave the theatre.

writers_reign This is the third film from triple-threat (Writer-Director-Actor) Yvan Attal and arguably his best. Once again he has cast his real-life partner (they have just had a child) Charlotte Gainsbourg as his screen wife and cast fellow triple-threat wda Alain Chabat as his best friend. Whilst Vincent (Attal) and Gabrielle (Gainsbourg) have a seemingly ideal marriage Georges (Chabat) and Nathalie (Emmanuelle Seigner) are more tempestuous and Nathalie's nagging is ever present. Both couples have a child hence the title, They Were Married And Had Many Children, which is also the French equivalent of the fairy-tale ending 'and so they lived happily ever after'. The third man, Fred (Alain Cohen) is single and has no shortage of girls. This is the broad outline. The twist, such as it is requires Fred to envy the married state, Vincent to lead a double life that fools even Georges and Fred and Georges, the logical one to cheat on a nagging wife to be faithful. Most of the five principals are virtually unknown outside France - Chabat appeared in 'Le Gout des Autres', Attal in 'Bon Voyage' - but Anouk Aimee who plays Vincent's mother is certainly known if only for 'A Man And A Woman' whilst Berri, of course, directed 'Jean de Florette' and 'Manon des Sources'. Attal has done a workmanlike job of exploring male bonding - the men spend hours playing football - and precarious relationships and it's the kind of film that can find an audience abroad. 7/10

imriej4566 Once again, Yvan Attal brings us his exploration into temptation. His previous film, 'Ma Femme est une Actress', was a dark comedy about a man paranoid that his actress wife (Charlotte Gainsbourg) was being bedded by her leading actors. Gainsbourg returns as Attal's on screen wife for this, his second feature. Infidelity is the main topic of discussion as we follow three friends and their lives, which seem to revolve around sex, or lack thereof. Like a modern update of Yves Robert's 'Pardon Mon Affaire', Attal's use of humor helps placate the true sadness of the storyline.Vincent (Attal) and Georges (Chabat) are both married with a child. Vincent has, what his two friends perceive as, a happy marriage. He has a beautiful wife, Gabrielle, and a playful child. If they argue, it is quickly defused, and life is loving again. George, on the other hand, is constantly arguing with his nagging wife (Seigner), much to the chagrin of the quiet, East Indian neighbors. George is jealous of Fred (Cohen), the swinging bachelor who is constantly juggling a schedule of liaisons with a selection of beautiful women. George would love nothing better than to leave his wife, or at the very least, have an affair. But he doesn't have the guts, and if truth were told, he really does love her. Ironically, it is Fred who is jealous of his friends, as he longs for the commitment in a steady relationship. (WARNING: POSSIBLE SPOILERS AHEAD)But as we quickly discover, all is not perfect in paradise, as we see Vincent is having an affair unbeknownst to not only his wife, but also his friends. Gabrielle soon has a feeling about her husband's infidelity, but does not confront him, hoping instead that he will work it out of his system. We as the audience hope so too, since Vincent begins to come across as the cad destined to screw things up. There doesn't seem to be a rational reason for his straying, other than perhaps a change of scenery or the sexual excitement of a tryst. As in 'Actrice', we see one partner's paranoia for the other's fidelity. This time, it's the female perspective as Gabrielle, on a holiday with her son, considers the possibility of an affair herself. Thrown into all this is a few interesting cameo appearances – Producer/ Director Claude Berri (Manon Des Sources) and Anouk Aimee (Un homme et une femme) play Vincent's parents, and Johnny Depp, who's dialogue-free encounter with Gainsbourg in a music store is rife with sexual tension and desire.I found the film very enjoyable. Not completely a romantic comedy, but like 'Actrice' Attal reigns in both the humor and the drama to give a balancing act of non-judgmental reality. The soundtrack literally rocks, as Radiohead, Cinematic Orchestra, Cousteau, and the Velvet Underground help get Attal's message across. (Methinks he was a music video director in another life.)Highly recommended. 7/10(Note: The direct translation of the title, 'They Married and Had Lots of Children', differs from the English title '…And They Lived Happily Ever After' given.)