sergepesic The , always, unfortunate marriage of art and propaganda, can be quite dangerous. Veit Harlan, pet director of notorious Goebels, played with the devil and seemingly survived. He escaped the prosecution and continued to make his overblown kitschy movies and got to expel his last breath in the Isle of Capri in Italy. This excellent documentary is focused on the impact that person like that have on his descdendants. They all seem to be deeply affected with it, even the one son who refuses to say anything bad about him. There is a French granddaughter, and the Italian grandson, a niece married to Stanley Kubrick. And all, even almost 50 years after his death still paying the price for his misdeeds. The sins of fathers and so forth... Movie well worth seeing.

MartinHafer Had this documentary only been about Veit Harland and his infamous film "Jud Süß", it would have been well worth seeing. However, the film goes one step further--and that makes it such a memorable film."Jud Süß" was a virulent anti-Jewish propaganda sponsored by the Nazis and shown throughout Germany and occupied Europe. Its aim was to galvanize the populace against the Jews and thereby make it easier to exterminate them. This film shows a few clips from this film and the first part is a biography about the director, Veit Harlan. It talks about his life and career before making this film as well as after--and especially about the repercussions in his life following the war because of his pro-Nazi work.All this is very interesting. However, what makes the film much more interesting is that the people who made the documentary were able to assemble so many family members to talk about Veit and his work. His surviving children and grandchildren are interviewed and their reactions are varied and extremely interesting. Some, such as one of his sons, were very close-mouthed--refusing to say anything against their father. However, this was the exception to the rule. Most seemed open to talk and what really fascinated me were the lengths to which several of them went to change their lives in an attempt to undo or make recompense for Veit's actions. Two daughters married Jewish men, a son married a Jewish woman. This same son went from the far-right fascism to an ardent anti-fascist--even ultimately embracing communism! And his grandkids weren't exempt from the impact of Veit's life upon them--with one granddaughter now living in France and dealing with strong feelings of guilt and shame. Many more interesting interviews and personalities are in this film--and it's filled with wonderful psychological portraits that would merit re-watching. Exceptional and truly fascinating.

c-partridge This eagerly anticipated 2008 documentary is a disappointment. Although offering information about a dedicated craftsman, it fails to give a comprehensive overview of Veit Harlan's life or a clear outline of his relationship with the studio bosses. A series of interviews with his wife, children and grandchildren elicits confusing details which this viewer struggled to put into chronological order. The director, or editors, seemed to enjoy withholding details about the different members of Harlan's extended family, the way William Faulkner holds back information about his anguished Southern families.The Harlans comprise diverse and complex personalities - architect, actors, investigative journalist, painters - and, as highly intelligent and well-educated personalities, they presented diverse interpretations of their father's or grandfather's character and career. These figures provided more substance to the narrative than the intermittent story of Veit Harlan himself.His allegedly infamous film "Jud Suss" seems very tame when judged by the sequences shown. Although the work of a craftsman, its melodrama is antiquated; and it might be time to remove it from the historical spotlight and consign it to "strictly film school". Clips from his other films make Harlan appear more interesting and innovative.

ro089 This documentary tells the story of "the most important director of the Third Reich", Veit Harlan, and his infamous film "Jud Süß" (amongst other film of him). In my opinion, the way the documentary's director, Felix Moeller, chooses, is very good for this subject. He does long interviews with nearly all living relatives which leads to a multi-layered portrayal of both the director and the human being Harlan as well as an insight in the conflicts of his children and grandchildren with him. The film also shows some sequences of the main works of Harlan, like "Der Herrscher", "Opfergang", "Kolberg" and "Verrat an Deutschland", so the viewer can get some idea of the visual style and the plots. All in all, this is a great film history documentary and a very useful introduction to the work of Veit Harlan!