In the Closet

In the Closet

2008 "Monsters don't live under the bed..."
In the Closet
In the Closet

In the Closet

4.8 | en | Horror

An anonymous bedroom inside a typical apartment somewhere in Los Angeles. A pair of young men enter, one having scored a one-night stand, the other giving away little as to his true intentions.

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4.8 | en | Horror | More Info
Released: July. 10,2008 | Released Producted By: Door Q Entertainment , Country: United States of America Budget: 0 Revenue: 0 Official Website:
Synopsis

An anonymous bedroom inside a typical apartment somewhere in Los Angeles. A pair of young men enter, one having scored a one-night stand, the other giving away little as to his true intentions.

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Cast

Brent Corrigan

Director

Steven Lewis

Producted By

Door Q Entertainment ,

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Cast

Brent Corrigan
Brent Corrigan

as Press

Reviews

Arcadio Bolanos There are only two characters in Jody Wheeler's short film: Griffin, a talkative, lighthearted, outgoing and self-confident guy; and Press who is shy, stern, clumsy and hermetic.Jody Wheeler ponders on duality from the very beginning. Here opposing archetypes face each other and, more importantly, define themselves by their differences. If Griffin has had plenty of sexual experiences, Press is still a virgin; if Griffin is active, Press is passive. In spite of those differences, they seem to complement each other as Griffin explains: "You're alone, I'm alone. Together we're not".Are we doomed to loneliness without the other? Does everything have to obey the duality imperative to the extreme? If language is the key to understand the world, then it's no wonder that a binary system is the most suitable approach. Ferdinand De Saussure defined language as a system of oppositions, in which everything could be reduced to signifier and signified. That's why Press, indeed, affirms that it's all about dichotomy "light and dark, day and night, come out – go in" (one could also add "human - inhuman").Without spoiling the end, if we blindly follow the "black and white" rule, without acknowledging the shades of grays, then it's only logical that coming out of the closet implies also something coming in. But what will remain forever trapped in the closet after Griffin and Press sleep together? Neither the signifier, not the signified, that's for sure.