MartinHafer
This is Jan Svankmajer's second film. It's a short that consists of a man playing a piece by Bach as various things around the organ move about on their own. It's filmed in black and white. But unlike later films by the master stop-motion artist, the things that move or seem to move are very mundane...such as doors or stones or holes opening up in the walls. I noticed state some felt this was a masterpiece, but frankly, I think his later stuff is so much better...and often creepier. This one isn't nearly as weird nor as interesting. For Svankmajer fans, it's definitely one to see but the man would definitely go on to better things.
disdressed12
i didn't find this second short animated film from Svankmajer as good as his first one,The Last Trick.this one was just a bit too sedate in comparison.it's not horrible by any means and while there is lots going on,it's not quite as dynamic,for lack of a better word.it's only 10 minutes in length,but it gets a bit repetitive before it's over.The Last Trick was in colour,while this one's in black and white.i'm not sure if it being in colour would necessarily have changed my opinion,but it certainly would have been a different film.anyway,that's neither here nor there.for me,Johann Sebastian Bach: Fantasia G-moll is a 4/10
Polaris_DiB
This movie is magnificent, inspiring, and very creative. Outside of narrative constructs, this movie deals with tone... tone described in the breaking and fragmented walls of some mysterious apartment.Architecture itself has been described by some as "frozen music", so this presents a sort of inverse relationship: music as melting architecture. What I find great about it, though, is that the grain and the grittiness of the walls fits perfectly with the tone of the song. Svankmajer has opened up an association with a famous composition into his own defined and bordered world--something an animator would be more prone to do, and a puppet master would know all about.--PolarisDiB
sirarthurstreebgreebling
This stunning short, in black and white and shot in widescreen is one of the best examples of the marriage of film and sound , the sounds affecting the images with bass and tibre. The man who plays the organ seems to literally bring the house down and walls open up and close , breath and moves as if the music has given them life. Simply superb.
AD
