Jack Goes Boating

Jack Goes Boating

2010 ""
Jack Goes Boating
Jack Goes Boating

Jack Goes Boating

6.3 | 1h31m | R | en | Drama

A limo driver's blind date sparks a tale of love, betrayal, friendship and grace—centered around two working-class New York City couples.

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6.3 | 1h31m | R | en | Drama , Comedy , Romance | More Info
Released: September. 17,2010 | Released Producted By: Big Beach , Cooper's Town Productions Country: United States of America Budget: 0 Revenue: 0 Official Website: http://www.jackgoesboatingmovie.com/
Synopsis

A limo driver's blind date sparks a tale of love, betrayal, friendship and grace—centered around two working-class New York City couples.

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Cast

Philip Seymour Hoffman , Amy Ryan , John Ortiz

Director

Matteo De Cosmo

Producted By

Big Beach , Cooper's Town Productions

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Reviews

SnoopyStyle Jack (Philip Seymour Hoffman) is a limo driver working for his uncle with his friend Clyde. Clyde and his wife Lucy invite Jack and her co-worker Connie (Amy Ryan) to dinner. Connie is socially awkward like Jack. It's winter. After Connie mentions boating, Jack decides to take swimming lessons. She gets attacked on the subway. When Connie mentions that nobody has ever cooked for her, Jack decides to take cooking lessons. Meanwhile, jealousy seeps into Clyde and Lucy's marriage over perceived infidelity. Philip Seymour Hoffman and Amy Ryan are endearing together. There are some good oddball moments. Amy Ryan trying to close a deal while spouting blood is kind of funny. It's a bit clunky at times with Philip Seymour Hoffman trying out directing for the first and only time.
frankenbenz www.eattheblinds.comThere's no such thing as an "easy" relationship. Some work, most don't. When two people bring out the best in each other, they shouldn't take for granted something's working and worth holding on to. The world shits on us regularly and a great relationship is a comforting reprieve from this shiz storm. The hardest thing to anticipate is the inevitability of protecting the other person from yourself. We're flawed, but are we doomed to poisoned relationships because of these flaws? Sometimes yes, rarely no. Undiluted love does happen and in these rare instances, someone inspires such good in you, you can't help but be a better person than you've ever imagined possible. This is when you learn to love yourself through the eyes of someone else. It's a powerful thing. Even more powerful then when you're with the wrong person, seeing yourself doing ugly things and hating yourself all the more because of it. Perhaps the point of all this is to hold out for the right person. This is, essentially, what Jack Goes Boating is all about.The movie is adapted from Bob Glaudini's play of the same name, skillfully translated to the screen by first time director and star Philip Seymour Hoffman. Like the writing, acting and directing, the soundtrack is populated with songs (by Grizzly Bear) articulating each moment with bittersweet melancholy. Throughout the film you feel the pain without being told what the pain is. It's underplayed like most good art is and there's moments of introspection where you're allowed to find you own way into the character's heads and hearts. Because of this, Jack Goes Boating feels personal and real. The longing hurts, but it's a story that gives your heart a glimmer of hope, a reason to keep looking for love. In the end, we all want to be loved. We all want to love ourselves a little more. We all want someone we can can love and give back to them, what they give to us. Like us, these people are all flawed, yet they're there for each other, and in their moments of selflessness, we see (to quote the band Sloan) the good in everyone.
MartinHafer This is an odd film. It starts off a lot like "Marty" and you feel a connection to the characters, but by the end, the film's more like "What Ever Happened to Virginia Wolfe?" (with all the arguing and substance abuse)...and that's a combination that just didn't sit well with me.Philip Seymour Hoffman had apparently starred in the play on which this film is based. In addition, he directed this low-budget project. How the two projects differ, I can't say, as I never had a chance to see the play.Hoffman plays a very shy and insecure middle-aged guy who is single. His friend sets him up with a lady who is equally shy and socially awkward. While neither really open up much at their initial meeting, over time a relationship slowly develops--at which time you learn more about the two characters. She is carrying some emotionally baggage and cold probably use a sex therapist, as she is phobic about being touched. He is incredibly unsure of himself and worries excessively about screwing up. In many ways, these two people did remind me of the characters in "Marty"--but they seemed to have MUCH more emotional baggage and were much more constricted emotionally. Because of this, the film was VERY dry and slow...glacially slow. Now I could have stood this, as I did connect with the pair. But, sadly, late in the film, the couple that introduced the two began to act almost exactly like Richard Burton and Liz Taylor from "Who's Afraid of Virginia Wolfe?"--and it just didn't fit with what had already been established. I wanted to see these two sweet screwed up folks together--not watch the Bickersons drink, do drugs and argue in the most vicious manner. It truly made my skin crawl.Overall, I would not watch the film. The first portion is great--the last, too dominated by the screwed up couple, was tough going. I think a tighter focus would have helped this film considerably. It's a shame, as the acting and some of the characters were nice.By the way, if you are interested, the title is referring to the risks Jack (Hoffman) is willing to take to change and grow. Despite a fear of water and unable to swim, he promises to take his new girl boating--and subsequently learns to swim and overcome his fear.
darrhling Seymour-Hoffman's directorial debut is a well-rounded little film about being positive no matter the circumstances; the possibility of a solution at the end of the tunnel and the value of perseverance.Jack Goes Boating relates the tale of four people whose stories are wound together. The premise is simple: one couple throwing a blind date for the other two parties. From this seemingly basic starting point, the characters undergo transformations, all of which are sprinkled with life-lessons and positive philosophy, all the more poignant for its stark backdrop of lower-middle class life. In this sense, there is a feel of La Vita è Bella about it, although admittedly Jack Goes Boating is not quite in the same league as the former.Phillip Seymour-Hoffman pulls off some typically sensational acting, as does Amy Ryan, with a complicated emotional role which she executes very well indeed.All in all, a high-class film, totally worth watching, but not something that leaves you with the feeling it ought to have won Best Picture.(Please take the time to say whether you found this review useful. Thanks.)