Leofwine_draca JACKSON COUNTY JAIL is an acceptable thriller from producer Roger Corman; not particularly good, but at least remaining fast-paced and engaging enough to be worth a look for fans of 1970s-era grindhouse cinema. Yvette Mimieux (of THE TIME MACHINE fame) plays one of those movie characters who ends up thrown in the titular jail through no fault of her own, where she's subjected to one of the more unpleasant rape scenes of the era. Eventually she busts out with the help of youthful hoodlum Tommy Lee Jones, and the two escape cross-country, pursued by the corrupt cops. The rape scene aside, this is moderately entertaining, with Mimieux striving to invest her character with realism and Jones excelling in an early role. The gut-busting climax reminded me of DIRTY MARY, CRAZY LARRY.

preppy-3 Dinah Hunter (Yvette Mimieux) is traveling cross country from California to New York. In the deep south she unwisely picks up two hitchhikers. They hold her up and take her car leaving her all alone. She goes to a bar to use a phone. The bartender tries to attack her but she fights him off. Then a policeman wanders in and the bartender accuses her of attacking him! She's hauled off to jail and locked up. Then she's brutally raped but kills the man who did it. With the help of a fellow prisoner (Tommy Lee Jones) she escapes and they're both on the run.What sounds like a typical exploitation picture is surprisingly not bad. Aside from the rape scene (which is downright disgusting) this is pretty tame. There's next to no nudity (Mimieux briefly bares her breast) and it has a good script. This has been praised as a feminist picture. I don't agree. Sure she fights back and kills the man who rapes her but so do other woman in other exploitation films. Also she almost immediately falls in love with Jones and clings to him to save her. That's hardly feminist. The film also has plenty of shoot outs and car chases and Mimieux and Jones are very good in their roles. So it's worth seeing but a little overpraised and not a feminist film at all.

Coventry "Jackson County Jail" is raw, tough and compelling mid-seventies exploitation coming from the nearly inexhaustible vaults of producer Roger Corman. The film definitely isn't as violent or sleazy as many contemporary and similarly-themed movies, like for example "I Spit on your Grave", because the emphasis here merely lies on the thoroughly unpleasant atmosphere of hopelessness. So, instead of a nasty and gratuitous rape 'n revenge flick, this is more of a powerful drama centered on the suffering (physically as well as mentally) of the poor protagonist and the cruel injustice of this world. Underrated actress Yvette Mimieux is truly terrific as the strong leading lady Dinah Hunter. She's a feisty publicity woman in Los Angeles, avidly defending women's position in marketing, but her clients don't share her visions. When she also catches her husband with a much younger and exotic wench, Dinah impulsively decides to meet up with her sister in New York. She also decides to travel by car for this cross-country trip instead of by plane; a choice that she will deeply regret quite quickly and for the rest of her life. In a very short while, Dinah's car and everything in it gets stolen by youthful thugs, she's nearly assaulted by a filthy restaurant owner and then she's the one put in jail because she doesn't have any papers! But in jail the nightmare only gets worse, as Dinah is barbarically raped by the crazy deputy Hobie. She manages to kill him and escapes together with convict Coley Blake, who witnessed the whole thing, but from this moment onwards they are considered fugitive cop-killers by all police department of the neighboring counties. "Jackson County Jail" fully relies on a solid script by Donald Stewart (frequent adapter of Tom Clancy novels), tight direction by Michael Miller and stellar performances from both Yvette Mimieux and Tommy Lee Jones (still in the earliest phases of his awesome career). There are a couple of moments of adrenalin- rushing action, like the chase with the sheriff and the climax, but the strength of the film lies within the grim portrayal of America's underbelly-society. Highly recommended for fans of genuine 70's cult cinema.

vitaleralphlouis First of all, forget about the supposedly infamous rape scene. There IS a rape scene. OK; but that's not the heart or focus of this gem of a movie. The story is excellent, as is the direction and photography; but the real asset is the interplay between Yvette Mimieux and Tommy Lee Jones (who was not yet an old geezer 35 years ago).Yvette Mimieux fills my memory of seeing this one back in 1976. Yvette was famously cute and pretty when she was 20 and just getting started in the 1950's. Many actresses lose it as they age; but not Yvette. Maturing added mind-staggering beauty to her face, as maturity added to her personality --- and she still had the same petite lithe body. Women with this combination usually have to fend off dozens of Grade A men while the Playboy types are sitting home waiting for a phone call.If you can find this movie anywhere, look it up.