Richard Chatten Before Lee Marvin in 'The Killers' and 'Point Blank' there was 'Johnny Cool'. The name 'Johnny' in the title usually means a romantic loner; but this Johnny was such an irredeemably uncharismatic thug that by the end I was rooting for him to get what was coming to him in a way that I never did with the likes of Jimmy Cagney.After possibly the worst title song I've ever heard (sung by Sammy Davis Jr.), what follows is a real curate's egg vividly shot on location by Sam Leavitt in deliberately ugly black & white with an astonishing cast of cameo players (I particularly liked Mort Sahl's contribution). The bewitching Elizabeth Montgomery is wasted as a bored socialite who develops a crush on Johnny after seeing him karate someone in a restaurant, yet seems a bit slow to realise that maybe he's not really a very nice person. (She and director William Asher married the same year and together embarked the following year on the evergreen TV hit 'Bewitched', and she was lost to movies forever.) That the Production Code was by now on its last legs is attested to by macabre details such as the fact that he takes a knife rather than a gun with him to settle one particular score; while he improbably uses a big heavy suitcase with a bomb in it to blow up one victim rather than simply shooting him. And how did he make his getaway after machine-gunning someone else through the top floor window of a high rise office block from a window cleaner's cradle? However, the film is obliged to show sufficient restraint in its denouement to leave enough to the imagination to make the conclusion far more chilling than had we seen more. (And it's refreshing to see Elisha Cook Jr. come out on top for once.)

reader4 This movie is just bad. Big name stars and great acting throughout from everybody can't save this tedious jumble.Elizabeth Montgomery is the best I've ever seen her, although the character she is given to play is not all that believable -- a wealthy socialite from Westchester County who falls so ragingly in lust in a matter of hours that she's willing to throw away everything she's ever known to become a gangster moll and commit murder. The movie is almost as much about her as about Johnny. I bet she was recruited from here for Bewitched, which debuted the following year. Her first shot in the movie looks remarkably like Samantha on the first episode, except for her Angela-Lansbury-in-the-Manchurian-Candidate hairdo.Her acting here, though, is absolutely stunning, showing a depth and power I've never seen her achieve in anything else. This is the only possible reason to watch this movie, and even it is not enough for me to recommend that you do so.I have liked Henry Silva in most things I've seen him in on TV, so I watched this film, interested in an opportunity to see him in a leading role. The thing that impressed me most about his portrayal was that his Italian accent is appalling. Part Mexican, part Russian, mostly American. It is particularly grating because all the other Italian accents in the film are authentic.Big names from many generations abound: Elisha Cook (Jr.), Mort Sahl, Jim Backus (doing a couple of Mr. Magoo impersonations in addition to his serious lines), Joey Bishop in a fabulous portrayal of a used car salesman, Sammy Davis Jr., Telly Savalas, Gregory Morton and a couple of TV stars, Richard Anderson and John McGiver. The acting from them as well as the other players I'm less familiar with is top notch.So how can it be so bad? To start with, it is totally confusing. It is set in Sicily, Rome, New York, Los Angeles, Las Vegas, Newport Beach and maybe some other locations. It was impossible for me to tell where the action was taking place at any given point, except that when Miss Montgomery is on the boat, you know she's in Newport Beach.It starts out in Sicily. If you're good at recognizing St. Peter's and the Vatican Palace from the air, you'll know that it has moved to Rome, otherwise you'll think you're still in Sicily. Then it moves to New York. After that, it's anybody's guess, moving from city to city seemingly at random, and without any explanation or even clue that the location has shifted.I vaguely suspected we were in Las Vegas when I saw The Silver Slipper sign. But before that, there was a craps game, a very enigmatic scene starring Sammy Davis Jr. as a (maybe?) crooked gambler, where Silva holds a gun to Davis's head and makes him shoot winning rolls for some reason that was not comprehensible to me. I don't know if that was in Vegas, or in some illegal place in New York.Suddenly Elizabeth Montgomery is in LA. Johnny calls her from Idlewilde, which I assumed meant he was in New York, but in the next scene, he is sitting next to her in a convertible, as they drive past a marquee with "PETER LAWFORD" in large letters (second-billed to Jimmy Durante at some LA hotel). Telly Savalas mentions later that he they are Las Vegas, which is the only reason I'm certain some of the movie took place there, but two scenes later, he and the same cronies are in New York. At least, I'm pretty sure they are.Maybe if you've been to all those cities a lot, so you can recognize any anonymous back street in town, you might be able to follow it, but I sure couldn't.How can a movie that's "action packed" and confusing be boring at the same time? I blame it mostly on the direction, which is atrocious, but the complete lack of budget and production values are also partly to blame. Lots of useless walking around. Maybe it was supposed to be suspense, which I found completely lacking in the film.Or any other kind of excitement, for that matter.Silva kills a lot of people, but the movie is not gory, and he does so completely without emotion, the way he is during most of this stone-faced performance. The rape occurs off-camera, and it takes some extracting to even be sure that's what happened. You see a bit of the explosion, but no aftermath. The stabbings might just as well have been a punch in the stomach. The whole thing is delivered kind of dead-pan, atypical for a gangster movie.I found nothing about it gripping in any way, although the performances are often riveting. I don't know how many times I looked at the counter to see how many minutes remained. I don't really know why I watched it to the end, which isn't all that great anyway. Like everything else in the film, rather perfunctory, and not much to it. I'm glad Peter Lawford mostly stuck to acting. He only produced four movies, none of which I ever heard of.Speaking of which, ever wonder why you never heard of this movie, when it has so many big name stars?

MarieGabrielle Pure 1963 gangster drama. Not sure if this is on DVD yet, but it should be.Elizabeth Montgomery as a brunette, looks amazing. She is a bored socialite who wants excitement, and hooks up with Henry Silva.Some of the scenes are classic. The Beverly Hills Hotel, Las Vegas, a NYC skyscraper. Telly Savalas also has a cameo, and Sammy Davis Jr. Also, John McGiver ("The Manchurian Candidate") as an angry casino boss.There is also something aesthetic and wild about seeing the streets of Los Angeles and NY in black and white, in the 60's. It just seems so surreal. Don't miss this film, they often show it on TCM channel. 9/10

Hoohawnaynay This is a really cool gangster film featuring a much under-rated Henry Silva (Why Hollywood didn't use him more is beyond me!) playing an Italian mobster. The beggining of this film is a little awkward & slow but give it 15 minutes and it picks up quickly. Enter Elizabeth Montgomery as a bored socialite who wants some some excitement in her life and boy does she get it. Liz even gets slapped around by two guys which gets her turned on because when Henry comes back and finds her she belts out the line "I need you RIGHT NOW!" WOW! Kind of risque for the era. Good locations throughout, including many shots of Beverly Hills, Los Angeles & Las Vegas in the early 60's. Many, many cameos by Sammy Davis Jr., Joey Bishop, Jim Backus, Mort Sahl. William Asher proved he could direct drama as well as comedy (His forte'). This has no Hollywood ending either. It should be on DVD.