Minimal stories in a Belarusian village apparently indifferent to the popular uprisings in Minsk. The young director, who has left the country, defines them as 'choreographies of everyday life' in a film about 'rules that limit personal freedoms and at the same time ensure that the social organism works...'
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Minimal stories in a Belarusian village apparently indifferent to the popular uprisings in Minsk. The young director, who has left the country, defines them as 'choreographies of everyday life' in a film about 'rules that limit personal freedoms and at the same time ensure that the social organism works...'
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Georg Kußmann
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