SimonJack The main reason to watch this film is to see the 17-year old Loretta Young in an early female lead. She is hardly recognizable from the face that movie buffs would soon see and remember for decades. Yet, she's every bit as beautiful a woman. For such a young actress she displays a mature talent. Young had been in silent films as a child, and by 1930 already had leading parts in several movies, including a couple of talkies before this one. This isn't much of a story - a wealthy family whose members look to get even richer from a relative dowager's will. But there mustn't be a scandal among any of them, or the whole lot loses their inheritances. One can guess who the person might be who wants to raise a little cain.Douglas Fairbanks Jr. co-stars in this film, but he seems quite wooden. He was a big star of his day - a romantic idol for women, but he isn't more than a mediocre actor in his several films that I've seen. He seems wooden in all of his roles. Many films were made since the talkies debuted in 1928 until the enforcement by Hollywood of it's Hays Code in 1934. Some people make a big deal out of that, but in truth the vast majority of films made in that period didn't have naughty content that should be censored. This is one such film. One does wonder, though, how this and similar films went over with audiences of the day. After the stock market crash of 1929, the U.S. and world were plunged into the Great Depression for nearly a decade. How many people enjoyed watching films about the wealthy gallivanting around the world or living the high life? Indeed, with unemployment that peaked at 25% in the U.S. and up to 35% elsewhere in the world, how many people could even afford to go to the movies?

gridoon2018 "Loose Ankles" has a lively start (certainly any movie that opens with a close-up of Loretta Young's legs starts on the right foot - pun intended), Young and Jr. (Douglas Fairbanks Jr., that is) are appealing, and Inez Cortney is a joy as Young's cousin. But when the focus switches to Young's two middle-aged aunts and their two "professional escorts", especially in the extended "circus cafe" segment, the film becomes dreadfully unfunny. ** out of 4.

Maliejandra Kay This film, based on a 1926 stage play, is extremely funny and fun to watch. It is also somewhat hard to find. I was fortunate to see it screened at Cinevent 39.The story concerns a group of society people hearing a will read to them. The deceased's niece (Loretta Young) has most of the luck when an estate is left to her under the condition that she find a husband and no scandal be brought to the family. Everyone else's inheritance depends on this clause, but Ann (Young) doesn't want her share. In fact, she's determined to force everyone out of theirs because she thinks the family is too greedy. Off she goes to put an ad in the paper for a boy to "compromise her." Andy (Edward Nugent) finds it in the paper and thinks he'd be perfect for the role, but instead thinks maybe his room mate Gil (Douglas Fairbanks Jr.) would be better suited. In a very funny scene, Gil goes to Ann's home and is taken advantage of by the maid (Daphne Pollard).Somehow, they all end up at a speakeasy where Ann's uptight aunts Katherine (Ethel Wales) and Sarah (Louise Fazenda) steal the show during a drunken spectacle where Andy tries to control his laughter.This film is certainly a pre-code. Aside from outright illegal drunkenness, we see Andy taking a bath and women disrobing men, along with the generally racy storyline. Possibly the reason they got away with so much (besides being made during the pre-code era) is because this film is based on a play.Thankfully, the camera-work does not make the film's roots evident. Of course, there are many shots that look like characters on a stage, but we also have a moving camera and many close-ups to take advantage of the beautiful stars. Young and Fairbanks struggle with their dialogue, but there are enough scenes with the character actors to make up for their scenes.

Ron Oliver A free spirited young heiress with LOOSE ANKLES shocks her rapacious relatives by embarking on a scandal with a naïve paid escort.Loretta Young & Douglas Fairbanks, Jr. star in this forgotten pre-Code comedy. Heady with too much dialogue, as were so many of the first talkies, it tends to creak badly, leaving the performers to strain a bit for laughs. Very little more is required from the two leads than to look attractive and recite their lines. However, there are some fun performances from the supporting cast which makes the film worthwhile.Louise Fazenda & Ethel Wales are a hoot as two stuffy old prunes who loosen-up when liquored-up at a fancy speakeasy--Fazenda's flat-on-the-floor wrestling match with gigolo Eddie Nugent is worth sitting through the rest of the movie. Spunky little Daphne Pollard (the occasional cinematic bane of Oliver Hardy's life) scores as Miss Young's feisty maid; watching her divest Fairbanks of his trousers so as to cinch the scandal is hilarious. Otis Harlan appears as a blustery Major.Movie mavens will recognize silent comic Billy Bletcher, uncredited as the diminutive relative from Logan.