davikubrick
Pialat's underrated masterpiece, "Loulou" is a incredible impressive film, mostly because it can explore so many themes, and the way Pialat succeeded to tell this story about a confused "love". Before he made another masterpiece, "À nos amours" (1983), he made this, which every thing sounds and feels real, therefore his character never fell superficial. Nelly (Isabelle Huppert) is emotionally trapped between the simple minded Loulou (Gérard Depardieu) and her aggressive and manipulative husband André (Guy Marchand). "Loulou" is about the freedom that Nelly is looking for, and she believes that this freedom is in her new love affair, Loulou, but yet she is still confused to live with a unemployed man or go back to her boring life. The coldness and detachment that Pialat uses never seems or fell exaggerated, but yet it is still possible to relate and care for these characters. In the end, we have a powerful film about the search for freedom and love, who says more with it's characters actions than with their words. A remarkable masterwork.
FilmCriticLalitRao
Although Loulou is a film about the gradual disintegration of a marriage, it is important to note that nobody has been vilified for it. One might be surprised to learn how two men who have differences over their affections for a woman end up becoming good friends. One doesn't know how well staunch feminists have viewed "Loulou" but it can be said that it presents a very strong willed woman who is aware of her priorities in life. It is for her portrayal as strong willed Nelly that veteran French actress Isabelle Huppert was nominated for César award in the best actress category in 1981.Actor Guy Marchand was also nominated for best supporting actor César for his role as Nelly's husband André. French director Maurice Pialat had absolute control over creating strong characters for his films. This is the reason why his protagonists are believed to have the ability to bear any adversity with stoic calm. This sentiment is nicely echoed in one of his important films Loulou. It is considered to be a masterpiece in Pialat's little but highly productive filmography.
jotix100
What is the attraction for a bourgeois woman that makes her leave her world in exchange of an uncertain future? Boredom, plain and simple, or so it seems what makes Nelly, a woman who has a good life with Andre, her husband, an advertising executive, throw all away when she meets Loulou. He is a petty criminal living a marginal life, but who brings a new excitement to the life of this Parisian woman.One has seen this theme exploited before. Yet, director Maurice Pialat spun a different angle in a relationship between two people from opposite sides of society. The film is more about style than substance, as one is taken to the world of Loulou, a man that has not amounted to much, yet, he has a magnetic effect on Nelly. It is basically a story in which Nelly awakens to sensual situations she never felt with Andre. The film gives the viewer a glimpse of that particular period in Paris. It has a feeling of having been largely improvised, or that was probably the idea behind the screenplay by Mr. Pialat and Arlette Langmann, which takes the viewer into that milieu.The main reason for watching the film are the two stars: Gerard Depardieu and Isabelle Huppert, two of the brightest stars at an excellent point in their film careers. There is magnetism in their scenes as well as sexual explicitness. Guy Marchand appears as Andre, the husband who must accept his wife's decision in abandoning their marriage.
writers_reign
I used to think that Isabelle Huppert became interested in sleaze in the late 90s, around the time she made School Of Flesh but now I see that as far back as 1980 she was inserting a toe into murky waters. Watching this film you get the impression that Pialet has seen Tennesee Williams' A Streetcar Named Desire and focused on Stanley Kowalski and Stella DuBois at the expense of Blanche and decided to speculate on how Stella, a genteel daughter of a plantation owner, hooked up with Stanley, a Polish lorry driver who has been walking erect only since Tuesday. So, presumably using this speculation as a starting point Pialet takes up his scissors and a piece of thin cardboard and fashions Nelly (Huppert) an educated, middle class bored woman and allows her path to cross that of LouLou (Gerard Depardieu) a guy about one and a half steps up from an ape, lately out of the slammer whose only interests in life are sex and violence. The result is predictable; the moth is attracted to the flame. And that's it. No fresh insights into the Human Condition; no polemics, no point of view, just a trawl through a garbage can for its own sake. As ever Huppert and Depardieu are excellent as is Guy Marchand, whom Huppert leaves for Depardieu but sometimes excellence is not enough.
AD
