In Nigerian Pidgin, okada refers to the informal motorcycle taxi service in Lagos. Karimah Ashadu paints the explosive portrait of a gang of bikers revving up for business, despite the official ban. This wild, performative ride draws connections between the representation of masculinity and the vulnerability of this precarious working class.
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In Nigerian Pidgin, okada refers to the informal motorcycle taxi service in Lagos. Karimah Ashadu paints the explosive portrait of a gang of bikers revving up for business, despite the official ban. This wild, performative ride draws connections between the representation of masculinity and the vulnerability of this precarious working class.
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Karimah Ashadu
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