SnoopyStyle Hard-hitting ratings-obsessed investigative TV reporter Max Brackett (Dustin Hoffman) is sent to the Museum of Natural History to do a story about its financial difficulties. Recently fired security guard Sam Baily (John Travolta) locks down the museum and takes everybody including a group of school kids hostage. Laurie Callahan (Mia Kirshner) is Max's inexperienced camera person outside. Lou Potts (Robert Prosky) is the station manager and Dohlen (William Atherton) is the local anchor. While arguing with the curator Mrs. Banks (Blythe Danner), Sam accidentally shoots his fellow guard Cliff (Bill Nunn). The situation escalates into a media circus. Network anchor Kevin Hollander (Alan Alda) reluctantly takes over the broadcast despite mistrusting Brackett. Chief Lemke (Ted Levine) leads the local cops.Travolta tries too hard with his hang-dog face. He gets a bit annoying by acting too much. He would be more scary and more depressed by being quieter. At first, I wondered if he's trying to play a slow character and if it would be better for him to be more normal. The movie does a functional job skewering the news media. Hoffman is a solid selfish newsman. This is not that great but it gets by.

Predrag Travolta does a superb job of playing a semi-educated yet noble working man who doesn't know how to deal with bad luck. He doesn't even understand that his lay-off isn't his fault and nothing can be done about it. He stumbles into a hostage taking situation and initially is too upset to agree to anything, including immediate surrender. The theme is not altogether incredible in our times an embittered employee going berserk and threatening violence. Problem is that Travolta is saddled with the challenge to portray this unwitting hostage-taker, part antagonist and part victim. I'd contend that he failed to bring out this delicate dichotomy. Even Hoffman's full-blooded newsman with a childish, self-centered ambition and some very sardonic light moments in the earlier half, cannot save the film from its maudlin second half, by which time it's already too late for us to care. The screenwriters added bit of humor to this involving story and that made it even better. It's a decent entertainment and certainly recommended.Overall rating: 7 out of 10.

MisterWhiplash Mad City is one of those movies you see in the theater, possibly when you were younger and can remember seeing rated R movies as something of a kind of big deal, and then re-watch it on TV almost as a way to relive the experience as much as enjoy the movie. Then, as one gets older, re-watching the movie isn't quite the same if it isn't, well, very good. And yet even as Mad City isn't something I'd say to a friend "watch this right away, it'll change your life" (that, of course, from Costa-Gravas, would be Z), it's definitely a good view for something on a lazy day or night, or for a minor Dustin Hoffman or (yes) John Travolta craving. It does happen from time to time.The two stars are in very fine shape here- as far as the script can let them be- as a clear-headed but desperate reporter and a security guard with a heap of bad trouble respectively, who are put into an unintentional hostage situation after Travolta's recently fired museum security guard accidentally shoots a fellow guard and has to hold up a bunch of kids who are in the museum (plus Hoffman, in the bathroom after a boring interview while this happens), and then it turns into a media blitz. When these two actors interact the way they do, or even go through their somewhat predictable motions, it works at the least because we get to see Hoffman and Travolta as characters they've worked out and almost perfected in their own way. We believe them in this situation, and that should be enough to make it at least compelling viewing....Except, unfortunately, for a preachy screenplay, which half the time is simplistic tabloid entertainment and the other half dogmatic about the nature of the media. Costa-Gravas tries for moments that go for the satirical (one of my favorite bits is when we see the shot security guard recovering in his hospital room, waking up the first time to see a giant camera crane rising outside of his window to get his reaction to seeing a giant camera crane from a news group). It's definitely 20 years too late: Network got their first, quicker, brighter, funnier, and even with some better action. Perhaps there would have been more possibilities if the movie had been made today, when cable news is even more saturated with BS filler, one analysis to the next taking up time from actual other news that could be reported.But, for complaints that can be had with Mad City, and there are more than a few, it's surely watchable Hollywood stuff, and this is thanks to the direction (I really liked the tension when Travolta is telling the kids the Indian ghost story in front of the display in the museum), and a nice roster of supporting/character actors. If you've never seen a Dustin Hoffman or John Travolta movie before, by all means look elsewhere. But if you got nothing better to do, it isn't bad.

Rommel Miller Albeit something of a spoiler, this film ends somewhat like "Soylent Green" in which the protagonist screams "Soylent Green is people!" to awaken and reveal a relevant truth; and so too does the character of Max Bracket, portrayed by Dustin Hoffman in an awesomely tragic and long crane shot declare: "WE KILLED HIM, WE KILLED SAM!" as a throng and horde of media and on-lookers engulf him. This film is a biting indictment of the media circus that we look upon as Network and Cable news, and it shows how one story, the story of a simple yet complex man can be manipulated to fit the needs of those manipulating the supposedly objective nature of the news. "Mad City" shows that there is no such thing as objective reporting, or even loyalty amongst reporters, and that integrity rests with the subjective individualists such as Max Bracket who seem to have the bottom line of a scoop in their best interest, but whose humanness and ethicality cause them to care and empathize with their subjects. "Mad City" therefore, should be compulsory viewing for all Mass Comm majors for it shows how egos can overpower what should be the real impetus behind the news: the pursuit of the truth, and not sensationalism.