one-nine-eighty Oi oi, it's Danny fahkin' Dyer in Wahndahlaind. A modern retelling of the famous 'Alice in Wonderland' story but set in an urban and seedy world with nasty cockneys, gangland warfare, drugs, pimps and pushers. This story follows Alice (Maggie Grace), who is an American law student, in London, who gets knocked down by a black cab driven by whitey (Danny Dyer) and is left with mild amnesia. A twisted and strange journey ensues while Alice gets her mind back. A low budget film with average acting becomes a mildly enjoyable film if you give this film a chance. Don't expect a knockout film and you'll be alright.

aimless-46 Had I made the film "Malace in Wonderland" (2009) I would be quite proud of it. But it is not something that I would casually show to a random group of people expecting an enthusiastic response. Its target audience is the off-kilter and twisted, and not even all of those will wildly embrace this effort. But if you get off on oddity, quirkiness, and fun you should seek out this film.This is the fourth of five relatively recent efforts to "out-weird" Carroll by taking the framework of his story and constructing a feature film that reflects the director's inner child at the expense of the wit and wisdom of the source material.If a perverse homage is your cup of tea and you don't hold your own image of the Mad Hatter sacred, then you should check out this film along with the other four: Tim Burton's recent release, Terry Gilliam's "Tideland" (2005), Czech animator Jan Svankmajerand "Alice" (1988), and the one that started the trend-Richard Elfman's "Forbidden Zone (1982). "Malace" is the best of the group if only because it captures more of the original's spirit. It's gotten to be a rather well-traveled path but this one benefits from a closer association to the original "Wonderland".In this case Carroll's story is transported to the gritty underworld of modern day East London (insert lowlifes, drug lords, addicts and pimps here). But not so gritty that there are not a lot of bizarre characters with counterparts in the original wonderland and looking glass worlds.Lost's Maggie Grace plays Alice Dodgson (Carroll's real last name although she has amnesia and is nameless for most of the story - perhaps a symbolic connection to his use of a pen name). Danny Dyer is a London Taxi driver named Whitey, and like the White Rabbit he is often running late despite being obsessed with time. Nathaniel Parker is a recently released from prison underworld boss, like the Queen of Hearts he holds a trial when his tarts (in this case a string of hookers) are stolen.Bronagh Gallagher is Hattie, the operator of a truck stop brothel, she holds Mad Hatter tea parties with the assistance of a sleeping Dormouse. Gallagher's character is by far the best of the ensemble and you wish that she had more screen time.Gary Beadle is DJ Felix Chester (the Cheshire Cat) and Paul Kaye is the Caterpillar. The Tweedle twins are employed as burly nightclub bouncers . Matt King plays a hustler named Gonzo, a significant character who apparently was kidnapped from the set of a Muppet parody and has no Wonderland parallel (go figure??).Grace's Alice is your basic still coltish Homecoming Queen who does not yet realize (or at least convincingly pretends to not realize) how incredibly hot she has become. I have read that she was a last minute replacement for Misha Barton, who also has that quality. Apparently Fellows knew exactly what he wanted for the role and why he wanted it. He effectively utilizes her face in frequent close-up, building a connection with viewers to Alice's very confused point-of-view. It works!! The film has excellent production design, cinematography, and acting for the camera direction. The writing is the only weak area, not that it is poor but rather the project is so ambitious that another rewrite would have been a good investment. The romance and the search for the birth mother have some emotional impact but are poorly integrated into the story. You can overlook a lack of logic (this is "Wonderland" after all) but those two elements seek to provide a resolution to one of the few stories where one is not needed.I just don't see Carroll going out of his illogical lunacy with a logical and predictable ending.Then again, what do I know? I'm only a child.

Dazz Camponi Malice in Wonderland kind of intrigued me because the idea and the thought of making a cockney-gangster version of the Alice in Wonderland story was a clever approach as I haven't heard of a version like it so it's unique. It could have went either way, it could have been something original yet different or it could have been a laughable idea that isn't interesting enough. Malice in Wonderland is pretty much the first. The story is clever yet average, it's clever the way they twisted the known tale of Alice but it didn't grip you in the first fifteen minutes, it took me about twenty minutes to actually get into the movie and no movie should take that long to get your attention. Even though it started quite slow, as time went on, it picked up the pace and started to get better. The acting is average, Danny Dyer plays Whitey (which is, as you've probably guessed, the equivalent to the White Rabbit) and yet again Danny Dyer is basically playing himself, as his character is the same as the other characters he's ever played in movies. However, Malice in Wonderland is the best he's ever been. The talent that shines throughout is the gorgeous Maggie Grace who plays the troubled twenty-year-old Alice. The characters were created cleverly to twist the characters in the story and added a hint of personality from the real world. The direction is done well and the cinematography is okay and it's clever the way they did it. I also loved how they borrowed some of the lines from the old movie and added them for the characters and I liked how it stuck to the original Alice in Wonderland plot and twisted it.Overall, I was on and off about it before watching but after watching, I ended up liking it. It's an above-average movie and I enjoyed it. It's such a brilliant translation and you would like this movie if you liked Alice in Wonderland.Read more reviews at: www.dudedazzmoviereviews.wordpress.com

davideo-2 STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning A young woman named Alice (Maggie Grace) runs in front of a cab driven by Whitey (Danny Dyer) who ends up being her unwitting chauffeur through-out a series of increasingly wild and outlandish events that lead to explain why she's being hunted by a load of people for...some reason or other. Malice in Wonderland has the dubious honour of being the one film I've seen in ages where if a plot existed, I failed to make it out. Obviously intended as a post modernist take on the well known 'Alice' in Wonderland fairy tale (given even more credence given Tim Burton's recent big screen adaptation of the story) all it really manages to achieve is a complete and utter feeling of 'what the hell is going on?' It's a messy bad acid trip of a film, which I've just found out is set in the North East of England but could just have easily have been London for all I could make out (even more confusing given the inclusion of cockney actors Matt King and lead star Dyer.) If even early on, it's got you lost and confused it doesn't get any easier as it goes on and Simon Fellows never lets up on the increasing eccentricity and nonsense.Dyer remains one of the more curious actors of this generation, so it's always interesting to see where his career goes, but more far off projects like this might get him a more off kilter fan base. *