Mind Game

Mind Game

2004 ""
Mind Game
Mind Game

Mind Game

7.7 | 1h43m | en | Fantasy

Nishi is a loser who has a crush on his childhood girlfriend. After an encounter with the Japanese mafia, he journeys to heaven and back, and ends up trapped in an even more unlikely place.

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7.7 | 1h43m | en | Fantasy , Animation , Drama | More Info
Released: August. 07,2004 | Released Producted By: STUDIO4℃ , Beyond C. Country: Japan Budget: 0 Revenue: 0 Official Website: http://www.mindgame.jp
Synopsis

Nishi is a loser who has a crush on his childhood girlfriend. After an encounter with the Japanese mafia, he journeys to heaven and back, and ends up trapped in an even more unlikely place.

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Cast

Koji Imada , Sayaka Maeda , Takashi Fujii

Director

Toru Hishiyama

Producted By

STUDIO4℃ , Beyond C.

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Reviews

politic1983 I first came across the work of Masaaki Yuasa with 2010's "Tatami Galaxy". With the ever-quick dialogue and the constant changing of visual styles, it was clear his style is to assault your senses rather than allow you to relax into an anime. With repetitive narrative, but stylistic variation, you can just about get through a twenty minute chunk episode, one at a time. A feature film, therefore, may feel a step too far for this style of working. But with a title such as "Mind Game" and my aforementioned experience, I knew I was in for a slight fudging of the head. Adapting Robin Nishi's manga of the same name, the aptly named Nishi bumps into old friend – and less-than-secret-crush – Myon on the train one night in Osaka. Myon invites him back to her family restaurant, where they sit and eat with her sister, Yan, and no-good father. It is here where two yakuza enter the fray looking for her father and after a butt-clenching near-death experience, Nishi and the two females make haste to escape the wrath of the yakuza. It is here where things start to get a little peculiar. The yakuza forming a road block over a bridge, the trio, in a car stolen from the yakuza, are launched into the water below and into the mouth of a whale. Here they find a quiet place to rest in the makeshift living quarters of Jii: a man trapped in the whale for some thirty years. Getting comfortable, the film slows a little in pace, losing its frantic edge, though is equally creative in the scenes of play the quartet enjoy. This cannot last forever, however, and the trio get the urge to escape the whale and again see blue skies. Hatching a plan, a frantic chase ensues to escape the whale's mouth, with memories and dreams flashing before each as they run to freedom. Before we start all over again.But I've missed out some bits here…quite a few bits. The film's introduction is an endless stream of visual imagery that is seemingly unconnected. This fast and frantic style brings a lot to take in initially, though is enjoyable to watch as the colourful variety in the images flashes before your eyes, in a similar way to Satoshi Kon's subsequent "Paprika", blurring the lines between reality and fantasy. As the film progresses, however, with the opening repeated to come full circle, this is more than a simple stream of consciousness to look pretty.At key points for each character, nostalgic memories and possible hopes for the future flash before their eyes, forming this montage when combined at rapid speed. These stay with the character's throughout serving as points of motivation to escape, and giving the film a well-rounded completeness on conclusion. There are many apparent "mind games" at work here: flashing mind's eye visions throughout the narrative; and the literal "Sliding Doors"- esque twist of fate at the end showing how it could all have been avoided and life would have been different in an alternate reality – repeating the initial scenario once more in a "story that has never ended." There are a large number of ideas to take in, but Yuasa handles this well enough to avoid unwanted overload for a feature length. The dialogue is sparser than in "Tatami Galaxy", something of a relief to a non-native Japanese speaker, and so the film can be enjoyed, as oppose to endured, with moments of relaxing animation to provide respite. Jasper Sharp's introduction as part of the London East Asian Film Festival notes how its 2004 release coincided with a pivotal year for anime: the release of Miyazaki's "Howl's Moving Castle" and Otomo's "Steamboy" as well as Oshii's "Innocence" screening at Cannes. With "Mind Game", Yuasa's name can fit alongside this company comfortably for originality and style that lives long in the mind. politic1983.blogspot.co.uk
tavm I just saw Mind Game on YouTube after AMID in Cartoon Brew recommended it and I've gotta tell you: You have not and most likely will never see anything like it again! Initially seeming to be a tale about Nishi and his unrequited crush on Myon since childhood, this anime goes in all kaleidoscopic directions that leaves you breathless all the while. If you're tired of all the mostly cookie-cutter CGI features that have bombarded features for the past few years, and want something more unique in Japanese animation, Mind Game fits the bill perfectly! All the animation techniques that have ever existed seem to come into play here and the music score will take you on the wildest trip possible! So on that note, seek Mind Game on YouTube or wherever you can find it.
Vadim Berman Like most people here, I saw Mind Game on a festival - in my case, Melbourne International Film Festival in August 2006 and was simply blown away. I am no fan of anime (I wasn't before Mind Game), because the ones I have seen before seemed either too violent (Akira) or difficult to appreciate because of the Japanese cultural peculiarities (Spirited Away, Princess Mononoke).Mind Game seems to be a blend of Japanese and Western cinematography with only a few cultural barriers for westerners. I believe there are influences by Coen brothers (the hilarious episode with milk vs. "Mr. Mussburger is such a nice man, I give him double stitch anyways"), Run Lola Run, even Amelie. Perhaps the plot is inspired by the book of Job? Add to this Japanese imagination and intentionally left space for interpretation.While the plot is inventive and complex enough, it is not what makes the film, in my opinion. It is the ability to focus on tiniest details and create, well, a detailed consistent absurdist universe.Hopefully, it will be easier to find future creations of the same authors.
albert-schnol I saw this movie at the Brussels International Fantastic Film Festival "www.bifff.org" in March 2006This movie is a real kick in the face, a ballet of music, feelings and poetic vision of life. Something between David Lynch and The Yellow Submarine of the Beattles. The hero is falling into desperation and will meet god for a little interview.Please take that ride ! You will not regret it. This movie is full of pleasure and humor and you will probably cry or laugh ...Thanks BB