Part essay film, part videopoem, Monolith braids found footage, documentary, experimental, 3D animation and narrative filmmaking devices to explore notions of collectivity, dissent, indigenous knowledge and time as a series of folds, splits, ruptures, loops, clusters, drifts, ascents, descents, vortexes, pulses, rhythms, linkages, aberrations, burials, and unearthings. This shape-shifting film addresses ongoing legacies of nationalist archives, archeology, and coloniality.
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Part essay film, part videopoem, Monolith braids found footage, documentary, experimental, 3D animation and narrative filmmaking devices to explore notions of collectivity, dissent, indigenous knowledge and time as a series of folds, splits, ruptures, loops, clusters, drifts, ascents, descents, vortexes, pulses, rhythms, linkages, aberrations, burials, and unearthings. This shape-shifting film addresses ongoing legacies of nationalist archives, archeology, and coloniality.
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Teresita Carson Valdez
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