Mr. Morgan's Last Love

Mr. Morgan's Last Love

2013 "It's never too late to love life again."
Mr. Morgan's Last Love
Mr. Morgan's Last Love

Mr. Morgan's Last Love

6.7 | 1h56m | en | Drama

A widowed professor living in Paris develops a special relationship with a younger French woman.

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6.7 | 1h56m | en | Drama , Comedy | More Info
Released: November. 01,2013 | Released Producted By: Senator Film , Bavaria Pictures Country: Budget: 0 Revenue: 0 Official Website:
Synopsis

A widowed professor living in Paris develops a special relationship with a younger French woman.

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Cast

Michael Caine , Clémence Poésy , Gillian Anderson

Director

Arnaud Denis

Producted By

Senator Film , Bavaria Pictures

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Reviews

jormatuominen There is no end in sight to curiosity about unlikely couples with decades of age difference. Well here the couple finding themselves in a very hard to define type of relationship consist of the actors Michael Caine, age 78 at the time of the filming, and the lovely and soulful Clémence Poésy, age 29 respectively. This film is quite educational for people who keep wondering what is possible and what definitely is not achievable in a relationship with almost 50 years age difference, and what a couple like this might actually talk about between them and what not. The acting is absolutely world class even in the smallest roles, let alone the lead couple who give their particular situation and the twists it will lead them to amazing credibility. The international production has resulted in many impressive shooting locations beautifully captured on film, yes real film. Both intrinsically sad and optimistic about the power of love in spite of everything, Last Love will leave you in tears but in a good way. Do yourself a favor and see it, you might learn a thing or two about life you didn't know before.
jonathan edelstein the point of the film is that isolation can take place at any stage in our lives, at 25 or at 85. whatever their age, people share the same desire for company and for fulfillment, and when these vanish, we wither and vanish. this statement is the genius of the film, a fact which the film critics seem to have missed altogether. reading the reviews, you get the impression that they have not absorbed the film or analyzed it in any useful way. they repeat each other's phrases. there is no independent thought, no intellect or critical faculty applied by any of them. one critic did not even bother to watch the film (he says she is a ballet teacher). the biggest problem with the film, i would say, is its audience. the best reviews are found in the comments, which are made by amateurs.
machenewsgroup It starts... wonderfully - Michael Caine with his usual magnetic pull,the female lead looking perfect for her character. It all seems to be heading in the right direction until... they talk. Michael Caine's character should have been simply - a British character. His accent is far to thick and too distinctive to be covered-over by any other accent. Throughout the film Michael isn't sure if he is an American or a Brit and and one point goes to Texas and back. The man is a legend, surely when filming him at the time, the director and screenplay writer (same person) should have been frowning at herself for making this icon of the screen take us on a world tour of English, ruining his amazing facial and body movements. A quick rewrite as a Brit, the character would have been perfect. Now... as for the female lead. Where to begin? Her accent is even more country-less. Is she French, English, American or even oddly Scots/Irish? I could hear all of these accents at some point in the film. Again, is the director deaf or just reading her script without actually hearing it? To set a film in such a prominent location as Paris, characters need to be absolutely established as to who they are and where they come from. The main female character is apparently French but she speaks 80% of the time with a British accent. You could argue the character **spoiler** has a father that was British and maybe she had grown up there? No... Michael Caine's character often corrects her English - so we have a girl with an English accent that can't actually speak basic English?? It turned me off. I am a voice artist/impressionist, anyone like me that is annoyed by bad accents, avoid this film. ;-) On to the overall plot: It gets messy. Other characters simply get in the way of the main purpose of the story. Gillian Anderson appears like she's in a flash-back to the X-Files... Serving no purpose in the room or as a character, talking, blah blah then a few serious looks is gone as soon as she arrived.Generally, Michael Caine was too big for this film to handle. As another reviewer says: "Soap Opera" - I wholeheartedly agree. This could have been far, far better. The ending is irritating and does not conclude the characters in a satisfactory way at all.Disappointed.
siderite For some reason, Michael Caine was chosen to play an American old man living in France. He is devastated by the death of his wife and can't cope with it. He contemplates suicide when he meets an interesting and very young French girl who breathes some life in his routine driven drab excuse for an existence. He tries to commit suicide and fails, making his son and daughter to come visiting. The French girl wants to fix everyone's problems, including her daddy and family issues.Up to this point, the actors were well fleshed out, the acting good and the mood, even if boring sometimes, was interesting, feeling like something one might learn from. But towards the end Caine's character becomes more and more erratic. Far from a lovable old man and a great father, the script is trying to force him to become one with the other characters inexplicably making huge efforts to fix him. The ending is inexplicable as well, mostly because after all that effort, it seems really wasteful.Clémence Poésy is very cute, even Harry Potter thought so, and Michael Caine remains a good actor, even if he didn't seem at all the right choice for this role. And I believe this is the part where the movie fails completely: the casting. Caine as an American, with his clearly British accent and his demeanor, I am sad to say, that of an angry bully, not a sad old man as the role demanded, was a horrible choice. I can applaud Justin Kirk trying to not play a funny guy anymore, but you do that in a movie where everybody else is well cast. As such, he was also a weird choice. And Gillian Anderson playing very well her role, I think it was actually right for her, but her character has a few scenes and then goes away.Bottom line: the ending and the casting make this film a failure, in my mind. Besides a few well acted emotional scenes that brought tears to my eyes and some others that seemed like they are going to teach me something about human nature, it turned out to be a bore. Also, the script seemed written somewhere in the past. No one used a cell phone? Really?!