George Wright Mrs. Soffel is one movie with a fine cast that I missed in the 1980's so when I saw this move as a $2 DVD, I snapped it up. It is a period drama and romance with interesting sets depicting Pittsburgh in 1901 and the prison for death row brothers, Ed and Jack Biddle. They are befriended by Diane Keaton, as Mrs. Soffel, the well-meaning wife of a prison warden played by Ed Hermann. The Biddle brothers are Mel Gibson and Matthew Modine as Ed and Jack Biddle. They are likable and good-looking and far from the image of hardened criminals, thus winning the hearts of working people, women especially. Mrs. Soffel is a Christian activist, who visits them with Bibles in hand trying to comfort them. She is a bright, middle class woman with a hard-working, responsible husband and three children. But Mrs. Soffel, who suffered from depression, is not content. Diane Keaton portrays a woman of her time who wants to go beyond her comfort zone and live a meaningful life. Thirty eight at the time of the movie, Keaton's age is about right to portray Mrs. Soffel, who is reaching middle age with her children getting older but she is a passionate woman whose own husband is focused on his career. Mrs. Soffel falls deeply in love with Ed Biddle. No small matter for a woman of her time. Both Diane Keaton and Mel Gibson were clearly chosen for their star appeal. Gibson is 10 years younger at 28, so this makes the romance more scandalous for the early 1900's and possibly titillating for a modern audience. As a period drama, it falls short because the romance gets the upper hand. Nevertheless, the prison sets, the on-location train travel and views of the horse drawn sled in the countryside are quite effective. I did like Matthew Modine as Jack Biddle, the less mature but more fun-loving younger brother. Mel Gibson cares deeply for his brother and wants him to be spared the noose; he feels it's his fault. He also is the true romantic who falls head over heels for Kate, Mrs. Soffel, writing poems about her and showing as deep an affection as he can behind the bars that separate them. Ed Hermann gives a good performance as Mrs. Soffel's husband, a man who performs his roles as husband and father, while awkwardly carrying on as prison warden.

laurraine I skimmed the other comments before writing this one in case I'd missed something, but I think my initial lukewarm reaction to the film, which I saw on Turner Classic Movies, is the one I'll stick with.I tuned into this movie because of Mel Gibson and also because I also happen to like Matthew Modine and Edward Hermann.One commenter said something about the director liking strong female characters, but I didn't see Mrs. Soffel as being strong. Yes, she was unfortunate to be born at a time when women were basically seen as appendages to men. Her husband was not terribly understanding. As the movie opens, she is ill. Then she seems to undergo a miraculous recovery after being bedridden for months. My interpretation of this is that she had probably been suffering from a depressive episode. Yes, Mrs. Soffel is weak. Instead of doing something positive to stir her out of her situation, she falls prey to a criminal, who, admittedly, may not have been all bad. I suppose she had formed some sort of romantic image of Ed Biddle. And perhaps he also had a romantic streak. Both characters are shown to be not at all realistic in the way they see life.I also found the film rather slow-moving, especially at the beginning. I almost stopped watching. Overall I found, though there were some touching emotional moments, especially at the end, that the movie lacked much of a plot and the characters lacked depth. With such a weak script, I think it would be difficult for me to see much for the actors to have worked with and cannot praise their performances. I wouldn't consider the movie to have been a complete waste of my time, but I couldn't really recommend it.

sabina-pace oh the power of sex with a young piece of stuff (Mel Gibson) when you are a 35 year old woman with an unloving, ungrateful, old and ugly husband! i, also, chanced on this film when little other viewing was on. i could easily have changed channel,as the beginning of the film was uninspiring, but i was interested to see Mel Gibson in one of his early roles, in which he looks much younger than the 28 years he was at the time. i was surprised not to have seen the film, Mrs. Soffel, before, it has been around since 1984. Mel is not one of my favourite actors, but he does a good job with the role of a hot,charming guy, and believable performance in persuading Mrs. Soffel to help him escape prison. well, what a waste it would be to hang him! the film helped me to understand why so many women fall for and marry convicted murderers with life sentences. sexual chemistry can go right to a woman's head! i did wonder if reality kicked in for Kate Soffel (brilliantly played by Diane Keaton) when the sheriff's men started to chase and shoot at them! or are we to believe her life before was so dreadful she would rather die? ladies, the moral is, keep well away from temptation, before it is too late. the film had the makings of being a real weepy, and i was prepared to get the tissues out, but the script was not verbally in-depth enough to stir my heart. i wept buckets at Mel Gibson's performance in Braveheart. maybe if the ending had been more heart rendering this film would have had more attention. still, worth watching for two good acting performances. a film for the girls. female writer.

Tanechka "Mrs. Soffel", a movie much overlooked in the mid 1980s, deserves a reevaluation at present. With the advent of so many successful period films, "Mrs. Soffel" can be seen as a predecessor of sorts. The movie, a true story filmed on location in Pittsburgh, PA, is one of exquisite beauty and restrained passion. The emotions evoked by it are comparable to those produced by the more modern "The Age of Innocence" and "The Remains of the Day". The doomed couple, played by Diane Keaton and Mel Gibson have an extraordinary chemistry which smolders throughout the entire film. In addition, the cinematography is beautiful (for something filmed in 1984, it's almost remarkable how effective the atmosphere is!). Do not look towards this movie if you are seeking unbridled romance or breath taking action. The rewards of "Mrs. Soffel" are far more cerebral.